KSU Information Services, Please Increase the Wireless IP Pool

September 10, 2009

Today, I finally learned that another issue may have been contributing to my computer woes in SFH 213. Apparently, the IP address pool for wireless network connections at KSU has run out of addresses, but a greater allocation of IP addresses for use on the wireless network should be in place by Monday.

As in my previous SFH classes, my students and I roll with the punches and switch to the tried and true method of writing on paper. With their daily work on pulp, I ask them to type up their scribbling on vista when they are online in the dorms (I wonder if this IP allocation issue is affecting the dorms–I understand that not all students use ethernet). This extra step with writing, as I told my students in that class, may actually help them develop their writing further, because it adds another layer or step to their production of text. I encourage them to consider what they wrote in class and how they can make it better or write it differently when they are transcribing it on vista. Considering this, it will be interesting to see how my two classes develop if the computer connectivity issue continues.


College Writing, Space Exploration Theme, Take Two

May 18, 2009

I just completed my second semester teaching college writing I at Kent State University, and I’ve learned a few more things about teaching and how to organize my class (for my past postings on college writing click here).  

In Fall 2008, I taught my first college writing class at KSU with the theme, “Space Exploration and Your Future.”  In that singular class, I employed a variety of materials to augment and provide prompts for student discussion and writing.  The primary sources included Walt Disney’s Mars and Beyond, Arthur C. Clarke’s 2001: A Space Odyssey, and Carl Sagan’s Pale Blue Dot.  

Based on the feedback that I received from my students at the beginning of the school year, I didn’t retain Sagan’s book for the Spring semester, because many students had difficulty engaging that particular science popularization.  It bears noting that I didn’t drop that text, because I thought it was too difficult for my students; instead, I dropped it, because I felt my student’s lack of engagement with the text created a roadblock to the more important goal in the class, which is to develop their professional writing skills.  In the place of Pale Blue Dot, I included Tom Wolfe’s The Right Stuff, because it serves as a model of “good writing” and its “right stuff” thesis provided material for in-class exercises and one of the major essays in the Spring semester classes.  

In addition to The Right Stuff book, I provided time for viewing the film version by Philip Kaufman, and the film version of 2001: A Space Odyssey by Stanley Kubrick.  My reasoning behind this was that students in my Fall class had trouble imagining or visualizing the things that we read in Clarke’s 2001. Again, I didn’t want the reading to become an impediment, so I thought augmenting the text with video might bridge my students’ understanding of the texts and provide for useful discussions and writing prompts.  

Now that I’ve finishing reading my students’ final portfolios, which I was happy with overall, I learned a few things about what my students thought of the major (and some of the minor) assignments based on each students’ reflective essay.  Overwhelmingly, my students reported problems with watching Kubrick’s 2001: A Space Odyssey.  They seemed to enjoy the novel much more than the film.  During class, we discussed this disconnection between the two media, and the consensus seemed to be that the film is too theoretical, too abstract, and lacking the concrete details and explanations found in the novel.  I believe that I will cut the film from my class in the Fall based on this feedback, and I will find other ways to help students engage the novel, which may include documentaries, guided research, and in-class discussion/lecture.  

The other thing that I learned was that the film version of The Right Stuff was probably unnecessary, too.  It did provide an opportunity to discuss the differences of using different media to present a thesis or idea, but I don’t know if I want to devote that much time to the film in the future.  I have not definitively decided if I will keep Kaufman’s film, but I do think that its use was more successful in the class than Kubrick’s 2001.

Other feedback that I received from my students included their gaining benefits from reading their work in class, which provided them with confidence in their work, prompted them to work harder on those assignments, and hearing what others had to say and how they said it.  I first did this in my Fall semester class, and I plan on doing more of this in my two Fall 2009 semester classes.  I received mixed responses to peer review from my students this semester.  I believe that the problem with peer review was two fold–I am still working toward a better way to demonstrate and inculcate peer review skills, and students didn’t always receive the kind of feedback that they desired.  I’ve spoken with some folks in the department about this, and I got some good ideas from Pam Takayoshi and others at the Blogging Brown Bag series that I will employ in the future (e.g., having groups meet individually with me for a peer review modeling session).

A final idea that I have for my Fall 2009 classes is that I will move the entire class online.  All handouts and course materials (besides assigned books) will be online.  I almost fully implemented this with these two classes.  The other aspect of the class will be handled through blogging.  I will have my students do their journals, daily writing exercises, and major papers all on individual blogs that I will guide them through configuring at the beginning of the semester.  This semester I gave my students written letters for feedback, so carrying things a step further my going online for their assignments will only complement my reader responses.  Additionally, I will have to walk between two buildings about ten minutes apart on campus with only that much time between my two classes, so I feel that moving the writing online will simplify my access to my students’ work, and prevent the loss of any materials that I may have lug through the wintery weather.  

I’m looking forward to revising my syllabus over the Summer so that I can provide an improved experience for my future students.


Supposedly Different College Writing Classroom Dynamics

April 5, 2009

My hypothesis walking into my two classrooms in Moulton Hall at Kent State University this semester was that my morning classroom would facilitate discussion better than my afternoon classroom.  The reasoning behind my assumption was that the morning classroom has a great big central table with almost enough room for my 25 students to sit around it, and the afternoon classroom has “United Nations” style forward facing rows of tables in a distance learning enabled room.  My experience as a student and hearing others’ experiences led me to believe that sitting in a circle, so that all classroom participants, students and instructor, may see one another, produced better discussion.  It seemed like the traditional classroom layout of students facing forward and seeing the backs of one another’s heads stifled inter-student discussion and promoted instructor led lecturing.

img_0535Morning Classroom

img_0536

Afternoon classroom

Now that we’re about to begin week 11, I have found over the semester that the conversations and discussion in the classrooms are nearly the same.  I suppose that it comes down to the students and the instructor.  My morning students talk just as much as my afternoon students.  In both cases, sometimes the conversation takes off organically, and other times I employ wait time, begin with writing prompts, or call on individual students to begin the conversation.  The one thing that I have noticed the most is that students in my afternoon class might develop sore backs from turning around in their chairs to see who’s talking or to address another student directly.  

There are a myriad of other possibilities that could contribute to the way my two classes engage in discussion despite the different classroom configurations.  My concern about the different classroom layouts may have contributed to both classes having good discussions, because I may have tried to get the afternoon class more energized or my observation and reflection on the earlier class may have honed my approach in the afternoon class.  Additionally, the students in the afternoon class may be a group of students that don’t need face-to-face contact to engage in lively discussion.  

This is certainly not an extensive survey of classroom dynamics, but it was a lesson that I was glad to learn and wanted to share.  I want both of my classes to be active and I want my students in both classrooms to have an equally positive and enriching experience.  I’m very glad that my assumptions about the classrooms didn’t come true.  

A short note on recent classroom activities:  This past week, we had a slow march into Arthur C. Clarke’s 2001:  A Space Odyssey, because I wanted to engage the students in two short writing assignments based on a documentary on the film version of 2001 that showcases the technology they would encounter in the book and film (which we will begin watching Friday), and a passage from the book on dissatisfaction and using our imaginative foresight to devise personal plans for overcoming person dissatisfactions.  This past Friday, my students shared their short dissatisfaction essays out loud in class, and we had some fruitful conversation in both classes based on that work.


2001 A Space Odyssey and College Writing

September 25, 2008

One choice that I wanted to adhere to in designing my first college writing course was that I would have my students read some Science Fiction.  Since I settled on the space exploration theme for the class, I thought that Arthur C. Clarke’s 2001:  A Space Odyssey was the path of least resistance to bringing SF into the writing classroom, particularly when the majority of them had never read SF (a suspicion confirmed by talking with my students).

I assigned the novel as part of the second unit of the course, in which my students will write their second formal essay.  Over the course of two weeks, I have my students read one (during the week) or two parts (over a weekend), and we come together to talk it over in class.  In addition to the text, I bring a lot of materials to class such as documentary videos and still images from the Kubrick’s film and astronomy observations.  Also, I bring my science background to class, because my students have had many poignant and spot-on questions about the science that takes place in the novel.  The integration of science, which they should have had some exposure to in high school, into the writing curriculum allows for another level of instruction in addition to the tremendous, yet not impossible, amount of writing that I require of my students.  Also, their curiosity about how and why things work the way that they do is leading them down the path to developing better critical thinking skills.

I can report that there have been good days and bad days in regard to our discussions on the novel.  A large part of that is my own lack of experience in leading discussion, using wait time, and encouraging my students to think about things before class through tailored assignments.  I spend a lot of time, a whole hell of a lot of time, planning my classes.  My student’s weekly two page journals have been an invaluable resource for altering course when one thing works better than another, because I can get their reflective feedback on things that we do, in addition to my own observations of class and my performance.

As much as I’ve enjoyed using 2001:  A Space Odyssey thus far in class, I’ve now come up against a wall regarding their next writing assignment.  I have a couple of ideas, but I will have to narrow these down tomorrow and put together a handout to give out on Friday after we finish talking about Bowman’s exit and return through the Star Gate.

This returns us to planning.  I’m still grappling with finding the appropriate time to devote to class planning and responding to my students’ work.  I can confidently say at this point in my burgeoning professional career as a teacher and researcher that I cannot meet my students on the page with the same intensity and time as someone such as Carmen Kynard, who writes about her work and experiences as an instructor in her article, “‘Y’all Are Killin’ Me up in Here’:  Response Theory from a Newjack Composition Instructor/SistahGurl Meeting Her Students on the Page.”  I wish that I could, but there isn’t enough time in the day (and I’m only teaching one course–Kynard writes about having 140 students!).  I spent approximately 10 hours evaluating my students’ first essay, and I regularly spend at least an hour and a half to two hours prepping for each class.  I realize that this is my first time teaching, so I’m building up an archive of materials and methods of teaching that I will be able to remix and re-purpose in future classes, but at this point, it all seems rather overwhelming to me.  I want to give my students my all, because I expect no less from them.  On the other hand, teaching is only one aspect of my PhD career at this point, and I have to engage the courses that I’m taking and produce my own work for those courses (and conferences–I still have to rewrite my Transsexual Technologies paper for SLSA 2008).

So, that’s my report thus far from a lone spaceman in tiny pod floating in space and feeling many millions of miles from home.  Luckily, my shipboard computer didn’t try to kill me, but the stresses of second year PhD life are taking its toll.


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