CFP: Society for Utopian Studies Conference, Archiving Utopia – Utopia as Archive, Deadline June 1, 2011

January 31, 2011

I saw the following call for papers for the annual Society for Utopian Studies conference on the H-Utopia email list this morning. It looks like Sonja Fritzsche, who wrote a very good book on Science Fiction in East Germany that I reviewed in The German Quarterly and wrote about here, is the conference’s programming director. I have an idea for a paper for this year’s conference, so I may see you there in October. Read below for the full cfp and details on submitting paper abstracts.

THE SOCIETY FOR UTOPIAN STUDIES – 36th Annual Meeting

Archiving Utopia – Utopia as Archive

The Nittany Lion Inn on the Penn State Campus
State College, Pennsylvania
October 20-23, 2011

The 2011 Society for Utopian Studies Annual Conference celebrates the
ongoing evolution of one of the world’s largest-and best–collections of
utopian materials in the world. The Arthur O. Lewis Utopia Collection is
housed in Eberly Family Special Collections Library at Penn State’s Paterno
Library. The Society’s own archive resides here, as do thousands of titles,
primarily in British and American utopian literature, published from 1516 up
to today. In addition to the usual stimulating schedule of papers, this
conference will feature an exhibit highlighting some of the collection’s
most valuable treasures. Participants will have the opportunity to acquaint
themselves with the many research opportunities here.

The conference will not only highlight the breadth and depth of the Lewis
Collection, but also the importance of the archive as broader theme within
Utopian Studies. This refers not only to actual physical spaces, but also
the significance of the archive in utopian literature, archival practices in
utopian movements, and the archive as utopian space itself.  We ask for
papers, panels, presentations and performances on the cultural, political,
social, architectural, and managerial aspects of the archive as utopian
space.   We also welcome papers on other aspects of the utopian tradition -
from the earliest utopian visions to the utopian speculations and yearnings
of the 21st century, including art, architecture, urban and rural planning,
literary utopias, dystopian writings, utopian political activism, theories
of utopian spaces and ontologies, music, new media, or intentional
communities.

Finally, in advance of a special issue of Utopian Studies on the theme of
“utopia and education,” we also highly encourage papers on any aspect of
that topic: utopian pedagogies (in utopian fictions or in actual practice),
utopia as an educational process; education as a utopian process; the
university as (intentional) community; geographies of utopian education.

*       *       *

State College, Pennsylvania is home to Penn State University’s main campus,
with around 45,000 students. In addition to Penn State’s beautiful
University Park campus, surrounded by farms and mountains, the town itself
offers restaurants and shops. The University Park airport, serviced by
Delta, United and US Air, is only 10 minutes from the conference hotel.
State College is located between 3 and 5 hours by car from New York,
Baltimore, Philadelphia, and Washington, D.C.

Please send a 100-250 word abstract by June 1, 2011 to:

Sonja Fritzsche
Modern and Classical Languages and Literatures
Illinois Wesleyan University
201 E University Ave.
Bloomington, IL 61702
USA

Or e-mail submissions to:  sfritzsc at iwu.edu (please put “sus submission” in
the subject line).  As you submit your abstract, please indicate if you have
any scheduling restrictions, audiovisual needs (overhead projector; digital
projector; PC/Mac laptop, speakers, DVD/VHS player), special needs, or a
need for a written letter of acceptance of your proposal. Note: All specific
audiovisual requests must be included in the original abstract submission.
Late requests cannot be fulfilled due to conference organizational
deadlines.

For information about registration, travel or accommodations, please contact
the Conference Coordinator, Jennifer Wagner-Lawlor at jaw55 at psu.edu, or
phone 814-867-0367.


R.D. Mullen Research Fellowship Deadline on April 1 (no joke)

March 4, 2010

If you want to get funding to research in the Eaton Collection of Science Fiction, Fantasy, Horror, and Utopian Literature at UC-Riverside, then you have until April 1 to get in your application. See below for all of the details.

JUST A REMINDER: The R.D. Mullen Reseach Fellowship Committee has extended the deadline for receipt of applications for awards in 2010-11 until April 1. Please spread the word to any eligible students in MA and Ph.D. programs and urge them to apply. There is one month to go and we’d like to have a reasonable pool of candidates from which to select winners.

Call for Applications: R.D. Mullen Fellowship Science Fiction Studies announces the second annual R.D. Mullen Fellowship supporting research in the J. Lloyd Eaton Collection of Science Fiction, Fantasy, Horror, and Utopian Literature at the University of California at Riverside. Awards of up to $1500 are available to fund research in the archive during the 2010-11 academic year. Students in good standing in graduate degree-granting programs are eligible to apply. We welcome applications from international students. The Mullen Fellowship, named in honor of SFS’s founding editor, promotes archival work in the Eaton’s extensive holdings, which include over 100,000 hardcover and paperback books, over 250,000 fanzines, full runs of all major pulp and digest magazines, and the manuscripts of prominent sf writers such as Gregory Benford, David Brin, and Anne McCaffrey. Other noteworthy parts of the Collection are: 500 shooting scripts of science fiction films; 3500 volumes of proto-sf “boy’s books” of the Tom Swift variety; works of sf in numerous foreign languages, including Chinese, Czech, French, German, Hebrew, Japanese, Polish, Portuguese, Romanian, Russian, and Spanish; a large collection of taped fan conventions and taped interviews with American, British, and French writers; reference materials on topics such as applied science, magic, witchcraft, UFOs, and Star Trek; an extensive collection of anime and manga; and the largest holdings of critical materials on science fiction and fantasy in the United States. Further information about the Eaton Collection can be found online at: <http://eaton-collection.ucr.edu/>. Applications should include a cover letter explaining the candidate’s academic experience and preparation, a CV, a 2-3 page proposal outlining a specific and well-developed agenda for research in the Eaton archive, a prospective budget detailing expenses, and two letters of recommendation from individuals familiar with the candidate’s academic work. Applications should be mailed to: Professor Rob Latham, Department of English, UC-Riverside, Riverside, CA 92521-0323. Electronic submission (as RTF or PDF files) to <rob.latham [at] ucr.edu> would also be welcome.
The deadline for submission is April 1, 2010. Applications will be reviewed by a committee of sf scholars, and successful applicants will be notified by May 1, 2010. Any questions should be addressed to Rob Latham at: <rob.latham [at] ucr.edu>.


CFP, Changing the Climate, Utopia, Dystopia, and Catastrophe 2010 Conference

February 22, 2010

Leslie Kay Swigart send the following conference cfp to the SFRA email list. It’s for a conference that takes place just before WorldCon and both are in Australia. It sounds like the perfect excuse for an extended stay in the land down under. Read on for the details and the outstanding guest lineup–John Clute, Kim Stanley Robinson, Tom Moylan, and others:

CALL FOR PAPERS

CHANGING THE CLIMATE: UTOPIA, DYSTOPIA AND CATASTROPHE
The Fourth Australian Conference on Utopia, Dystopia and Science Fiction

30th August =96 1st September 2010

Monash University Conference Centre
30 Collins Street, Melbourne, Victoria 3000, Australia

A conference organised by the Centre for Comparative Literature and
Cultural Studies at Monash University

WEBSITE: http://www.arts.monash.edu.au/cclcs/conferences/utopias/4/index.ph=
p

In December 2001 the University of Tasmania hosted a successful
conference around the theme of Antipodean Utopias. In December 2005,
Monash University hosted a second conference, around that of Imagining
the Future, to mark the long-awaited publication of Fredric Jameson=92s
book Archaeologies of the Future. A third conference, Demanding the
Impossible, followed in December 2007, again at Monash. Despite the
apparent optimism of all three conference themes, dystopia remained a
recurrent preoccupation in their discussions. This fourth conference
will directly address the questions of dystopia and catastrophe with
special reference to a problem that increasingly haunts our imaginings
of the future, that of actual or possible environmental catastrophe. As
Jameson himself wrote in The Seeds of Time: It seems easier for us
today to imagine the thoroughgoing deterioration of the earth and of
nature than the breakdown of late capitalism; perhaps that is due to
some weakness in our imaginations=92.Hopefully, this conference will play
some small part in changing that particular climate of opinion.

The conference invites papers from scholars, writers and others
interested in the interplay between ecology and ecocriticism, utopia,
dystopia and science fiction.

OPENING ADDRESS

The opening address will be given by Kate Rigby, Founding President of
the Association for the Study of Literature and Environment,
Australia-New Zealand, and author of Topographies of the Sacred: The
Poetics of Place in European Romanticism (2004).

KEYNOTE SPEAKERS

John Clute
Science fiction writer, Director of the Department of Story Future in
the Centre for the Future at Slavonice and co-author of The Encyclopedia
of Science Fiction (1993) and The Encyclopedia of Fantasy (1997).

Tom Moylan
Emeritus Professor and Founding Director of the Ralahine Center for
Utopian Studies, University of Limerick, author of Demand the Impossible
(1986) and Scraps of the Untainted Sky (2000) and co-editor of Dark
Horizons (2003).

Kim Stanley Robinson
Distinguished science fiction writer, winner of two Hugo Awards and
author of the Orange Country Trilogy, the Mars Trilogy, Antarctica, The
Years of Rice and Salt and the Science in the Capital Trilogy.

Deborah Bird Rose
Professor of Social Inclusion, Macquarie University, author of Dingo
Makes Us Human (2000), Reports from a Wild Country (2004) and Wild Dog
Dreaming: Love and Extinction (in press).

Linda Williams
Associate Professor in Art History at RMIT University, curator of The
Idea of the Animal exhibition (2004) and the HEAT: Art and Climate
Change exhibition (2008).

The conference invites papers from scholars, writers and others
interested in the interplay between ecology and ecocriticism, utopia,
dystopia and science fiction.

CONFERENCE ABSTRACTS

Abstracts (approx. 100-150 words) should be sent by 30 June 2010 by
e-mail to:

<Utopias@arts.monash.edu.au>

or by post to:

Utopias4 Conference
Centre for Comparative Literature and Cultural Studies
School of English, Communications and Performasnce Studies
Clayton campus
Monash University
Victoria 3800
Australia

REGISTRATION

The conference will take place over three days.

Full registration for the three days costs $A280, with a concessional
price for students and the non-employed of $A140.

Registration for one day only costs $A110, with a concessional price of
$A55. All prices are GST inclusive.

Registration is due by 31 July 2010.


The Utopian Violinist and Conductor, André Rieu

May 17, 2009

Tonight, Yufang and I drove to Cleveland to hear André Rieu and His Johann Strauss Orchestra.  We had third row seats in the Cav’s arena, so we really got to see all of the antics Rieu and his band put on while belting out waltzes and old standards.  There was a permeable energy throughout the arena when Rieu and his band were performing.  To be honest, I wasn’t sure what to expect when I noticed that 99% of the audience were at least 30 years older than me.  However, the audience tapped into the vibrant spirit of the music, and there were folks dancing in the aisles before the evening was done.

The reason that I’m mentioning the performance on my blog is that André Rieu is a utopian.  Despite lackluster applause from the primarily Northeast Ohio audience when he made his first dedication, he pledged “The Exodus Song” for the children of the world.  Rieu said that he, as should we all, desire a future of peace where children can play free from harm.  The song obviously carries a Kantian cosmopolitan theme in that the “land” or Earth belongs to each and every person.

And to close the regular program, Rieu invited the audience to imagine “a place that is no place,” a future of peace.  With Star Trek-like star scape sliding by on the projection screens and the star field behind the orchestra lit up, he introduced “Ode an die Freude” or the “Ode to Joy” by Friedrich Schiller and Ludwig van Beethoven as a song about brotherhood and coming together.  He asked us “to step into the future” with him as he and his orchestra performed the moving song.  You can watch an earlier arrangement Rieu performed of this with only two sopranos here, but tonight we were treated to a version with his three tenors and three sopranos.

If you have the opportunity to hear (and see) André Rieu perform, I definitely recommend you doing so.

PS  You can find André Rieu on Twitter here.


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