SF Lab Radio Show Special – Movies

Catch the latest installment of the Georgia Tech SF Lab Radio Show on FM91.1 in Atlanta, Georgia or online at wrek.org tomorrow night, Sunday between 7-9 PM. This episode focuses on SF film, and I’ll be reading an 8 minute review based on my “Forced Deep Throat in AVP2” blog post.

Mark your calendars that the third Sunday between 7-9PM is the new time slot for the SF Lab Radio Show.  Here’s a sneak peak at the upcoming episodes:

  • March 16th – SF and Environmentalism
  • April 20th – Gaming
  • May 15th – TBD
  • June 15th – TBD

Tune-in and enjoy!

On Forced Deep Throat in Aliens Vs. Predator Requiem

On Christmas Day, 2007, I went to see Aliens Vs. Predator: Requiem with Ryan, Jarret, Bert, and Stacey. Considering the poor quality of the first Aliens Vs. Predator film, and the general decline of the franchise in general (Aliens is clearly the high-water mark), I wasn’t expecting much from this film. Despite the dreadful story and horror film hijinks, I was pleasantly surprised to see that there was something worth discussing embedded within the film. However, I don’t say that flippantly, because it involves serious subject matter in need of reflection away from the glare of the big screen.

This latest installment of the Aliens vs. Predator films is extremely troubling regarding gender, sex, and sexuality. As has been commented elsewhere, Giger’s Aliens are phallocentric with mouths extending beneath the foreskin of the upper cranial case. The crab-like parasites that implant/impregnate potential hosts with the alien egg/embryo are traditionally the means by which the Alien life cycle is completed (Queen lays egg > crab-like parasite implants host > an Alien emerges from the host, developing in part based on the genetic material of the host). Also, the crab-like parasites have a long tail for strangulating the host/victim and thereby forcing the host to accept the implantation from the parasite via a long penis-like extension from beneath its body that enters the mouth and throat of the host to implant the egg/embryo.

Predators on the other hand have never been shown to reproduce on film, but it’s unavoidable to note the terrible resemblance between a Predator’s mouth and the myth of the vagina dentata. It’s only due to an assumption that I first considered Predators male. In the films, their sex and reproduction systems are not explored. They could be a species involving male/female sexing, or considering the fact that these are aliens, they could have a multiplicity of sexes involved in reproduction. In any event, what’s important to consider is the chosen appearance of Predators to have the male anxiety producing (disfigured) vagina dentata.

Aliens Vs. Predator Requiem begins where AVP left off. The fallen Predator warrior initiate is brought onboard the Predator starship, and a new, before unseen Alien potential bursts from the Predator’s chest: an Alien-Predator hybrid. This hybrid wreaks havoc onboard the Predator ship, which subsequently crash-lands in the woodland area near small town America. In this environ, the Alien-Predator hybrid matures into a formidable creature combining Predator strength and Alien voraciousness. Crab-like parasites onboard the Predator spacecraft escape and impregnate human hosts, which begins an epidemic in small town America.

It’s assumed that through some biological process, an Alien hive produces a Queen much like with ants or bees. However, the Alien-Predator hybrid of Requiem is unlike any previously presented Alien Queen. In the other films, an Alien Queen is very large and (initially) stationary in a warm place to lay eggs containing the crab-like parasite. The Alien-Predator hybrid of Requiem develops into a new kind of Queen. Instead of having an ovipositor (using ant terminology) at the rear of its body, the Alien-Predator hybrid is an evolutionary leap that does away with the need for the crab-like parasite.

The Alien-Predator hybrid has a unique delivery system for implanting hosts with an egg/embryo. As shown in the hospital scene toward the end of Requiem, the Alien-Predator hybrid leans over a pregnant woman, opens its Predator mouth folds (think: labia with claws), and forces the Alien-derived mouth extension down her throat. This represents an unavoidable image of forced deep throat, gagging, and swallowing. This already pregnant woman is made to swallow the “seed” of this hybrid sexed creature that in this juxtaposition fills a male role, but an unnatural one of oral impregnation. The result of this impregnation is graphically revealed when multiple Aliens burst forth from the woman’s belly (possibly having devoured the uterus and the unborn human fetus).

What does the Alien-Predator hybrid mean in a wider cultural context? Is this the extreme SF retelling of Knocked Up? Is this an example of male anxiety over childbirth and childrearing? Or, is this new film image a reflection of the backlash against women’s rights following Third Wave Feminism? What about modes of production and reproduction? Each of these are possibilities, as are others, and they should be considered further in regard to this latest film in the popular and on-going Alien and Predator series.

It would be interesting to learn more about the films written, produced, and directed by the team behind Requiem. Is this film part of a trend, or is this a one-off produced to titillate and gross-out the audience (building on the overt horror theme of the film)? Just glancing at the work of The Brothers Strause, they come from a visual effects background, so this could be nothing more than originating from a geek impulse to push the effects envelop. Nevertheless, this image is projected for many people to see, so it has significance beyond the intentions of the films creators and that’s the aspect in need of exploration.

For my friends not familiar with my work as an academic–this is the kind of research that I do. I look at the significance of cultural works in order to interpret and discover meaning. The intentions of the creators, perhaps compelling or interesting, are nonetheless unimportant and generally disregarded in terms of the way the work figures into a wider cultural sense. How can a work be read? How was a work produced (not necessarily literally by hands, but out of a cultural milieu or historical epoch)? How might a work reflect some aspect of culture, and what does that mean?