My City Tech Nucleus Article, “Multimodal Writing and Sci-Fi” with OpenLab

ellis-openlabI wrote a brief article titled “Multimodal Writing and Sci-Fi” published in the Winter 2017 issue of Nucleus about how I use City Tech’s homegrown, open-publishing platform called OpenLab in my teaching and professional collaborations, such as the Science Fiction at City Tech initiative and the City Tech Science Fiction Collection. You can find the article here on page 18 or click on the image to the left.

ENGL1101 Project 2 Videos: Storytelling Animals Telling Us Stories Based on John Medina’s Brain Rules

In their Project 2: Storytelling Animals Assignment [download here], my current ENGL1101 students made these videos that layer storytelling with educational content based on one chapter from John Medina’s Brain Rules. During the production of the videos, each team collaboratively wrote an outline, wrote a script, drew storyboards, shot footage, edited their footage into these videos, and uploaded them to YouTube. Individually, each student wrote an account of their composition process and a reflection on how their project achieved WOVEN (written, oral, visual, electronic, and nonverbal) multimodal synergy. The title for the assignment comes from Jonathan Gottschall’s Storytelling Animals, which the students read and discussed in parallel with project 2. The students had already read all of the chapters in Medina’s Brain Rules before beginning Project 2. Now, on with the show!

Section G1

Team: Tech Titans | Brain Rules, Rule 2: Survival

Team: The Mean Girls | Brain Rules, Rule 4: Attention

Team: All the Girls in ENGL1101 | Brain Rules, Rule 11: Gender

Section P

Team: Alpha Hawk | Brain Rules, Rule 7: Sleep

Team: Team Dose | Brain Rules, Rule 12: Exploration

Team: Team Whooch | Brain Rules, Rule 1: Exercise

ENGL1101 Sections G3 and L, Fall 2013, Project 2 Narrative Videos Based on John Medina’s Brain Rules

I revised my “Maximizing the Brain” Project 2 Assignment for my current ENGL1101 students at Georgia Tech. It is currently in its third iteration, and I have ideas for its fourth iteration with more radical changes.

In the meantime, my current students have delivered their unique takes on their chosen chapters from John Medina’s Brain Rules. I have included their YouTube-based videos below.

For each project, a team of 4-5 students collaboratively wrote an outline, a script, a revised script (after receiving feedback from another team whose members collaboratively wrote their suggestions/questions). Then, they all contributed to drawing a storyboard for shooting and editing the video, which was also revised with feedback from another team. Finally, they shot and edited their video using equipment from the Georgia Tech Library’s Gadgets Desk (run by Justin Ellis) and software on their computers or in the Library’s Multimedia Studio. Individually, each student completes the project by writing a reflection essay explaining the rhetorical decisions made during each phase of the project.

These are my students’ videos that teach us how to maximize our brain’s potential through lessons learned in Medina’s Brain Rules.

Section G3

Team 1: Survival

Team 2: Sleep

Team 3: Exercise

Team 4: Gender

Team 5: Sensory Integration

Section L

Team 1: Sleep

Team 2: Exploration

Team 3: Attention

Team 4: Gender

Team 5: Exercise

Science Fiction and Your World

Continuing from my last post, Dr. Takayoshi asked us to practice what she preaches and create a multimodal work to show to our students (e.g., an example of how to do multimodal work, something that ties into a multimodal assignment, or an introduction to our class).  Also, it should be 4 minutes in length.

As much as I didn’t want to do something of this magnitude in one day, this assignment did help me crystallize my thoughts regarding the first writing class that I’ll teach in the Fall at KSU.  I decided to go with the theme, “Science Fiction and Your World.”  I’m going to assign my students a number of SF short stories and secondary readings to begin discussions about contemporary issues, which will lead into their writing assignments.  I found a nice anthology edited by Orson Scott Card that I’m going to assign, which is titled, Masterpieces:  The Best Science Fiction of the Twentieth Century.  I wouldn’t say that it’s the best anthology out there, but it has a number of enjoyable and topical stories that I believe my students will enjoy.

After deciding my course’s theme, I storyboarded an introductory video that’s a campy informative mix.  It’s just over 4 minutes long, and available on YouTube.  However, you can watch it here:

Multimodal Composition and Vernor Vinge’s Rainbows End

Over the summer, I’m taking an intensive, four week class on teaching college writing.  The course is led by Dr. Brian Huot, Kent State University’s Writing Program Coordinator, and for three days this week, Dr. Pamela Takayoshi is introducing us to multimodal composition.

Multimodal composition is the use of media other than paper and pencil for rhetorical communication and composition.  For example, blogs, Powerpoint presentations, Youtube videos, Podcasts, brochures etc. are other ways to make persuasive arguments and enter critical discourse.  In multimodal composition, the printed essay does not reign supreme.

There seems to be a push in writing programs, which are increasingly influenced by the growth of rhetoric programs to the detriment of literature programs, to teach students to compose by any means available.  This means that students should be encouraged to create arguments, whether it be with audio essays or videos for example, with the tools at hand in order to increase their own involvement in the increasingly technologized mediums of communication.

I like this idea, on the surface, because students should be aware of the ways they do and may be called upon to communicate in the twenty-first century.  Also, I engage in these practices in my own personal and professional lives with this blog, YouTube, and Flickr.  However, I first understood the basics of writing practices and composition before or in analog with my additionally technologized communication practices.

My belief is that a grounding in traditional writing practices and composition empowers the individual to translate and apply those to other means and mediums of communication.  In the introductory writing classes, I feel that I not be meeting my students needs if I didn’t guide them towards an increased proficiency in writing before allowing them to use multimodal composition practices in the classroom.  Analogously, a pilot must earn a single engine pilots license prior to earning a license in larger and multiple engine aircraft.  Our students should safely pull out of a stall on a small Cesna before experiencing an F-15 flame out.  Therefore, I assert that students are better prepared communicators if they build on tried-and-true translatable communicative practices before using expressive, yet not as directly translatable, modes of communication.

So what does this have to do with Vernor Vinge’s postsingularlity SF novel, Rainbows End (now available for free online here)?  In the novel, Robert Gu, a former great poet in the last throws of a slow Alzheimer’s death, is resurrected through regenerative medical technologies.  However, his disease has left a mark on his mind, and he has to relearn how to be a poet as well as learn about the changes in technologically mediated communicative practices.  Toward this end, he enrolls in a high school where he works with a teenage student, Juan Orozco, to create a multimodal final project in “shop class” that involves dance, music, holographic projection, and poetry.  There’s an exchange of ideas between the two characters–Gu introduces Juan to poetry and the power of the written word, and Orozco shows Gu the potential of story telling and art with the advances in technology during Gu’s illness.

For all of the good things in Vinge’s novel, his writing about the multimodal compositions fell flat for me.  In fact, I cringed at the possibility that we’d move away from reading and writing within such a short time.  With the rapid advances in technology, and technology’s relationship and impact on the classroom, it seems like there is not enough reflection taking place on its long term and post-graduation effects on our students.  It’s one thing to write about how great this brave new world will be, but I question if that will be so.

Granted, I haven’t been in the classroom yet, and I know that a large part of my own developing ideas on teaching practices are borrowed from the ways that I was taught, but m greatest rebellious response during the past couple of weeks in Brian’s class has been in regard to multimodal composition.  I don’t think it has a place in my introductory writing class, and I question to what extent I might employ it in higher level courses where students can demonstrate their ability to communicate effectively with the written word.

A final issue that I have with multimodal composition is the technical instruction aspect of it.  I don’t do fucking tech support.  In my previous life, prior to fully engaging my research interests in graduate school, I built more computers than I can count, I’ve repaired more Macs than I can imagine, and I gave phone, teletype, and email assistance to innumerable customers at the late, great Mindspring in Atlanta, Georgia.  I didn’t sign on to pursue research and college teaching to help students learn how to use iMovie, much less the poorly designed Microsoft Movie Maker.  I love technology, and it’s an integral part of my life, including  two World of Warcraft accounts, a 30″ Apple Cinema Display and Mac Book Pro, iPhone, building a Media Center PC, blogging, and keeping my girlfriend’s ailing Sony Vaio alive while she studies for her comps, but I strongly insist on keeping that separate from my goal of enriching the lives of my students by challenging them to think deeply, imagine new possibilities, and effectively communicate through writing before moving up to multimodal composition practices.