Dynamic Subspace

Category: Science Fiction

  • The Madness of Star Wars Collecting: My Collection at Bolton Apartments in Atlanta

    When I was working at Mindspring in Atlanta in the late 1990s/early 2000s, I had to move on short notice. The only apartment that I could find quickly and at a low price that I could afford was a two-bedroom at the historic Bolton Apartments near downtown Atlanta.

    Living alone, I didn’t need a two-bedroom apartment, but it was advantageous in two regards. First, I was able to shelter my grandparents, uncle, and dad during Hurricane Floyd, and second, it gave me room to rebuild a Star Wars collection.

    When I was a child, my Star Wars toys were the Cadillacs of my toy collection. They gave me many hours of enjoyment and they survived better than they might have elsewhere. Despite how much I loved them, I sold them off just before going to college at Georgia Tech–thinking that I needed to part with youthful things to attain a more serious mindset in my pursuit of a Physics degree.

    I had kept a few dear Star Wars action figures–especially an R2-D2 with Sensorscope from The Empire Strikes Back (1980) that my grandmother had driven to Savannah to find for me. I also had a complete Yoda with orange snake action figure that I had purchased at Comics Plus in Macon. And a few vehicles include the Power of the Force 2 (POTF2) Millennium Falcon and Slave I.

    From those humble beginnings, I began to acquire more Star Wars paraphernalia, merchandise, and toys. A lot of this rejuvenated interest came from the release of The Phantom Menace (1999) and the onslaught of new action figures, dolls, and LEGO sets (the latter’s licensing began in 1999).

    On my days off from Mindspring, my hobby involved driving around to department stores, comic book shops, and flea markets looking for Star Wars collectibles. While my rent was low, it was in retrospect unwise of me to invest so much money and time in the collection. It brought me enjoyment at the time, but it eventually caused me a lot of stress and headache. It was both ends of madness–euphoria and the crash.

    The work at Mindspring, after the Earthlink merger, became less fun. Others in the call center decided to play the numbers game and win–leading to more call backs and angrier customers–and left the rest of us the job of fulfilling our original mission to support our customers and lose. I decided to pack it in and move back to Brunswick to regroup. I’m glad that I did, because I eventually got back into Georgia Tech and made my way to where I am now at City Tech.

    Here are some highlights shown in the photos of the collection above from left to right.

    Photo 1Photo 2Photo 3Photo 4
    Rebel Command Center Adventure Set with original 3 figures. Mail-in Display Stand with complete set of original Kenner Star Wars action figures. Darth Vader’s Star Destroyer Action Playset. First LEGO sets including Y-Wing, Darth Vader’s Advanced TIE Fighter, Snowspeeder, and Anakin’s Pod Racer. Dagobah Playset.POTF2 TIE Fighter. Carded Kenner ROTJ Darth Vader and Luke Skywalker (Jedi Knight) action figures. Vehicle Energizer in box. Lots of boxed and carded POTF2 action figures and playsets. Kenner Yodas with brown and orange snakes. Pewter Boba Fett figurine. Near complete set of Star Wars and Empire Kenner action figures. POTF2 X-Wing (small), Slave I, Jabba, Millennium Falcon. POTF2 Millennium Falcon and X-Wing (large). Multipack action figure sets and carded Comtech Reader. More Episode 1 action figures and toys than you can shake a stick at.

  • Rogue One Is The Most Real Star Wars Film

    While Rogue One (2016) comes in second to my love of The Empire Strikes Back (1980), the former film is more real in terms of foregrounding real people who want to fight back against the oppression of the Empire at all costs. The characters realize the stakes are high, but they fight on anyways. There is minimal space wizardry and instead people working together to support each other in the face of overwhelming odds.

    Rogue One also signaled an inclusive-focused shift in Star Wars storytelling–a long needed correction to the franchise. Hopefully this trend will continue both in front of and behind the camera. And, with the new Andor (2022-) series, this corner of the Star Wars universe has new stories unfolding.

    While Rogue One is far from perfect, it does a lot of things perfectly. One aspect of its perfection that’s important to me are its merchandising with LEGO. It had a large number of sets, which LEGO mercilessly divided main character minifigures between (as it did for The Hobbit, too). Nevertheless, the overall design of the U-Wing Fighter, Krennic’s Imperial Shuttle, Battle on Scarif (above), and AT-ST (which I currently have on my desk). These sets tied into the imaginative world of the film quite well and I certainly enjoyed building them.

  • Master Replica’s Anakin Skywalker Lightsaber

    Years ago, I picked up a custom Graflex 3-cell Luke Skywalker/Anakin Skywalker lightsaber similar to this one from Galactic Quest Comics in Lawrenceville, Georgia. I was very proud of it and I wore it on my belt far more often than an adult should be allowed to.

    Then, in 2006, my folks gave me the Master Replicas (MR) Anakin Skywalker lightsaber shown above as my Georgia Tech graduation present. It feels like a solid piece of steel or an alloy–heavier than aluminum. It is certainly heavier than the mostly hollow Graflex flash handle (sans batteries). Also, it doesn’t have a belt clip, but given its weight, it would not be practical to have this dangerously heavy lightsaber reproduction hang for your belt during anything more than standing still.

    The MR lightsaber is designed for display, and it performs well in that function. The mirrored base illuminates the lightsaber with reflected ambient light. The plastic cover keeps out the dust. The shiny surface of the MR lightsaber attracts grease, fingerprints, and dust, so it’s best to keep a lint-free cloth or gloves nearby for picking it up.

    Even sitting there on the shelf, the MR lightsaber inspires imaginative adventures as a Jedi defending the Republic, righting wrongs, and fighting for justice.

  • Dragon*Con 1998 Photos and Memories

    Before the 1998 Dragon*Con in Atlanta, Georgia, I had never been to a fan convention (con) before. I had been to small town comic book/baseball card shows, but there were no celebrities or cosplay at those.

    My first girlfriend, who was a student at Wesleyan College, wanted to go, because she wanted autographs from Wendy and Richard Pini (Elfquest) or Marion Zimmer Bradley (The Mists of Avalon). I can’t find a guest list for 1998 and 1999–the two cons we attended together–and I recall from memory who was when.

    Nevertheless, I do remember my interests at the con. I am a Star Wars fan, and I was watching Babylon 5 on TNT at that time, so I thought it would be cool to meet some of the actors in my favorite series. As an added bonus, Ray Bradbury and Harlan Ellison were attending, so I looked forward to meeting them, too (I plan to write more about this practice and my disavowal of it now, but I’ll save that for another post).

    Looking at these photos now, it’s difficult to wrap my mind around the fact that 25 years separates then from now. While a lot of things have transpired during those 25 years leading up to my winding up in Brooklyn, New York, they seemingly passed in a blink of the eye.

    Science Fiction Writers

    Ray Bradbury

    I took this picture after Bradbury had made the introduction to the Atlanta Radio Theater Company’s “The Man Who Walked Through Elephants,” an adaptation of a Robert A. Heinlein story that is Bradburyesque.

    After introducing myself, Bradbury besieged me, “Jason, it’s good to meet you, but where are your Argonauts!?”

    Harlan Ellison

    The line for Harlan Ellison’s autograph was astonishingly long. Despite the cantankerousness attributed to him, he stood in his chair and shouted to us, “I’m not leaving until everyone who wants an autograph gets one!” Those of us in the crowd cheered! He was true to his word.

    Star Wars

    Meeting Kenny Baker, Anthony Daniels, and David Prowse was a highlight of my con experience. It was a strange experience meeting each actor. Having seen them play their roles behind masks and suits throughout my life was difficult for me to square with them in the flesh. Ecce homo.

    Kenny Baker/R2-D2
    Anthony Daniels/C-3PO
    David Prowse/Darth Vader

    Babylon 5

    Babylon 5 was nearing the end of its first five season run, so it was great to meet much of the cast in person. I’ll begin with Jason Carter, because I wanted to be a Ranger prepared for action with a Denn’bok.

    Jason Carter/Ranger Marcus Cole
    Peter Jurasik/Londo Mollari
    Claudia Christian/Commander Susan Ivanova
    Mira Furlan/Delenn
    Jeff Conaway/Zack Allan

    I wrote about Conaway’s passing in 2011 here.

    Patricia Tallman/Lyta Alexander
    Jeffrey Willerth/Kosh Encounter Suit

    The Man Who Traveled Through Elephants

    The Atlanta Radio Theatre Company produced two back-to-back shows one evening of the con. The first was “The Man Who Traveled Through Elephants,” an adaptation of a Robert A. Heinlein short story that is Bradburyesque. Ray Bradbury introduced it. Anthony Daniels and Harlan Ellison played roles in the production.

    Rory Rammer, Space Marshall: The Space Cycloplex

    The second ATRC production was a Rory Rammer, Space Marshall story featuring Jonathan Harris (Dr. Smith on the original Lost in Space TV series).

    Comic Books

    I met Joseph Michael Linsner, creator of Dawn, and got his autograph on one of my comics. I also met David Mack, creator of Kabuki, but I must not have a photograph of him.

    Joseph Michael Linsner/Dawn
    Shannon McFarland, 1st Place Winner of the Dawn Look-a-Like Contest

    Live Action Anime Girl

    Apollo Smile, the Live Action Anime Girl, performed martial arts and music in a cool routine. I got this photo with her afterwards.

    Apollo Smile

    I Don’t Do Big Cons Now

    The last time that I went to Dragon*Con was 2011 to participate on a panel organized by the Science Fiction Research Association (SFRA). I had to wait in a long line to get my badge and then there were crowds of other attendees. I am uncomfortable in crowds. According to numbers on Wikipedia, the weekend event’s attendance was more than 46,000. That’s 2.5x as many attendees as when I first attended in 1998, which was 18,000. In 1999, there were 19,000. And the last time that I attended as a fan with my cousin Ryan and friend Bert in 2000 there were 20,000 attendees, which felt slightly claustrophobic to me. So, you might imagine how overwhelming the 2011 event felt to me while navigating through the crowds in various places of the con.

    Of course, this is a personal thing. I’m not necessarily suggesting that cons should be smaller by design (though, that would be cool for folks like me), but there are gobs of people who aren’t concerned by crowds in the least and in fact thrive off all of the humans in one place. I’ll stay at home and let those folks enjoy future big cons!

    Unfortunately, I don’t have photos from the 1999 Dragon*Con. It’s a shame, because I picked up Luke Skywalker’s Rebel Fatigue Jacket (aka his Bespin jacket, a Fan Club exclusive) at the con and created an impromptu cosplay that I improved on after the con when I got the Graflex lightsaber that I’ll write about tomorrow.

  • LEGO Ghostbusters 21108 in Front of Hook and Ladder Company 8 in NYC, Composite Image Made with GIMP

    Thinking about the composite image of the Bandai 1/144 scale Millennium Falcon in space that I created using GIMP (GNU Image Manipulation Program) led me to imagine creating a different composite of the LEGO 21108 Ghostbusters set from 2014 in front of the filming location of the Ghostbuster’s headquarters, Hook and Ladder Company 8 in Manhattan.

    I started with these photos that I had taken in 2015:

    On the left is a photo that I took of the Ghostbusters LEGO 21108 set on my desk at City Tech. All of the elements that I needed are here, but I realized that I would have to break it down into parts to create the composite image–ghost, Ecto-1, Ray, Ego, Peter, and Winston. On the right above is a photo that I took of the Hook and Ladder Company 8 building in Manhattan. Due to the time of day that the photo was taken, the front of the building is in shadow and there are sightseers in front of the firetruck door that need to be removed.

    I setup my work document in GIMP in the following way.

    First, I pasted the hook and ladder photo as the bottom-most layer. I adjusted the colors and reduced the shadows to help the firehouse pop in the center of the photo. I used the lasso tool (creating irregular shapes instead of squares or circles helps with blending later) and clone tool to copy material over the sightseers in the front of the firehouse and to remove a light reflection on the road surface in front of the pedestrian walking line in the lower left. I smoothed out these fixes with the smudge tool.

    Then, I cut out the ghost, Ecto-1, and four Ghostbusters and pasted each into its own independent layer and adjusted colors appropriately. Because the Ghostbusters are obscuring part of Ecto-1 in the original photo, I needed to arrange the composition so that they hid the back of the vehicle. But, I had to use the clone tool to repair some aspects of the car (e.g., the clear 1×1 round studs that had supported the ghost needed to be removed and the white surface of the hood restored), and some of the exterior windows and side panels peeked through gaps between the Ghostbusters (I used the clone tool and lasso tool to create the rear windows and side panels). Also, I wanted to arrange them so that it appeared more like a group shot instead of a line as in the display for the original set. To achieve this, I flipped horizontally Winston and Peter’s images to that they are turned toward Ray and Egon to their right. Unfortunately, this flips their name tags, but maybe no one will notice! Also, I increased their size by 120% to make them appear further away from Ecto-1 and closer to the viewer. I’ll return to the ghost below.

    Next, I added a layer between the firehouse image and Ecto-1 (being the lowest layer of the LEGO images). I used the paintbrush with a large brush to paint black “shadow” under Ecto-1 and falling from right to left on each Ghostbuster member. I reduced the opacity of the layer to lighten its appearance so that the shadow wasn’t too harsh.

    Finally, I transformed the ghost layer and rotated it to about 60 degrees. I adjusted its colors to give it a neon green hue. I then duplicated the layer. On the lower ghost layer, I applied a linear blur to give it a flowing, streak effect, which I positioned under the ghost to give it implied ethereal movement.

    The final product isn’t perfect, but it was fun to make and it helped me learn/reinforce workflow practices in GIMP.

    Don’t let perfection hold you back from using tools to make things that bring you joy. Each time you make something, you learn new things and get better at doing the things you’ve learned before. If you have the time, energy, and material, you can always take another stab at the thing you did before to make a better iteration. Though, I recommend starting fresh each time instead of making adjustments to something you’ve already made. The process of building and making from start to finish can yield wildly divergent and better outcomes that can be surprising and unexpected. Tweaking what you’ve already done might yield something interesting, but the constraints of the original project might limit what is ultimately possible.