Category: Science Fiction

  • Enjoyed Alien: Romulus Despite Too Damn Loud IMAX and Other Customers Who Were Annoying

    xenomorph alien made out of paper in origami style. Image created with Stable Diffusion.

    Yesterday, Y and I took the subway to Manhattan to watch the film Alien: Romulus on the IMAX screen at the AMC 14 on 34th Street.

    I thought that Alien: Romulus was an interesting story that threaded the needle of connecting the origin film Alien (1979) via the first Xenomorph we saw and the android Ash (Ian Holm) to Prometheus (2012) and Alien: Covenant (2017) via the black liquid (hints of the black oil from The X-Files) and the Engineers. The retrocomputers, ASCII text, and a computer with a 3.5″ floppy disk drive made it feel like the same world as Alien. I felt that some of the lines were corny, over-the-top, and unnecessary fan service, but overall, it was an interesting and sometimes exciting addition to the series.

    Unrelated to the film per se, I have some thoughts instead about the technologies of presentation and communal engagement with the film.

    First, movies shown in theaters, especially IMAX films, are shown with the volume far too loud. Y and I last went to an IMAX film over 10 years ago, but the memory of how that experience hurt both of our ears, we planned ahead and brought foam ear plugs. Even with our ear plugs, which work wonders at eliminating noise in other settings, were just barely up to the task of keeping the volume of the film presentation at tolerable levels. Let me put that another way: While wearing ear plugs, I was able to hear the film’s dialog and sound effects and music just fine and sometimes a little not fine when it got so loud as to overpower the ear plugs. That’s too damn loud. It was only after we were leaving that Y thought we should have checked the decibel levels. Hindsight is 20-20.

    Second, I know to some I might sound like an old man yelling at kids to get off my lawn, but for those who have known me a long time, they know that I’ve been deadly serious about this since going to see films when I was a kid. That is we owe other theater goers our respect so that everyone can enjoy the film. Carrying on, talking, or using a phone during a movie can disturb others, so we shouldn’t do those things. Unfortunately, some of the other customers, who would have paid the same $30 per ticket we paid, don’t care for social norms and simple decency. It would be one thing if these were kids who didn’t know any better, but these were adults who acted like kids. Hell is other people, I suppose.

    Considering these things, I prefer to stay at home to enjoy a film without ear plugs or annoying guests. Of course, I am assuming the neighbors don’t act the fool, which I’ve tried my best to address following these tips.

  • Like Dematerializing in a Star Trek Transporter: Mme. Kupka Among Verticals by František Kupka

    Painting of a face showing through bright vertical lines.

    Czech painter František Kupka‘s Mme. Kupka Among Verticals (1910-1911) on display at the Museum of Modern Art in Manhattan evokes what we see much later as being dematerialized for matter transport in Star Trek. In particular, Star Trek: The Next Generation‘s season six, episode 2 titled “Realm of Fear” features Lt. Barclay (Dwight Schultz, aka Murdock from The A-Team) facing his fears of the transporter and unwittingly saving the missing crew members of the USS Yosemite who were trapped in the transporter’s matter stream.

  • Introduction to Piet Mondrian’s Neoplasticism Through Star Trek: The Next Generation

    Piet Mondrian's "Tableau I" hands on a wall between Lt. Cmd. Data standing and his daughter Lal sitting.

    In “The Offspring,” the 16th episode of the third season of Star Trek: The Next Generation, we get to see Piet Mondrian’s “Tableau I” hanging on the wall of his quarters when he shows it to his daughter Lal. I think this might be the first time that I had really seen or had my attention drawn to a work by Mondrian. I thought it was quite striking as a work of art, and it seemed fitting that Data might be drawn to this work for its ordered lines despite Mondrian’s neoplasticism theory and its connection to nature and emotion as being the motivators for the artist’s composition.

    Lt. Cmd. Data seated next to Timothy. Mondrian's "Tableau I" is in the background.

    Mondrian’s “Tableau I” appears in Lt. Cmd. Data’s quarters–notably in the eleventh episode of season five titled “Hero Worship,” in which Timothy, a young boy traumatized by the loss of his parents, apes Data’s mannerisms in order to erase his emotional response to his loss. In one scene, Data and Timothy paint in Data’s quarters where “Tableau I” is on an easel to the side.

    Screenshot from the Star Trek: The Next Generation Interactive Technical Manual of Lt. Cmd. Data's quarters where Mondrian's "Tableau I" is seen on an easel.

    In the Star Trek: The Next Generation Interactive Technical Manual, Mondrian’s “Tableau I” is on an easel in about the same place as pictured in “Hero Worship.”

    Yesterday, I was able to see some of Mondrian’s works in person at the Museum of Modern Art (MOMA) in Manhattan. Y and I went there to see our friends from Japan, Masaya and Saki. While I didn’t get to see “Tableau I,” because it hangs in the Kunstmuseum in The Hague, I did get to see some representative works of his neoplasticism.

    Painting of lines and colored rectangles by Piet Mondrian at MOMA.
    Painting of lines and colored rectangles by Piet Mondrian at MOMA.
    Painting of lines and colored rectangles by Piet Mondrian at MOMA.
    Painting of lines and colored rectangles by Piet Mondrian at MOMA.
    Painting of lines and colored rectangles by Piet Mondrian at MOMA.
  • Awards and the Circulation of Cultural Capital

    a statue of a playful cat with a base that reads "Best Cat." Image created with Stable Diffusion.

    The 2024 Hugo Awards announced at Worldcon in Glasgow, Scotland and the Paris Olympics closing ceremony–both last night–reminded me of something that I wrote in 2008 about the circulation of cultural capital and the erosion of the science fiction genre via awards to writers who are not considered SF writers. I had taken issue with popular, mainstream works winning genre awards that could, I believe, go further to helping promote authors within the genre instead of sending the field’s cultural capital to genre interlopers. My question was should the metric of “best” be the only qualifier in an awards contest, or should there be some kind of policing by the field about what should be considered “best” when the circulation of cultural capital is considered.

  • The Analog and Asimov’s 2023 Readers’ Awards Reading and Celebration at Housing Works Bookstore on 8 Aug. 2024

    Front facade of Housing Works Books in Manhattan, New York.

    Last night, I had a great time listening to readings by winners and runners-up of the 2023 Analog Science Fiction and Fact and Asimov’s Science Fiction Readers’ Awards.

    It was a full house at Housing Works Bookstore Cafe. Besides hearing great readings by the assembled authors, I also got to talk with some fans and friends of the winners.

    Congratulations to the winners, and also congratulations to all the writers for having their words accepted for publication in two of the flagship venues in the field! And, thank you to Sheila Williams (editor of Asimov’s), Trevor Quachri (editor of Analog), and Emily Hockaday (managing editor of Asimov’s and Analog) for your work keeping the SF magazine dream alive (seconding Frank Wu’s remarks)!

    I’ll let the magazines announce all of the winners, but I’ll post my photos of the speakers and authors who read below.

    Opening Remarks by Sheila Williams and Trevor Quachri

    Sheila Williams and Trevor Quachri speaking to a seated crowd in a bookstore.

    Sam J. Miller Reading from “Planetstuck” (Asimov’s Science Fiction, March-April 2023)

    Sam J. Miller holding a microphone and reading from a text.

    Timons Esaias Reading “The Next Step” (Asimov’s Science Fiction, January-February 2023) and Other Poems

    Timons Esaiasr holding a microphone and reading from a text.

    Trevor Quachri Introducing the Analog Authors

    Trevor Quachri holding a microphone and reading from a text.

    Christina De La Rocha Reading “Life, But Not Quite as We Know It?” (Analog Science Fiction and Fact, January-February 2023)

    Christina De La Rocha standing by a microphone and reading from a text.

    Victoria Navarra Reading from “Cornflower” (Analog Science Fiction and Fact, January-February 2023)

    Victoria Navarra standing by a microphone and reading from a text.

    Wukheiser (Frank Wu and Jay Werkheiser) Reading and Performing from “Poison” (Analog Science Fiction and Fact, May/June 2023)

    Jay Werkheiser and Frank Wu standing by a microphone and reading from a text.
    Jay Werkheiser and Frank Wu standing by a microphone and reading from a text.
    Jay Werkheiser and Frank Wu standing by a microphone and reading from a text.

    Latest Issues of Asimov’s and Analog Hot Off the Press

    Holding two science fiction magazines over a New York City subway platform.