Retro-Review of Used Lenovo ThinkPad X230 Sourced from eBay

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I’ve wanted an IBM ThinkPad since I first saw my boss’ at Netlink in the fall of 1998. But, while I’ve been invested in PCs over the years tangentially, I reserved Macs as my primary desktop or laptop computing platform, which combined with the premium price on IBM and then Lenovo ThinkPads kept me in the Apple premium category. Put another way, I could afford one but not both.

Apple, as I’ve confided with friends, is diverging from my computing interests and needs. While design has been an important part of Apple’s DNA since the Apple II (arguably even earlier if we consider Woz’s design aesthetics for the Apple I motherboard layout), its increasing emphasis on fashion and accessorization and seeming less technological investment and innovation in its desktop and laptop computers have soured my allegiance to the company and its computers.

So, I thought about how to try out a different kind of PC laptop–one that I had wanted but could not afford when it was originally released–and make an investment in extending the life of what some folks might consider an obsolete or recyclable computer.

Within this framework, I wanted a laptop to take the place of the MacBook Pro that I had sold on eBay awhile back while the resell value was still high before rumored price reductions as product refreshes roll in. It needed to be relatively lightweight and have a small footprint. Also, it needed to have good battery life. And of course, it needed to run the software that I use on my home-built desktop PC.

Eventually, I decided to purchase a very well taken care of Lenovo ThinkPad X230 on eBay. Originally released in 2012 for a lot more than what I paid for it, this ThinkPad model features an Intel Core i5 3320M Ivy Bridge CPU running at 2.6GHz with 2 cores and supporting 4 threads. It has 8GB DDR3 RAM and a 180 GB SSD. In addition to built-in WiFi, it has an ethernet port, 3 USB 3.0 connectors, an SD Card reader, VGA and Display port connectors, and a removable battery.

From a user interface perspective, it has a chiclet keyboard which responds well to typing quickly. Its touchpad leaves a little to be desired in terms of responding to some gestures like scrolling, but its red pointing nub and paddle-style mouse buttons at the top of the touchpad are exquisite. It includes some feature buttons like a speaker mute button next to volume keys above the function key row, and on the left side there is a radio on/off switch for the WiFi and Bluetooth.

Initially, I tried out the ThinkPad X230 with Ubuntu, and everything seemed to work out of the box (though, I added TLP for advanced power management). However, I switched back to Windows 10 Professional with a full nuke-and-pave installation, because I have some software that is far easier to run natively in Windows instead of through Wine or virtualization in Linux.

In Windows 10 Professional, the ThinkPad X230 meets all of my productivity needs. I use LibreOffice for most things, but I also rely on Google Docs in Chrome for some tasks (like inventorying the City Tech Science Fiction Collection). The WiFi works well even at City Tech, which has one of the most cantankerous wireless networks I’ve encountered. At home, I use it on my lap to browse while watching TV.

The X230 is snappy and quick despite its age. Of course, the SSD and ample RAM support increased input/output for the older CPU. Chrome, LibreOffice, and Windows Explorer respond without hesitation. It easily plays downloaded Solo: A Star Wars Story 1080p trailers in VLC, too.

With the included 6 cell 45N1022 battery, it runs for several hours (this is a used battery, so its capacity might be lower than one that is brand new). I purchased a 9 cell 45N1175 battery, which I’m testing out now. With the 6 cell battery, it is just shy of 3 pounds, and with the 9 cell battery is a little over 3 pounds. I’m hoping that between the two of them that I can get plenty of work done on the go without being tethered to a power outlet.

Future tests include running World of Warcraft and watching full length movies. The display’s viewing angles could be better, but I’m willing to accept them as they are as I can adjust the brightness and display gamma easily using keyboard shortcuts and the Intel Display Adapter software to minimize its poorer display quality as compared to the latest HiDPI displays available now.

I’m tickled to use the Lenovo ThinkPad X230 as my main laptop. Now, I can say that I’m a proud ThinkPad owner instead of a zealous Apple user.

At the bottom of this post, I’ve included more photos of the X230.

If you’re considering a new computer, I would, based on this and my other vintage computing experiences, suggest that you consider trading up for a used or refurbished machine. Getting a used computer keeps that computer out of a landfill or being destroyed for its rare metals, and it might be an opportunity to try out a computer that you might have missed on its first time around.

In Search of a Better Backpack, Review of The North Face Electra

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Despite being labeled for “Women,” I recommend The North Face Electra backpack for anyone needing a compact, EDC bag that can accommodate a 10.5″ tablet. This is my new work bag that carries the things that I need daily without incurring too much added weight.

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In a previous blog post, I wrote praise for the Magnoli Clothiers’ British Mark VII Gas Mask Bag reproduction, because it is a good everyday bag for carrying an iPad mini, notebook, lunch, and thermos. It is still a good bag, but I sold my iPad Mini after I got Apple’s new 10.5″ iPad Pro, which would not fit in the Mark VII without the removal of the supporting material stitched through the center of the bag. As you can see in the photo above, TNF Electra is slightly larger than the Mark VII. The Mark VII has just shy of 6L capacity whereas the TNF Electra has 12L capacity.

I use the TNF Electra to carry the same, essential things as I used the Mark VII to carry, but the difference between the kits is the iPad upgrade from mini to Pro. Above, you can see the various pockets that differentiate the TNF Electra. It has a padded tablet sleeve in the main zippered compartment, the front flap has a Napoleon-style pocket that I use to hold my cellphone, a small zippered compartment in the lower left for change, keys, or another small item, and a slightly larger zippered compartment at the top of the back beneath the grab handle that holds all of my small, regular use items like hand sanitizer, eye drops, pen, pocket knife, etc.

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The TNF Electra weighs the same as a Jansport Superbreak–12 oz. However, the Superbreak has more than double the capacity–25L. The difference between the two packs is that the Electra has a smaller surface area against the back, and it has more substantial padding in the back and around the tablet sleeve. The Superbreak has thin back padding and no laptop/tablet sleeve. The TNF Electra’s zippers are more subtantial YKK brand than what Jansport uses on the current Superbreak packs.

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The TNF Electra features “Women-specific back panel and shoulder straps.” These have worked fine for me, too. The pack rides high on my back, which I prefer to a pack that is lower, because it allows my back to breathe more and remain cool on my long walks to-and-from work.

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The TNF Electra that I have is black heather and burnt coral metallic (it reminds me of Apple’s Rose Gold). Y liked my bag so much that we got her one in dark eggplant purple dark/amaranth purple.

I like the TNF Electra, because it holds just what I need, is lightweight and compact, and helps me stay cool on my daily long walks.

While its labeling and colors might signify its use by a specific gender, I think its better to focus on one’s needs than on the social signifiers made into a tool–in this case–a useful bag.

On Reading J.K. Rowling’s Harry Potter Books

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I read J.K. Rowling’s Harry Potter books over the winter break. All of them: Harry Potter and the Sorcerer’s Stone (1997), Harry Potter and the Chamber of Secrets (1998), Harry Potter and the Prisoner of Azkaban (1999), Harry Potter and the Goblet of Fire (2000), Harry Potter and the Order of the Phoenix (2003), Harry Potter and the Half-Blood Prince (2005), and Harry Potter and the Deathly Hallows (2007). I couldn’t stop there. Then, I read Fantastic Beasts and Where to Find Them (2001), Quidditch Through the Ages (2002), and of course, The Tales of Beedle the Bard (2008). Luckily, there were more stories to be read in the Pottermore Presents series: Short Stories from Hogwarts of Heroism, Hardship, and Dangerous Hobbies (2016), Short Stories from Hogwarts of Power, Politics, and Pesky Poltergeists (2016), and Hogwarts: An Incomplete and Unreliable Guide (2016). There’s more to be read on Pottermore, I think, but I haven’t yet fully explored the site.

Why did I voraciously read all of these stories about Harry Potter and the magical world he inhabits in parallel to our muggle world? Rowling’s books and stories filled me with delight and joy! They transported me across time (I’m almost 40 years old), place (back to the United Kingdom), and imagination (the self-consistent fantastic elements of magic, magical creatures, and magical history).

Rowling guides readers to her magical world through Harry and his two closest friends Ron Weasley and Hermione Granger. Then, the world widens through the development of Harry’s nemesis Draco Malfoy, and his widening circle of friends, including Luna Lovegood, Neville Longbottom, Fred and George Weasley, and Ginny Weasley. We discover more about Harry’s past through his godfather Sirius Black and his favorite defense against the dark arts teacher Professor Remus Lupin. We learn about different forms of evil from the controlling Delores Umbridge to the megalomaniacal Tom Marvolo Riddle/Lord Voldemort. We witness tragedy through terrible loss–from Harry’s parents’ sacrifice and the sacrifices Harry’s closest friends and secret ally.

Through the lives of these characters, Rowling weaves struggle and triumph; mundane and wonder; bravery and fear; happiness and angst; courage and uncertainty; kindness and cruelty; and love and hatred. These themes explored and experienced by Harry and his friends drew me into the books unlike anything that I have read in a very long time. I felt the things that Rowling wrote her characters experiencing.

I felt an affinity with Harry and his friends as they confronted the challenges presented by youth, school, and Lord Voldemort. I encouragingly agreed with some of their choices, and I steadfastly disagreed with others. This tension between their choosing the path that I would choose and choosing the path that I would not choose endeared them to me as would real friends. Their youthful humanity made their world as alive and real to me–if not more so in some respects–as anything considered mainstream fiction.

Besides reading about Harry Potter, I consider myself very lucky that I can return to his adventures with LEGO. For those of you who know me, I enjoy building with LEGO. Even though Y and I had not read Harry Potter before, she bought some of the last LEGO Harry Potter sets when we lived in Ohio–4867 Hogwarts, 4841 Hogwarts Express, 4842 Hogwarts Castle. We had left these with my parents in Georgia, who I visited before school started back. I made a point of filling my checked bag with all of the LEGO that I could hold, including those Harry Potter sets and some LEGO train gear (motor, battery pack, IR receiver, IR controller, and track).

During the snow day last week, I assembled all of our Harry Potter LEGO sets and recorded a short video of the Hogwarts Express (with the Weasley’s car flying overhead) traveling past Hogwarts. Over the weekend, I modified Hogwarts to be three bricks higher and the buildings rearranged to be slightly closer to their film arrangement (I have only seen the first three films and those many years ago, so I have all eight films to see in order now, too!). I also made a LEGO vignette of the final duel between Harry and Lord Voldemort. Unfortunately, the aftermarket for Harry Potter LEGO sets is through the roof! I hope that I can get some of the other sets such as Hagrid’s Hut (4738), Graveyard Duel (4766) and Snape’s Class (4706)–I’ll have to save my galleons!

If you have never read any of the Harry Potter books, do yourself a favor and pick up the first one. After you begin reading, you won’t want to stop until you find out how it works out for The Boy Who Lived! In the meantime, you can watch the Hogwarts Express make its way to the Hogwarts School of Witchcraft and Wizardry below.

 

A Brief Note on Steven Lynn’s Rhetoric and Composition: An Introduction

When I asked Dr. Courtney L. Werner, a friend and colleague at Kent State University where we earned our PhDs (find her blog here and connect with her on Twitter here), what I should read that captures the theoretical breadth and historical depth of her discipline of study–Rhetoric and Composition–I dutifully wrote down what she told me: Steven Lynn‘s impressive Rhetoric and Composition: An Introduction. I think that it has been about three or four years since I jotted down her suggestion, but I’m happy to report that I finally got around to reading it over the past few days and I’m certainly the better for it.

For those of you who might be like me–not really knowing anything about Rhetoric and Composition when going into graduate school, but wanting to learn more about this important discipline after learning of its existence–I recommend Lynn’s book as a thorough starting point.

Lynn begins his book with a chapter on the relationship and interconnectedness of Rhetoric and Composition. He guides his reader through seeing them separately and together while peppering his discussion with an exhaustive and concise (what a balancing act throughout the book) theoretical-historical context.

In the chapters that follow, he designs them around the five canons of rhetoric as an art: invention, arrangement, style, memory, and delivery. Each chapter combines discussion of the historically relevant development of the canon, its major contributors, its past and present scholarship, and applications for the classroom. The final chapter on delivery has a lot of helpful material for first time composition instructors, too.

During my time at Kent State, I am glad that I taught in the writing program and I am glad to have had the opportunity to learn from and share ideas with graduate students and faculty in the Rhetoric and Composition Program, including Brian Huot, Pamela Takayoshi, and Derek Van Ittersum. In retrospect, however, I wish that I had made it a point to join a Rhetoric and Composition seminar (for credit or to audit), because I see now how it would have enriched my scholarship and pedagogy in pivotal ways. If you are like me in this regard or still on your path to a terminal degree, I recommend Lynn’s book for learning Rhetoric and Composition’s ideas, debates, and scale as a student, incorporating its ideas into your daily practices as a teacher, and opening up new possibilities in your thinking as a scholar.

Lynn, Steven. Rhetoric and Composition: An Introduction. Cambridge: Cambridge UP, 2010. Print.

Minireview: The Reconcilers Graphic Novel Volume 1

The Reconcilers Vol. 1.
The Reconcilers Vol. 1.

While Y and I were sitting for several hours in an airplane–on the ground, I had the pleasure of meeting the writer, actor, and director Erik Jensen. After I mentioned to him that my specific area of training is in Science Fiction, he gave me a graphic novel saying, “here’s some Science Fiction for you.” I was thankful for the gift and thankful for the time on the tarmac to read it!

The graphic novel that he gave me is volume one of The Reconcilers (2010) co-created by R. Emery Bright, Jens Pil Pilegaard, and Jensen. Volume one is written by Jensen and drawn by Shepherd Hendrix. Neal Adams created the cover art.

The narrative takes place in 2165 after the ascendency of religion-like mega-corporations and the gradual establishment of elaborate gladiatorial matches fought by “Reconcilers” to decide disputes between corporate entities. The story  follows Sokor Industries attempting an extra-legal takeover of Hansen Engineering’s claim to the motherlode of exotic, energy-rich “liberty ore.” Hexhammer, Hansen’s miner who discovered the the vein, leads their underdog team against Sokol’s seasoned fighters to keep what they had earned. However, Hexhammer’s past choices threaten his ability to overcome his final confrontation with Sokor’s best Reconciler, “Masakor.”

The megacorporations of Fredrik Pohl and C.M. Kornbluth’s The Space Merchants and William Gibson’s Neuromancer, as does Weyland-Yutani of the Alien film series also, inform The Reconcilers.

The Reconcilers has a lot of interesting material for thinking through the convergence of corporate personhood, entertainment, religion, capital, and rule of law. I believe that it would be informative to research and engaging to students.

 

Review of Donald E. Hall’s The Academic Self: An Owner’s Manual, Recommended for Graduate Students, Postdocs, and Junior Faculty

Hall, Donald E. The Academic Self: An Owner’s Manual. Columbus: Ohio State UP, 2002. Print.

I picked up Donald E. Hall’s The Academic Self from the Georgia Tech Library after completing my teaching assignment for Spring 2013–eleven years after the book had been published. Specifically, I was looking for books and articles to help me grapple with the challenges of this stage of my professional life as a postdoctoral fellow: teaching a 3-3 load, performing service duties, researching, writing,  receiving rejections (and the far less often acceptance), and applying for permanent positions. In the following, I summarize Hall’s arguments, provide some commentary, and close with a contextualized recommendation.

Hall states in the introduction that the goal of The Academic Self is, “encourage its readership to engage critically their professional self-identities, processes, values, and definitions of success” (Hall xv). I found this book to be particularly useful for thinking through my professional self-identity. As I was taught by Brian Huot at Kent State University to be a reflective practitioner in my teaching and pedagogy, Hall argues for something akin to this in terms of Anthony Giddens’ “the reflexive construction of self-identity” (qtd. in Hall 3). Hall truncates this to be “self-reflexivity,” or the recognition that who we are is an unfolding and emergent project. I use this blog as part of my processes of self-reflection–thinking through my research and teaching while striving to improve both through conscious planning and effort.

However, unlike the past where the self was static and enforced by external forces, modernity (and postmodernity–a term Hall, like Giddens, disagrees with) has ushered in an era where the self is constructed by the individual reflectively. From his viewpoint, the self is a text that changes and can be changed by the individual with a greater deal of agency than perhaps possible in the past (he acknowledges his privileged position earlier in the book, but it bears repeating that this level of agency certainly is not equally distributed).

In the first chapter, titled “Self,” Hall writes, “Living in the late-modern age, in a social milieu already thoroughly pervaded by forms of self-reflexivity, and trained as critical readers, we academics in particular have the capacity and the professional skills to live with a critical (self-) consciousness, to reflect critically upon self-reflexivity, and to use always our professional talents to integrate our theories and our practices” (Hall 5). If we consider ourselves, the profession, and our institutions as texts to be read, we can apply our training to better understanding these texts and devise ways of making positive change to these texts.

He identifies what he sees as two extremes that “continue to plague academic existence: that of Casaubonic paralysis and Carlylean workaholism” (Hall 8). In the former, academics can be caught in a ignorant paranoia like Casaubon of George Eliot’s Middlemarch (1871-1872), or in the latter, academics can follow Thomas Carlyle’s call to work and avoid the “symptom” of “self-contemplation” (qtd. in Hall 6).

In the chapter titled “Profession,” Hall calls for us to apply our training to reflective analysis and problem solving of our professional selves and our relationship to the ever changing state of the profession itself. He questions to what extent the work of professionalism (seminars, workshops, etc.) are descriptive or prescriptive. “The ideal of intellectual work” varies from person to person, but it is an important choice that we each must make in defining who we are within the profession.

He reminds us that, “much of the pleasure of planning, processing, and time management lies not in their end products–publication or project completion–it is derived from the nourishment –intellectual, communal, and professional–provided by the processes themselves” (Hall 46). He builds his approach to process on his personal experiences: “Unlike some, I know well when my work day is over. Part of the textuality of process is its beginning, middle, and most importantly, its end” (Hall 46).

His talking points on process are perhaps the most practical advice that he provides in the book. In planning, he advises:

  1. begin from the unmovable to the tentative in your scheduling, know yourself–plan according to your habits and work on those aspects of your planning that need adjustment, and stick to your well planned schedule to yield the personal time that you might be lacking now without such a plan
  2. break goals and deliverables into their constituent parts [or building blocks (my Lego analogy) or code (my programming analogy)]
  3. monitor your progress and see daily/smaller goals as ends in themselves rather than simply means to a greater end
  4. take ownership of your goals, schedule, and commitments to others [this is something that I carry forward from my Mindspring days: Core Values and Beliefs: Do not drop the ball.]
  5. deal with and learn from setbacks–life, bad reviews, rejections, etc. [this is easier said than done, and the external effects of bad reviews goes beyond its effect on the writer]
  6. let change happen to our goals and research as our workplace, interests, and circumstances change
  7. taking ownership of our work in these ways can help protect us from and strengthen us against burnout

Hall goes on to suggest ten steps for professional invigoration to help folks suffering from a stalled career or burnout. However, these ten pieces of advice are equally applicable to graduate students, postdocs, and beginning faculty: join your field’s national organization, read widely in your field, set precise goals, maintain a daily writing schedule [my most difficult challenge], present conference papers, write shorter artifacts to support your research [reviews or my case, this blog], know the process and timeline of manuscript publishing, foster relationships with publishers and editors, politely disengage from poor or dysfunctional professional relationship/praise and value positive relationships, and find support in your local networks.

The final chapter, “Collegiality, Community, and Change,” reminds us, “always t put and keep our own house in order” (Hall 70). He suggests strategies counter to what he calls “the destructive ethos of ‘free agency’ that seems to pervade the academy today–the mindset that institutional affiliations are always only temporary and that individuals owe little to their departments or institutions beyond the very short term” (Hall 70). On professional attitudes, he encourages a focus on the local (institution) before national (beyond the institution), the current job as potentially your last job–treat it with that respect, meet institutional expectations, collegial respect of others, and learning the history of our institution/school/department from everyone with whom we work.

Perhaps most notably, he writes, “If we measure our success through the articulation and meeting of our own goals, as I suggest throughout this book, we can achieve them without begrudging others their own successes. However, if we need to succeed primarily in comparison to others, then we are deciding to enter a dynamic of competition that has numerous pernicious consequences, personal and inter-personal” (Hall 74-75). As I have written about on Dynamic Subspace before, it was the overwhelming in-your-faceness of others’ successes on social media like Facebook that distracted me from my own work. Seeing so many diverse projects, publications, and other accomplishments made me question my own works-in-progress before they had time to properly incubate and grow. For all of social media’s useful and positive aspects for maintaining and growing networks of interpersonal relationships, I had the most trouble resisting the self-doubt that the Facebook News Feed generated for me.

Finally, he encourages dynamic and invested change in departments and institutions. However, as junior faculty, it is important to research and weigh the possible repercussions for working to make change. Hall is not arguing against change by those without tenure, but he is warning us to proceed cautiously and knowledgeably due to a number factors: potential sources of resistance, jeopardizing our jobs, etc.

Hall’s “Postscript” reinforces the overarching idea of ownership by calling on the reader to live with “intensity,” an idea that inspired Hall from Walter Pater’s 1868 The Renaissance: “burn always with [a] hard, gem-like flame” (qtd. in Hall 89). Hall’s intensity is one self-motivated, well-planned, dynamically agile, and passionately executed.

Hall’s The Academic Self is a very short read that is well worth the brief time that it will take to read. It offers some solid advice woven with the same theoretically infused self-reflexivity that he encourages. It practices what it preaches. The main thing to remember is that the book is eleven years old. When it was published, the field of English studies was experiencing an employment downturn (albeit one not as pronounced as in recent years). Michael Berube’s “Presidential Address 2013–How We Got Here” (PMLA 128.3 May 2013: 530-541), among many other places–this issue just arrived in the mail today, so I was reading it between chapters of Hall’s book, picks up some of the other challenges that graduate students, postdoctoral fellows, and junior faculty have to contend with in the larger spheres of the profession and society. The other advice that Hall provides on personal ownership and collegiality, I believe, remains useful and inspirational. In addition to reading Hall’s book, you should check out his bibliography for further important reading in this vein.

Thank You to My Friends and Readers, Looking Back at Dynamicsubspace.net Site Stats for 2011

First, I would like to thank all of my readers. I appreciate your taking the time to see what I am thinking or working on, and I am also grateful for the comments that I have received from my readers. I enjoy writing on dynamicsubspace.net, and I am thankful that my friends, colleagues, and others find my writing worth spending a little of their time reading.

WordPress.com logs the visits of readers to my blog. I like to reflect on my writing and how it corresponds to these statistics. Below, I present a summary of the site’s statistics with some thoughts about the increase in visits that I received in 2011.

I was particularly interested in seeing how this year’s numbers compared to previous years, because I endeavoured to post more content this year than in any previous year as part of WordPress.com’s postaday2011 project.

My attempt at posting one new item each day has been a phenomenal success. I successfully posted one item each day save once. However, there were many days when I posted two or more items. By month in 2011, I posted 56 times in January, 42 times in February, 55 times in March, 47 times in April, 53 times in May, 42 times in June, 36 times in July, 42 times in August, 35 times in September, 43 times in October, 42 times in November, and finally, 39 times in December 2011. Each month, I consistently exceeded the number of days by the number of posts for a total of 532 posts in 2011. Since I began dynamicsubspace.net in 2007, I have written 1,239 posts.

In the chart above, you can see the number of unique page visits by month and year since I moved the blog from Apple’s mac.com to WordPress.com in March 2007. During the very first month of being hosted on wordpress.com in March 2007, I received 29 visits. So far, I have received 8,191 visits during December 2011. This is a tremendous increase in page views!

Considering the number of visits that I have received from year to year: dynamicsubspace.net received 3,772 visits in 2007, 27,882 in 2008, 32,458 in 2009, 48,245 in 2010, and approximately 76,121 in 2011. This translate to a 639% increase from 2007 to 2008, 16% increase from 2008 to 2009, 48% increase from 2009 to 2010, and 58% increase from 2010 to 2011. I believe that the increased content generation that I have done during 2011 has made the site more interesting to regular readers, and it has also created more content that non-regular readers find via search engines, social networks, and link sharing sites.

Further breaking down the visits to dynamicsubspace.net, the site has consistently increased its average visits per day. On average, the site received 14 daily visits in 2007, 76 visits in 2008, 89 visits in 2009, 132 visits in 2010, and 209 visits in 2011. This translates to a 443% increase in daily visits from 2007 to 2008, 17% from 2008 to 2009, 48% from 2009 to 2010, and finally, 58% from 2010 to 2011. These daily visit increases also, I believe, correspond with the increased content output that I have accomplished this past year.

One thing that I wonder though is how spammers influence these numbers. As you can see in the graph above, my spam filter has caught a substantial rise in attempted spam comments during 2011. It is because of this increased spam over the past two years that I began moderating all comments to dynamicsubspace.net. I would prefer to not moderate on the site, but I don’t want my noncommercial site to become a huge billboard that generates money for others (copiers of my content on other sites present a whole other problem). Also, Symantec reports here that email spam is the lowest in years, but I wonder if spammers are shifting their tactics to plaster the web instead of inboxes.

Here is to another successful year of dynamicsubspace.net. I have hinted at some lose ends that I will write more about in the near future. These will appear as I have the time to think about and write more about them.

Find My Review of Eric Carl Link’s Understanding Philip K. Dick in the New JFA

I received my complimentary copy of the latest Journal for the Fantastic in the Arts yesterday, because I wrote a very favorable review of Eric Carl Link’s survey of Philip K. Dick titled: Understanding Philip K. Dick. You can find my review on pages 114-116.

Besides all of the other great content in this issue of JFA, there is a review of Muhammad Husain Jah’s Hoshruba: The Land and the Tilism (translated by Musharraf Ali Farooqi) by Anna C. Oldfield. I was happy to see this review of Farooqi’s translation, because I made the layout for two serialized excerpts from this work in Masood Raja’s Pakistaniaat: A Journal of Pakistan Studies when I was the layout editor [read the excerpts in the first and second issues of the journal].

Review of Battle: Los Angeles, Are the Marines Fighting Aliens or Corporate Raiders?

Last night, Y and I capped our Spring Break with a science fiction movie: Battle: Los Angeles (B:LA).

I imagine that the film was pitched as Black Hawk Down meets War of the Worlds. B:LA follows a platoon and its replacement Staff Sergeant Michael Nantz as they are called on to rescue civilians in Los Angeles during a worldwide alien invasion. The aliens, who appear to be cyborgs combining biology and technology, apparently attempt to wipe out Earth’s indigenous intelligent life in order to take the liquid water that makes our planet unique (at least in our solar system).

Overall, I enjoyed the film as an interesting what-if, adventure story. The characters have to display ingenuity and tenacity as they battle their way out of and then back into beachhead that the aliens establish.

The aliens are an interesting creation. They are tall and lanky like I would imagine Wells’ aliens from Mars. However, these aliens are likely from a much more distant world. The Marines in the film question the similarities between themselves and the alien grunts fighting them. However, they do not show any compassion towards the aliens. The overwhelming sight of human bodies strewn about in a majority of scenes establishes the single-mindedness of the production–this is war, these are soldiers, and they have a job to do. This is a refreshing, albeit macabre, story line that seems more real than a number of other science films that flirt with identification with the alien Other. These aliens are depicted as on the offensive, which leaves little room for questioning or identification on the part of the humans.

The first half of the film seemed more real and intense to me, because it is largely configured as a horror film. There is a slow, yet brief, introduction to the lives of the characters before the alien invasion (in flashback). Then, through the ubiquity of CNN on televisions surrounding the soldiers, the soldiers begin to catch glimpses of an enemy with only one goal in mind–annihilation of the human species. Yet these glimpses heighten our awareness of a powerful evil that hasn’t yet materialized. In the fighting that follows, the aliens skirmish with the soldiers, killing and wounding some, pulling others through the parse vegetation in the yards of deserted houses, but never clearly revealing themselves. Then, the soldiers and the audience get their first clear image of the alien invaders, followed by Nantz’s brutal dissection of a half-dead alien soldier, the aliens begin to lose their power over the narrative. This is the turning point, never quite acknowledged in the film, where the human Marines stand a fighting chance with the alien invaders, but the invaders have been castrated in a sense–they have lost their power over the humans despite a few remaining deaths in the episodic melees.

The plot to save the few civilians hiding inside a police station is not always convincing. The film, which overall takes its material seriously, seems to disintegrate into cliche with the triad of the Joe Rincon, his son Hector, and Nantz. Joe dies after picking up a fallen soldier’s weapon to defend the group against an alien soldier. Hector then bonds with Nantz. However, Nantz’s elaborate speeches to Hector (as well as his confrontation with Corporal Jason Lockett) derails the otherwise real feel for the film. Furthermore, these male relationships Hector-Nantz and Nantz-Lockett, sidelines the female characters in the film. TSgt. Elena Santos is the strongest female presence in the story, but I believe this derives from her Air Force role that increases the importance of the otherwise male-only platoon’s mission. Michelle (the veterinarian), Kirsten, and Amy (I believe these were the other rescued civilians’ names) appear to be McGuffins rather than actual characters. We see them scream and cry occasionally, but they give the soldiers a reason to be where they are and they heighten the drama when the group is under attack. Michelle, a veterinarian, helps Nantz with the alien dissection, but it is mostly through commentary rather than physical help–Nantz seems to treat the dissection as a fact-finding cathartic experience that really doesn’t serve to help the soldiers since they are engaged in skirmishes, usually at a distance, with machine guns rather than sniper rifles.

The film’s emphasis on water as a precious, natural resource is probably its most redeeming quality. Unless you think about water rights or have seen documentaries such as Water Wars, I believe the fundamental importance of the public controlling water rights is a largely overlooked issue. Perhaps the narrative could be read as corporations are otherworldly aliens seeking to colonize the world’s natural resources, and this invasion is taking place around the world.

From my own experience in rural Southeast Georgia, companies are given rights to pump vast amounts of water out of the ground for chemical processing and pulp processing. These actions have lowered the water table to the point that some natural artesian wells have gone dry and private water pumps (this is how most folks get their water outside of the limited city limits of Brunswick) need to be installed at lower depths to maintain access to water. Amazingly, Brunswick is right next to the Atlantic Ocean, but access to potable water is increasingly slipping away. The commoditization of water through privatization of public water works and water bottling companies is another concern.

If the film can be read in this way, as a challenge to a nation’s citizens’ rights to water, I do find it hopeful that the Marines are the ones who save us all. The Marines are a part of the United States military controlled by the public will via our representational government. We can maintain our rights of access to our natural resources by electing people to our government who respect the citizen over the corporation. In the developing era of globalization and transnational capital, citizens must take back our government to support our needs over that of corporate greed.