I call these two images generated during the same sequential run AI in Hell 1 (top) and 2 (bottom). Constructed in A1111 using controlnet paired with images of my fMRI brain scans, I felt like these could be concept artwork for a new Doom game. In both, my brain image conjures these demonic faces with glowing eyes. The former is in a more hell-like setting while the latter below is less a hellscape and more post-apocalyptic.
This anthropomorphic cat letter carrier in the UK is one of many iterations that I’ve made with Stable Diffusion–attempting to make a true cat mail person in a distinctly UK setting (using terms like Oxfordshire to strengthen this aspect of the images).
This was an unexpected result from using controlnet in A1111 with an image of my brain fMRI scan. Instead of a brain-like feature, it created this cave surrounded by cables and lights with a bright blue neon light in the center of the cave to which the human subject walks toward. Some of the best iterations in Stable Diffusion come from these unanticipated results.
I thought this image that I made with Stable Diffusion would make a cool book cover. I call it, Working on the AI. In the foreground, a person is tinkering with the brain-like folds of the artificial intelligence’s circuits. The room is composed of memory banks and processor cores. As with the other SD images featuring a brain, this one is also based on my fMRI brain scans.
This is a chill anthropomorphic cat wearing a streetwear outfit that I made using Stable Diffusion. It required some inpainting to remove a distorted logo. While the zipper’s distortion gives it away, I think it still turned out pretty good.
