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  • Steps for Installing Mac OS X 10.8 Mountain Lion and Ubuntu 13.04 Raring Ringtail in Dualboot Configuration on MacBook Pro Retina 10,1

    Ubuntu's Circle of Friends Logo.
    Ubuntu Circle of Friends Logo.

    There are a number of useful guides to installing Mac OS X and Ubuntu in a dual boot configuration on Macintosh hardware such as James Jesudason’s guide here or Alex Victor Chan’s guide here. However, I ran into a problem with Mac OS X 10.8 Mountain Lion not waking from sleep due to using the rEFInd bootloader (more information about this problem documented on this thread).

    The following is the process that I used for successfully having Mac OS X and Ubuntu play well together on my MacBook Pro Retina (MacBookPro10,1) (15.4″/2.6 Quad-core i7/8GB/512 GB SSD)

    1. Using a Mac OS X 10.8 bootable USB flash drive (create your own by following the DIY instructions here), partition your drive into two equal partitions with Disk Utility. Format the first partition as Mac OS Extended (Journaled) and the second as free space.
    2. Install Mac OS X on the Mac OS Extended (Journaled) partition.
    3. Boot into Mac OS X, download the rEFIt bootloader, and install it in Mac OS X. Reboot your Mac twice and you should see the rEFIt bootloader screen appear after the second reboot. It will have your Mac OS X installation highlighted. Press Enter to boot.
    4. Create a bootable USB Ubuntu disk with this guide for Mac OS X. It will involve downloading the Ubuntu 13.04 ISO image, converting it for Mac OS X, and using terminal commands to write the converted image to your USB drive. When it is all done, Mac OS X will not recognize the disk and ask you to initialize it. Choose “Ignore.”
    5. Reboot your MacBook Pro with the Ubuntu USB drive inserted. rEFIt will give you the option to boot Mac OS X (Apple icon) or Ubuntu (this might appear as two separate icons depicting four squares in a diamond configuration). Choose the first Ubuntu icon with the arrow keys on the keyboard, press Enter.
    6. Next, GRUB, another bootloader, will appear as white text over a black background (like DOS) and give you options to Try Ubuntu or Install Ubuntu. Unlike the other guides, I suggest selecting Install Ubuntu from this menu.
    7. The Ubuntu installer will guide you through the setup process. The only setting that you have to select is “Install alongside Mac OS X.” The Ubuntu installer will automatically find the free space partition that you created earlier, partition it in a way that Ubuntu anticipates, and install Ubuntu and its included software.
    8. At the end of the installation, it will return to a text-based screen and prompt you to remove the installation USB drive and press a key to reboot.
    9. After rebooting, rEFIt should show your Mac OS X installation (Apple logo) and Ubuntu represented by three stacked, colorful boxes (subtitled: EFI\ubuntu\grubx64.efi from EFI). Select the Ubuntu installation with the arrow keys and press Enter. GRUB will appear, select Ubuntu and hit Enter.
    10. The Ubuntu desktop should load very quickly, but it will appear very tiny at the native resolution of the MacBook Pro Retina’s 2880 x 1800 resolution. To adjust the resolution, click on the Gear/Wrench icon in the launch bar on the left to enter system settings. Click on Displays, choose a new resolution (I use 1680 x 1050), click Apply, and Confirm.
    11. The status bar at the top of the screen will show familiar icons for Bluetooth, WiFi, sound, and system/shut down (If Ubuntu does not automatically detect your WiFi card, you can download this package and its three dependencies from within Mac OS X, put them on a USB drive, reboot into Ubuntu, install each from terminal using the “sudo dpkg -i filename.deb” command for each–though, leave the Broadcom deb package for last. I downloaded the nightly build of 13.04, which I believe has this package on the installation disk.).
    12. To switch between installations, simply reboot the one that you are in and select the system that you want to run from rEFIt.
    Apple's friendly byte.
    Apple’s friendly byte.

    Now, you can run Ubuntu or Mac OS X on your MacBook Pro. Here are some important things that you should do in Ubuntu after installation.

    Also, it is possible to take GRUB out of the equation by installing Ubuntu with the “ubiquity -b” command from within the Live CD version of Ubuntu and configuring rEFInd or rEFIt, but I had trouble getting Ubuntu to boot following Jesudason’s guide for rEFInd (the fault is likely with what I did and not his thorough instructions). I can live with GRUB if it means that I can get my work done in these two computing environments on my MacBook Pro.

    If there is interest among Brittain Fellows, I can incorporate this into the series of DevLab Workshops that I am planning for the upcoming year.

  • Review of Donald E. Hall’s The Academic Self: An Owner’s Manual, Recommended for Graduate Students, Postdocs, and Junior Faculty

    Hall, Donald E. The Academic Self: An Owner’s Manual. Columbus: Ohio State UP, 2002. Print.

    I picked up Donald E. Hall’s The Academic Self from the Georgia Tech Library after completing my teaching assignment for Spring 2013–eleven years after the book had been published. Specifically, I was looking for books and articles to help me grapple with the challenges of this stage of my professional life as a postdoctoral fellow: teaching a 3-3 load, performing service duties, researching, writing,  receiving rejections (and the far less often acceptance), and applying for permanent positions. In the following, I summarize Hall’s arguments, provide some commentary, and close with a contextualized recommendation.

    Hall states in the introduction that the goal of The Academic Self is, “encourage its readership to engage critically their professional self-identities, processes, values, and definitions of success” (Hall xv). I found this book to be particularly useful for thinking through my professional self-identity. As I was taught by Brian Huot at Kent State University to be a reflective practitioner in my teaching and pedagogy, Hall argues for something akin to this in terms of Anthony Giddens’ “the reflexive construction of self-identity” (qtd. in Hall 3). Hall truncates this to be “self-reflexivity,” or the recognition that who we are is an unfolding and emergent project. I use this blog as part of my processes of self-reflection–thinking through my research and teaching while striving to improve both through conscious planning and effort.

    However, unlike the past where the self was static and enforced by external forces, modernity (and postmodernity–a term Hall, like Giddens, disagrees with) has ushered in an era where the self is constructed by the individual reflectively. From his viewpoint, the self is a text that changes and can be changed by the individual with a greater deal of agency than perhaps possible in the past (he acknowledges his privileged position earlier in the book, but it bears repeating that this level of agency certainly is not equally distributed).

    In the first chapter, titled “Self,” Hall writes, “Living in the late-modern age, in a social milieu already thoroughly pervaded by forms of self-reflexivity, and trained as critical readers, we academics in particular have the capacity and the professional skills to live with a critical (self-) consciousness, to reflect critically upon self-reflexivity, and to use always our professional talents to integrate our theories and our practices” (Hall 5). If we consider ourselves, the profession, and our institutions as texts to be read, we can apply our training to better understanding these texts and devise ways of making positive change to these texts.

    He identifies what he sees as two extremes that “continue to plague academic existence: that of Casaubonic paralysis and Carlylean workaholism” (Hall 8). In the former, academics can be caught in a ignorant paranoia like Casaubon of George Eliot’s Middlemarch (1871-1872), or in the latter, academics can follow Thomas Carlyle’s call to work and avoid the “symptom” of “self-contemplation” (qtd. in Hall 6).

    In the chapter titled “Profession,” Hall calls for us to apply our training to reflective analysis and problem solving of our professional selves and our relationship to the ever changing state of the profession itself. He questions to what extent the work of professionalism (seminars, workshops, etc.) are descriptive or prescriptive. “The ideal of intellectual work” varies from person to person, but it is an important choice that we each must make in defining who we are within the profession.

    He reminds us that, “much of the pleasure of planning, processing, and time management lies not in their end products–publication or project completion–it is derived from the nourishment –intellectual, communal, and professional–provided by the processes themselves” (Hall 46). He builds his approach to process on his personal experiences: “Unlike some, I know well when my work day is over. Part of the textuality of process is its beginning, middle, and most importantly, its end” (Hall 46).

    His talking points on process are perhaps the most practical advice that he provides in the book. In planning, he advises:

    1. begin from the unmovable to the tentative in your scheduling, know yourself–plan according to your habits and work on those aspects of your planning that need adjustment, and stick to your well planned schedule to yield the personal time that you might be lacking now without such a plan
    2. break goals and deliverables into their constituent parts [or building blocks (my Lego analogy) or code (my programming analogy)]
    3. monitor your progress and see daily/smaller goals as ends in themselves rather than simply means to a greater end
    4. take ownership of your goals, schedule, and commitments to others [this is something that I carry forward from my Mindspring days: Core Values and Beliefs: Do not drop the ball.]
    5. deal with and learn from setbacks–life, bad reviews, rejections, etc. [this is easier said than done, and the external effects of bad reviews goes beyond its effect on the writer]
    6. let change happen to our goals and research as our workplace, interests, and circumstances change
    7. taking ownership of our work in these ways can help protect us from and strengthen us against burnout

    Hall goes on to suggest ten steps for professional invigoration to help folks suffering from a stalled career or burnout. However, these ten pieces of advice are equally applicable to graduate students, postdocs, and beginning faculty: join your field’s national organization, read widely in your field, set precise goals, maintain a daily writing schedule [my most difficult challenge], present conference papers, write shorter artifacts to support your research [reviews or my case, this blog], know the process and timeline of manuscript publishing, foster relationships with publishers and editors, politely disengage from poor or dysfunctional professional relationship/praise and value positive relationships, and find support in your local networks.

    The final chapter, “Collegiality, Community, and Change,” reminds us, “always t put and keep our own house in order” (Hall 70). He suggests strategies counter to what he calls “the destructive ethos of ‘free agency’ that seems to pervade the academy today–the mindset that institutional affiliations are always only temporary and that individuals owe little to their departments or institutions beyond the very short term” (Hall 70). On professional attitudes, he encourages a focus on the local (institution) before national (beyond the institution), the current job as potentially your last job–treat it with that respect, meet institutional expectations, collegial respect of others, and learning the history of our institution/school/department from everyone with whom we work.

    Perhaps most notably, he writes, “If we measure our success through the articulation and meeting of our own goals, as I suggest throughout this book, we can achieve them without begrudging others their own successes. However, if we need to succeed primarily in comparison to others, then we are deciding to enter a dynamic of competition that has numerous pernicious consequences, personal and inter-personal” (Hall 74-75). As I have written about on Dynamic Subspace before, it was the overwhelming in-your-faceness of others’ successes on social media like Facebook that distracted me from my own work. Seeing so many diverse projects, publications, and other accomplishments made me question my own works-in-progress before they had time to properly incubate and grow. For all of social media’s useful and positive aspects for maintaining and growing networks of interpersonal relationships, I had the most trouble resisting the self-doubt that the Facebook News Feed generated for me.

    Finally, he encourages dynamic and invested change in departments and institutions. However, as junior faculty, it is important to research and weigh the possible repercussions for working to make change. Hall is not arguing against change by those without tenure, but he is warning us to proceed cautiously and knowledgeably due to a number factors: potential sources of resistance, jeopardizing our jobs, etc.

    Hall’s “Postscript” reinforces the overarching idea of ownership by calling on the reader to live with “intensity,” an idea that inspired Hall from Walter Pater’s 1868 The Renaissance: “burn always with [a] hard, gem-like flame” (qtd. in Hall 89). Hall’s intensity is one self-motivated, well-planned, dynamically agile, and passionately executed.

    Hall’s The Academic Self is a very short read that is well worth the brief time that it will take to read. It offers some solid advice woven with the same theoretically infused self-reflexivity that he encourages. It practices what it preaches. The main thing to remember is that the book is eleven years old. When it was published, the field of English studies was experiencing an employment downturn (albeit one not as pronounced as in recent years). Michael Berube’s “Presidential Address 2013–How We Got Here” (PMLA 128.3 May 2013: 530-541), among many other places–this issue just arrived in the mail today, so I was reading it between chapters of Hall’s book, picks up some of the other challenges that graduate students, postdoctoral fellows, and junior faculty have to contend with in the larger spheres of the profession and society. The other advice that Hall provides on personal ownership and collegiality, I believe, remains useful and inspirational. In addition to reading Hall’s book, you should check out his bibliography for further important reading in this vein.

  • Science Fiction, LMC3214: Final Paper Topics Were On a Broad Spectrum of SF Media

    I just finished grading my students’ final paper projects. Their task was to use several definitions of SF from a list that I had prepared for them (or others that they found on their own and properly cited) to evaluate whether a work that we had not discussed in class was SF or not. Through this analysis, they would come up with their own definition/litmus test for SF.

    I was very happy to read papers on a variety of SFnal works, including:

    • Joseph Kosinski’s film, TRON: Legacy (which I had reviewed for the SFRA Review before)
    • AMC’s production of The Walking Dead
    • H.P. Lovecraft’s At the Mountains of Madness
    • Orson Scott Card’s Ender’s Game
    • Tommaso Landolfi’s Cancerqueen (Cancroregina)
    • Octavia Butler’s Parable of the Sower
    • Halo: Combat Evolved (and its supplementary material in print)
    • David Brin’s Startide Rising
    • Marc Forster’s film, World War Z
    • Ridley Scott’s film, Blade Runner
    • Aldous Huxley’s Brave New World
    • Richard Schenkman’s film, The Man from Earth
    • X-COM: UFO Defense

    This list reveals that my students were interested in SF across a spectrum of media. There were papers on six literary works, four films, one television series, and two video games (this is further blurred by the video game/print crossover material).

    For those students who talked with me about their papers, I am particularly happy with the way their papers turned out. Having had those conversations, I can see a snapshot along their paper’s developmental process, which gives me better insight into the work that they likely did to push their arguments further than what we had discussed in class. Reflecting on this, I will add conference time to my future SF classes that meet over a full semester, but I will do more to have these smaller conversations with students–perhaps before class or during our daily break time–to get a better sense of their research and developing argument.

  • Science Fiction, LMC3214: All Good Things: Last Day of Class, Haptic Perception, and Lego

    The excellent group of students (and me in the back right) in my Science Fiction class. Photo by Carol Senf.
    The excellent group of students (and me in the back right) in my Science Fiction class holding up their SF-inspired Lego creations. Photo by Carol Senf.

    Today, unfortunately, was the last day of my Science Fiction class at Georgia Tech.

    At the beginning of class, my students completed their third exam. Unlike the previous exams, it only covered the material discussed in class this week: cyberpunk and Taiwanese SF. And unlike the previous 1 hour long exams, it was 30 minutes long.

    After the exam, we began what I called an SF debriefing with Lego. I framed this end of semester activity by having them think about WOVEN (written, oral, visual, electronic, and nonverbal) modes of communication. Then, I discussed the importance of one aspect of nonverbal communication: haptics. In the haptic mode, we touch, we build, and we visualize objects. It is an insanely important and often overlooked way in which our brains think, learn, and communicate with others. I told them that this activity was meant to allow them to think about and express some image or object from SF–either discussed in the class or not–that they liked or thought significant. To facilitate their work with haptics, I brought two bins full of Legos–some acquired from the local Lego Store and some from my secret stash. I told them to use up to 40 bricks/elements to build their model. After completing it, they would have a chance to hold it up and tell the class about it, and if they choose to do so, they could take it home as a gift and a memento of the class.

    I gave the students about 30 minutes to build, and I encouraged them to get out of their chairs, stand around the bins to dig for bricks, and talk with one another as they worked–talk about what they were building, trade bricks, help one another, etc. It didn’t take much encouragement on my part to get them going–they took off like a fleet of rockets!

    When each student had a chance to tell us about their creation, I would offer other connections and background information on their creation to further integrate it into the broader history of SF.

    After class, Professor Carol Senf, who was observing my class, was kind enough to take a group photo of the class (see above).

    I left my students with the encourage to continue their exploration of SF. I told them that I believe SF to be the most important contemporary literature. It examines the human condition, critiques our social relationships, imagines the effects of science and technology, and energizes our sense of awe and wonder. It can inspire us and it can teach us. Of course, it also can be smashing entertainment.

    When class was over, the conversation continued with those students who had other questions about SF (Was PKD really a drug fiend? Who are important/good contemporary SF writers? etc.) and kind words to say about the class.

    All that is left for my students is to complete their final papers testing a work of SF against definitions of the genre by others and themselves. I have to grade their third exams and their papers before I can submit grades next week. I am looking forward to reading their papers, but I am sad that this amazing class with these talented students is virtually at an end.

     

  • Science Fiction, LMC3214: Global Perspective Unit on Taiwanese SF and Review for Exam 3

    Taiwanese SF lecture notes on the chalkboard.
    Taiwanese SF lecture notes on the chalkboard.

    In today’s class, I introduced my Science Fiction students to Taiwanese SF. For class, they read David Uher’s “Trends in the Development of Science Fiction Literature in Taiwan” (Anthropologia Integra 1.1 2010, 63-70) and a translation of Chang Shi-Kuo’s (Zhang Xiguo) “City of the Bronze Statue.”

    In today’s lecture, I charted a brief history of China and Taiwan (revolution, Kuomintang/Republic of China, Civil War, and diaspora to Taiwan), the history of Taiwan SF with an emphasis on Zhang Zioafeng’s “Panduna” as the first Taiwanese SF and her role–like Mary Shelley’s–as the “mother of Taiwanese SF” and Zhang Xiguo’s as the “father of Taiwanese SF” who also coined the term for “Science Fantasy Fiction” (科學幻想小說: Science/科學, Fantasy/幻想, Fiction/小說). I also identified five general characteristics of Taiwanese SF: 1) Synthesis of Western and Eastern culture, 2) Wuxia (武俠) or the Chinese martial arts chivalry story, 3) Adopt Chinese mythology and history to make the reader more familiar with the fantastic elements of the story (c.f., Star Trek), 4) Themes of nostalgia and loss, and 5) Conservative affirmation of society and the existing social order.

    During class, I led the students through two exercises. After explaining to them the general characteristics of reading and writing in traditional Chinese, I handed out worksheets for them to practice writing the four characters of the truncated term for “Science Fantasy Fiction” (科幻小說). I gave them about 5 minutes to try out their Chinese penmanship while I walked around watching their progress. This also led to a discussion about how written traditional Chinese is different than Japanese (kanji, hiragana, and katakana).

    In the second exercise, I divided the class into four teams of three students each. I handed each team two pages from the John Balcom translation of the Prologue to Chang Shi-Kuo’s City Trilogy (which corresponds to the “City of the Bronze Statue.”) The students were tasked with identifying differences between the two translations. They discovered small variations in measurements, descriptions, and phrasing. In particular, they noticed that the two translations differed in tone–the translation on his website is more vernacular and the book translation has a more formal tone. However, they reported that the Bronze Statue seemed more life-like and personified in the Balcom translation. I was surprised though that they did not pick up on the understated comedic tone in either translation. Nevertheless, I was glad that they got to experience first hand how much of a role the translator has in the creation of a translation–translation being a creative act itself.

    photo-2
    Exam 3 review notes.

    At the end of class, we reviewed for their short third exam tomorrow and I talked with them about the fun Lego project that I have planned after the exam.

    Their final essays in the class will be due next Tuesday.

    Many thanks to Y for helping me with my research, writing, and pronunciation for this lecture!