Blog

  • Patrick E. McLean’s “A Defense of Writing Longhand”

    Folks who teach writing should read Patrick E. McLean’s essay, “A Defense of Writing Longhand” (on his official site here, and originally spotted on LifeHacker here). In his essay, he argues that he writes better longhand than computer typing, because longhand enforces a singular focus that we tend to lose when using a computer (I would say even with screen isolating typing software, because you may still think what is going on in cyberspace just beyond your imposed veil).

    I tend to agree with McLean. I believe that I write better in longhand than I do by typing. After I have written something in longhand, I type it into my computer and in that process I begin editing. Putting ideas down in writing on the page is a different operation than styling and improving your words through editing. Computers are very well suited to editing, but I have to admit that my computer can be a multitasking nightmare for me. Even with all other applications closed, I still have reminders of backups, wireless networks, the time, and even with the screen blanked only for writing, I can still occasionally hear the click and whirr of my hard drive (even when I used to have a SSD, I could still hear the fans of the computer and a barely audible buzz from the hard drive compartment).

    Of course, everyone’s approach to composition is different, but this is exactly the reason I ask my students to use computers and longhand for different assignments in my freshman and sophomore writing classes. This challenges students to use different styles of composition, and it allows students who may have one preference over another to show me what they are capable of in that particular medium.

  • A Few Reading Strategies for the Science Fiction Novice

    Underlying many definitions of science fiction is the fact that reading science fiction requires some level of apprenticing and learning of the key concepts, tropes, and concepts that appear in much of the genre’s works. Damien Broderick formalized this in his book Reading by Starlight, in which he argues that there is a ‘science fiction megatext’ that authors borrow from and give to that science fiction readers learn over time. Thus, reading science fiction can be a daunting task for someone not yet accustomed to the genre and its many elements.

    However, this is true of any literature that you may read whether it be mainstream fiction from one particular historical period versus another, or another genre such as detective fiction or the western. Any reading requires a certain amount of heavy lifting on the part of the reader to engage the story and its characters. Perhaps with science fiction there is an additional attendant requirement to figure out the science, technology, and estranging qualities of the story, but the reader’s success at figuring these things out is part of the joy of any kind of revelation.

    Below, I have written out some strategies for reading science fiction that can equally apply to other literatures. If you have other suggestions, please leave them in the comments.

    • Read slowly and carefully. Reading is not a race to the finish. You may have to read something more than once to completely understand the story, and you may have to read it a further time in order to uncover any greater meanings lying beneath the surface.
    • Keep a notebook handy as you read. Jot down ideas with the page numbers that attend those ideas.
    • Diagram the characters and actions in a flow chart or story outline to better make sense of a complex narrative. Who are the characters? Where do characters go? Who do they encounter? What happens to them? What do they do?
    • Keep a web browser open with two tabs: one for your favorite search engine and the other for dictionary.oed.com. Search terms that you have not encountered before.
    • Be smart with your reading. If you don’t have the time to read and re-read something, you should search the Lexis Nexis database for reviews of the novel. Wikipedia also has a number of plot summaries. However, I cannot warn you enough that these serve as a guide or introduction only; you should read the work at hand in order to fully understand it and experience the novel itself through the act of reading.
    • Don’t always think literally, and vice versa. When you come across something like, “She turned on her right side,” it could have more than one interpretation. She could turn over onto the right side of her body, or it could mean that she powered up the right side of her body (cybernetic implants, computers, etc.).
    • Pause during your reading to imagine what it is you are reading. This can be hard work, but it does get easier as you encounter it more often.
    • You only build new and powerful connections in your brain through challenging and unique experiences. The readings in my classes are intended to be just that. If you don’t do the heavy lifting though, you won’t get any of the long term benefits of engaging and surmounting these challenges.
  • Path to Professionalization: Finding My Ratio of Publication to Service

    This past Friday, Tammy Clewell hosted the second Job Placement Workshop for this school year. The topic for the workshop was how to build a kick ass curriculum vitae.

    I have been working on my C.V. since I was an undergraduate at Georgia Tech and I began applying to graduate schools. Like the characters in The Guild, I thought of the C.V. as a record of my achievements and development as a professional scholar. I thought about what I needed to do to get the kind of research-1 position that I wanted after completing my PhD. I knew that I needed publications, which meant that I needed to do more reading, research, and writing. While at Liverpool, I began writing reviews for SFRA Review with this goal in mind. I considered reviewing a kind of intellectual exercise that would yield benefits in the more important refereed publications in journals and books. Also, reviewing would show search committees that I regularly kept up with the field by reading and seeing things that were on the cutting edge.

    I also knew that I needed to do some conferencing, so I did a lot of that. I have prepared papers and participated on roundtable discussions at SFRA, ICFA, SLSA, and others. Again, writing essays to present at conferences improves your argumentation and keeps you knee deep in research. These are good things, and I duly noted on my C.V.

    Since returning to academia in 2002, even before I had decided on my current career path, I began offering my labor and expertise in service positions. The most important of these landed on my C.V. in the proper place, but it was at the job placement workshop that I began to question how much time I had invested in service roles including those that didn’t make the C.V. cut.

    One of the recommendations that I received at the workshop had to do with organizing the service category of my C.V., and in particular, one of the commenters said that I had done a lot of service. Additionally, I was warned against presenting myself as the kind of person who does all of the grunt work. By moving things around, I believe that I can streamline my C.V. in this regard, but this comment made me pause to think about how much work I have done for others at the cost of working on things that I really need to focus on right now: publications and dissertation.

    What I come to realize is that there are some really important service things that I do want to pursue: namely, Vice President of the SFRA. I feel that I can do something good for the organization while also giving me the experience of helping run an international academic organization (so, please vote Ellis!).

    There are other things that are rewarding, but they take a lot of time away from the writing that I need to focus on as I finish my PhD. I will have to transition out of these commitments in the future, so that I can devote that time to getting another publication sent out and more pages of my dissertation completed.

    The lesson to take away from this is to remember to make a ratio of publications, conferencing, and service that fit your goals and personal development. It is okay to say ‘no’ if you don’t have the time to do something, but it is also okay to say ‘yes’ when you have the time to help. Service to others can be a rewarding, enjoyable, and challenging opportunity, but you have to make sure that you take care of yourself before committing to it.

  • Neuroscience, the Neuronovel, and Science Fiction

    Several conversations with Tammy Clewell on the neuronovel rekindled my interest in the biology of the human brain. As a result, I have decided to do some research on the neuronovel and its relationship to science fiction. The neuronovel, with its emphasis on the hardware of the brain over the software of psychology, is arguably a hard science fiction topic (albeit most lacking an extrapolative element). Additionally, novels traditionally seen in terms of psychological explanation can be re-read with neuroscience in mind (pun intended).

    I am building a list of science fiction novels and short stories that specifically addresses the neuronovel’s emphasis of brains over mind. What titles of novels or short stories from approximately 1950 to the present can you recommend that emphasize brains over mind, and the brain’s influence on one’s sense of self and understanding of the world. This would include brain trauma over psychological trauma, neuroscience over psychology, depictions of creating or developing brains and how that shapes one’s engagement with the world, introspection or internal dialog that might have a biological explanation rather than a psychological one, etc. Two sets of works that immediate come to mind are Asimov’s robots (they exhibit psychological problems, but there is an emphasis on those behaviors resulting from the way they are hardwired), and Dick’s VALIS novels (the author’s 2-3-74 events can be more simply diagnosed as the first in a series of unfortunate strokes).

    This is a very rough sketch at this point, so please bear with me as a work through it. All suggestions are welcome and much appreciated.

  • Differential Gears for Lego Robot Fred Arrived!

    As you can see in the picture above, I finally received my assortment of gears and rods from ebay seller specialty_bricks. Through no fault of his own, it looked like I wasn’t going to receive my gears at all. The seller shipped the gears in a nice polybag envelope with First Class Parcel and Delivery Confirmation with the USPS. Unfortunately, they were confirmed as delivered last Friday, but apparently at someone else’s house. The person who received my package was kind enough to cut through the poly bag to see what was inside before taping it back up and giving back to the postal carrier for delivery at my house. I wish that I knew the kind soul who thought it was okay to open a package addressed to a different address than his or her own, and I think it’s ironic that Delivery Confirmation, which is meant to ensure delivery at the correct address, actually put me in a worse situation as a claimant for lost mail, because as far as the postal service was concerned when I called the local office was that their computer system showed that it was delivered and the postal carrier claimed to have delivered it at the right house. I have had many adventures with lost, misdelivered, and stolen packages, but I don’t think I have ever been in a catch-22 like this one.

    In any event, the gears are now safely here, and the one that I needed the most is this one below–a differential gear. Using two of these, I will be able to use two motors to drive and steer the robot with only two wheels.

    I probably won’t have the time to work on Fred again until after SFRA. I will post updates as they are available, and if you live around Kent, you’re welcome to stop by and play with Fred soon.