I was very happy this week to receive a used copy of the Hugo and Nebula Anthology 1993 from Amazon. This early ebook technology by ClariNet is chocked full of content, including a hypertext version of Vernor Vinge’s A Fire Upon the Deep. I will post more about this amazing collection as I explore its depths.
Category: New Media
Yesterday, Today, and Tomorrow: Thinking About Steve Jobs and the Marriage of the Humanities and Technology

Yesterday was the one year anniversary of Steve Jobs’ death. I wrote about it last year when I was still in Kent, Ohio–right after my Dad called me to tell me the sad news.
Yesterday, I reflected on missing out on meeting and talking with Jobs–something that Scott Kurtz captured brilliantly on PvP. Growing up, I wanted to meet him–the natural element, the force of nature, the man who led his company to create “insanely great” things that enabled people to be creative in the digital age. However, I didn’t want to meet him in passing. I wanted to make or do insanely great things myself–things worthy of his admiration and interest. I suppose I’m still working on those insanely great things, and I unfortunately missed my window of opportunity to accomplish those things while Jobs was still with us. Nevertheless, his inspiration lives on and it drives me.
Yesterday, Apple debuted a fitting tribute video to Steve Jobs’ legacy–Apple’s inheritance. To borrow Michael Stipe’s words out of context, it was “a right pretty song.” I snapped the pictures at the top and bottom of the post from that video. I decided to keep the frame of Mac OS X, because it just seemed right.
Yesterday, I thought about something Jobs says in the video. He says, “It’s in Apple’s DNA that technology alone is not enough. It’s technology married with liberal arts, married with the humanities that yields us the result that makes our heart sing.” This was from Jobs’ surprise appearance to introduce the iPad 2 on March 2, 2011.
Today, the obvious need for the humanities to be infused in our technologies is lost, I believe, on many people–particularly other technology innovators and so-called “education innovators,” who fight for STEM to the exclusion of all other ares of study. It extends also to education debates taking place right now in the United States. At the recent presidential debates, there was mention made of the need for STEM (science, technology, engineering, and mathematics) education, but there was no mention of the humanities. How can we produce top rate engineers without instilling them with the ability to communicate effectively, the ability to think critically, the ability to argue rhetorically, the ability to think ethically, the ability to recognize and appreciate human difference, and the ability to situate themselves and their work within historical, cultural, and social networks? STEM is obviously one half of the solution, but the humanities and all that we have to offer are the other half of creating a total solution. If we choose to ignore the interconnection and interdependence of STEM and the humanities, we will not create an “insanely great” future. Instead, we will destroy the legacy of insanely great innovators, leaders, and teachers who worked so hard to give us a present time that could lead to a brilliant future.
Tomorrow, we will reflect on the choices that we make today. We have to seize this opportunity to work collaboratively and integratively towards that future. If we ignore this opportunity today, tomorrow we will regret our choice: “Yesterday, all my troubles seemed so far away/Now it looks as though they’re here to stay/Oh, I believe in yesterday” (John Lennon and Paul McCartney).

DRM Graveyard on Opensource.com, Content Consumers Demand Less Restrictions and More Respect
Ruth Suehle constructed a fantastic DRM graveyard: A brief history of digital rights management in music.
Digital rights management or DRM is a method for controlling access to various digital media including music, movies, and software. The “rights” being managed are those of content creators to a lesser extent and of content distributors to a greater extent. As Suehle’s timeline demonstrates, DRM systems often bite the dust, because users overwhelmingly demand their own rights to purchased media. One of the most important rights is transferability, or using media on a digital device or computer of one’s choosing. The trouble with many DRM systems is that transferability is difficult or impossible, because content controllers and distributors begin with the tacit assumption that all content consumers are not to be trusted. The assumption that most DRM systems are based on is that users will “steal” content or use purchased content in was unintended by the creators or distributors. This lack of respect and too much trouble imposed by most DRM systems lead consumers to find new channels for content distribution that are less restricting and more respectful.
Today’s Multimodal Assignments and Assessment Workshop, Notes and Resources
Today’s workshop has a reading component: Cynthia L. Selfe’s “Toward New Media Texts,” which is available here for a limited time, and my notes for this discussion are available here. Also, Derek Van Ittersum and I have a set of notes on Assessing Multimodal Student Work available here. Please print out Selfe’s article and bring it to the workshop today in Satterfield Hall 104 at 1:00PM. I will have copies of my notes and
Below, I have included a number of resources that you can use to teach yourself and your students the basics of creating multimodal compositions. There are links to tutorials on the basics of using different media effectively and how to use those media’s composition technologies.
General Resources
Student Multimedia Studio Tutorials for English Composition Courses [KSU Library]
Student Multimedia Studio Tutorials–first class resource for getting started and teaching students how to use technology [KSU Library]
Online Writing
What Makes for Good Web Design [youtube]
How to Upload Web Pages to Kent State Student Personal Webspace [KSU Library]
HTML Tutorial 1 – Building a Website in Notepad [youtube]
How to Make/Design a Website with Dreamweaver [youtube]
How to Use WordPress.com [youtube]
How to Create a Blog on Blogger [youtube]
Presentations
Don McMillan: Life After Death by Powerpoint [youtube]
Powerpoint 2010 Basic Tutorial [youtube]
Pecha Kucha: Get to the Powerpoint in 20 Slides [youtube]
Audio
Katie Couric on How to Conduct a Good Interview [youtube]
How to Record an Oral History Interview [youtube]
Audacity Tutorial: Part 1 [youtube]
Movies
Film School: Basic Framing Types [youtube]
Shoot Your Friends – Filming Basics [youtube]
Learn iMovie 11 by Ken [youtube]
Getting Started Tutorial – Windows Live Movie Maker [youtube]
Blogging Workshop Wrap-up
The folks who showed up to the Blogging in the Classroom and Profession Workshop and I had a good conversation, but I hope to gather a larger audience at the next workshop, particularly of new graduate assistances in the department. I had planned the events around the time when no graduate students were taking class–it would have been nearly impossible to also account for when they were teaching class, too.
I have already made my notes available online, but I will add some video from the workshop to YouTube and link it here, soon. Also, if there is enough interest, I can try to hold another set of workshops on a TTh time slot in November.
Stay tuned!
Digital Composition Workshops Begin Next Wednesday, Oct 12
The first Kent State English department digital composition workshop for Fall 2011 will be held next Wednesday, October 12 from 1:00-2:00pm in Satterfield Hall 104. I will lead a discussion on “Blogging in the Classroom and Profession.” Bring your questions and your blogs. I hope to see my fellow Kent Staters there!
Forums.StarWars.com Going Offline on June 3, Loss of Nearly 10 Years of Star Wars Fan Conversations
Topher Kohan of CNN wrote an open letter to George Lucas regarding the shuttering of the StarWars.com fan forums: Mr. Lucas, the 4th is not to be trifled with – CNN.com.
Apparently, Lucasfilm recently decided to remove the forums on June 3, 2011. They have already placed the forums in read-only mode as of May 3.
Pabawan, a site admin, offered this anti-explanation explanation: “At StarWars.com, we are always evaluating the various features of the website in order to provide the best experience to our users. As we review new community-based interactive features for the future, we have decided that the Official Message Boards at forums.starwars.com will no longer be part of the site” [read the full announcement here while it is available].
Instead of hosting fan conversations on StarWars.com, Lucasfilm has opted for Facebook and Twitter. Unfortunately, Facebook and Twitter are very good at doing what they do, but they do not offer the same experience or conversation that an online forum provides. Forums allow people to write longer conversational pieces that are searchable and archived within a theme delimited hierarchy. Facebook allows for conversations, but they are not easily searched and may not be archived indefinitely. Twitter facilitates conversation, but you may only write 160 characters at a time including hashtags (for thematic or subject linking), user references, and links.
Online conversations need a rich ecosphere of different Internet facilitated modes of conversation rather than relying on those that seem the most popular at this time. I believe that it for this reason that the Taiwanese embrace multiple modes of communication including BBS servers, Plurk, and others in addition to Facebook and Twitter.
I realize that Star Wars fans will likely shift their conversations to fan-operated forums. It is unlucky however that the many conversations on the now defunct forums.starwars.com will be lost forever on Friday, June 3. Perhaps someone will write a script to archive the forums before that date, but I do not know if Lucasfilm’s servers will permit such an archiving to take place.
Electronic Literature Collection Vol 2 Now Live
Mark Marino, Director of Communication for the Electronic Literature Organization, sent out the following announcement earlier today for the second volume of the Electronic Literature Collection:
The Electronic Literature Organization has just released:
The Electronic Literature Collection, Volume 2:
http://collection.eliterature.org/2/Containing over 60 works from artists around the world, this second anthology of e-lit published by the Electronic Literature Organization offers a wide array of digital texts from traditional e-lit forms, such as literary hypertext, to newer genres using social media tools and new literary environments.
These works offer a glimpse of emerging writing forms employed in literary pursuits.
The works from ELC1 and some from ELC2 have become the subject of SLSA presentations and articles from our community. The new collection presents both veteran authors and newcomers with an increased presence of non-English works and contributions from beyond the US.
Read more about the collection here:
http://www.eliterature.org/elo/electronic-literature-collection-volume-2-launchesEnjoy!
Go here to ‘read’ the collection online. You can also find the first volume of the Electronic Literature Collection here.
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