Over the past three days, I worked with my City Tech colleagues–Laura Westengard, Lavelle Porter, and Lucas Kwong–and student–Jessica Roman–to inventory the City Tech Science Fiction Collection. Two years ago, I began the collection’s finding aid by cataloging the 4,000+ magazines. Last year, I inventoried the collection’s nearly 1,700 monographs and anthologies. This year, we are creating an inventory of the remaining parts of the collection: scholarly journals and novels. Read details of our progress on the Science Fiction at City Tech OpenLab site here.
In addition to working on a book review today, I created a new OpenLab site for Retrocomputing at City Tech. In addition to recording how I use vintage computers in the classroom and in research, the new OpenLab site contains a catalog of my vintage computing archive. I populated this catalog with most of the hardware, but I plan to granulize it further and create a catalog of my software. This, of course, will take time. At least there is a place for me to record these things now within the auspices of the work that I do at City Tech. I updated my previous Retrocomputing Lab page on this site with a link to the updated site on OpenLab.
I first met Marleen in 2006 at my first Science Fiction Research Association Conference in White Plains, New York. She and I were on the same panel. As you might imagine, I, having just graduated with a B.S. from Georgia Tech, was a bit nervous presenting in front of an audience of professional scholars. Marleen gave me words of advice and encouraged me. Since then, she and I have worked together on different projects, such as The Postnational Fantasy, which includes an essay by her, and her two consecutive presentations at the first and second City Tech Science Fiction Symposia. In addition to these personal anecdotes, Marleen is, of course, a scholar and writer whose work has been instrumental to the on-going development of science fiction studies and deservedly earned her recognition and awards, including the SFRA’s prestigious Pilgrim Award for Lifetime Achievement. Now, she has a new work of science fiction–a collection of parodic short stories–featuring the United States’ current president. Read below for details about this new collection and how to order it from the publisher B Cubed Press.
Award winning feminist science fiction scholar and writer Marleen S. Barr brings you The Feminist Science Fiction Justice League Quashes the Orange Outrage Pussy Grabber: Political Power Fantasy Fiction (forthcoming from B Cubed Press). This book, the world’s first single-authored satirical Trump-focused short story collection, is a guide to the Trump revenge fantasy galaxy. Barr turns to fiction to move beyond wishing for Trump’s impeachment. She subjects our President to close encounters with feminist extraterrestrials, alternative Hillary winning history, Godzilla-esque male metamorphosis, lock up in the Phantom Zone—and that’s on a good day. In the end, Barr transports Trump to a galaxy far far away from us. Those who recoil at pussy grabbing need to grab this laugh out loud funny groundbreaking feminist power fantasy. Liberals will rate it a ten. Will Trump call science fiction a fake book? Will he expect feminist extraterrestrials to characterize him as a very stable genius? Parody is powerful! Books can be ordered at https://bcubedpress.com/contact/.
I waited until I had signed the offer letter to announce the good news: I accepted a tenure-track position at the New York City College of Technology (City Tech) in Brooklyn!
I’m incredibly stoked to join the City Tech team. I’m looking forward to working with students, colleagues, and the surrounding community.
While I’m sad to be leaving Georgia Tech and the Marion L. Brittain Postdoctoral Program two years into my three year term, I could not pass up the chance to work with students and colleagues at City Tech. It is the kind of college where I believe that I can make great contributions to its learning environment, support its operation through service, collaborate with top notch colleagues, and contribute to my discipline through scholarship, and work with the New York City community that I will join.
Even though I am looking forward to the future, I have a number of things to conclude here in Atlanta before I leave: I am teaching Science Fiction at Georgia Tech through the end of July, I am giving a presentation on teaching Science Fiction at this weekend’s Atlanta Science Fiction Society meeting, I am completing the curriculum guide for Georgia Tech’s Project One (formerly, First Year Reading Program), and I am working with the Georgia Tech Library Archives to inaugurate their Retrocomputing Lab.
Y and I have a lot of practical matters to attend to as well: finding a new place to live, listing our house in Norcross for sale, moving to New York with our piano and two cats, and saying our goodbyes to family and friends.
I look forward to new students, friends, colleagues, possibilities, and opportunities in our new city!
Over the weekend, I launched a new page under the “Research” menu on DynamicSubspace.net for my Retrocomputing Lab.
I use the Retrocomputing Lab’s hardware and software resources in my continuing research on human-computer interaction, human-computer experiences, and human-computer co-influence. So far, its primary focus is on the shift from the pre-Internet, early-1990s to the post-Internet, late-1990s and early-2000s.
During that time, technological and cultural production seems to accelerate. Imagine all of the stories yet to be recovered from that time. How do we untangling of the long shadow of that time from the innovations and disruptions of the present passing into future?
The computer hardware includes Macs and PCs. There are laptops and desktops. There are different add-on cards and peripherals to enhance and change experiences. There are 3.5″ floppy disks, CD-ROMs, and DVDs. There are many different kinds of software ranging from games to interactive encyclopedias to operating systems to word processors. There are different motherboards that can be swapped out in various computer cases (AT and ATX). The machines can be temperamental, but each configuration reveals its own indelible soul (for lack of a better word, but it is a word that I quite like in this context).
My research focuses on reading on screens, depictions of electronic-facilitated reading, and the cognitive effects of reading on screens (of course, there are a multitude of screens and interfaces–a worthy complication) as opposed to other forms of non-digital media (and their multitude).
The Retrocomputing Lab continues to grow and new research possibilities abound. If you are interested in collaborating on a project with Retrocomputing Lab resources, drop me a line at jason dot ellis at lmc dot gatech dot edu.
I received a letter from The Center for Ray Bradbury Studies at Indiana University that the first volume of The Collected Stories of Ray Bradbury: A Critical Edition is now available. It is a critical collection of Bradbury’s stories in the order that they were written, and it includes commentary by the editors William F. Touponce and Jonathan R. Eller on the stories, thirteen of which have never been anthologized. This is the first of a proposed three volume series. More information is available on the publisher’s website here.
I’m a big fan of Ray Bradbury. I fell in love with his writing shortly after beginning my early science fiction explorations with Isaac Asimov and Arthur C. Clarke. I figured if I were to begin reading SF, I should begin with the three Grand Masters. My favorite titles by Bradbury include The Martian Chronicles, Dandelion Wine, and The Illustrated Man.