Category: Pedagogy

  • Review of Donald E. Hall’s The Academic Self: An Owner’s Manual, Recommended for Graduate Students, Postdocs, and Junior Faculty

    Hall, Donald E. The Academic Self: An Owner’s Manual. Columbus: Ohio State UP, 2002. Print.

    I picked up Donald E. Hall’s The Academic Self from the Georgia Tech Library after completing my teaching assignment for Spring 2013–eleven years after the book had been published. Specifically, I was looking for books and articles to help me grapple with the challenges of this stage of my professional life as a postdoctoral fellow: teaching a 3-3 load, performing service duties, researching, writing,  receiving rejections (and the far less often acceptance), and applying for permanent positions. In the following, I summarize Hall’s arguments, provide some commentary, and close with a contextualized recommendation.

    Hall states in the introduction that the goal of The Academic Self is, “encourage its readership to engage critically their professional self-identities, processes, values, and definitions of success” (Hall xv). I found this book to be particularly useful for thinking through my professional self-identity. As I was taught by Brian Huot at Kent State University to be a reflective practitioner in my teaching and pedagogy, Hall argues for something akin to this in terms of Anthony Giddens’ “the reflexive construction of self-identity” (qtd. in Hall 3). Hall truncates this to be “self-reflexivity,” or the recognition that who we are is an unfolding and emergent project. I use this blog as part of my processes of self-reflection–thinking through my research and teaching while striving to improve both through conscious planning and effort.

    However, unlike the past where the self was static and enforced by external forces, modernity (and postmodernity–a term Hall, like Giddens, disagrees with) has ushered in an era where the self is constructed by the individual reflectively. From his viewpoint, the self is a text that changes and can be changed by the individual with a greater deal of agency than perhaps possible in the past (he acknowledges his privileged position earlier in the book, but it bears repeating that this level of agency certainly is not equally distributed).

    In the first chapter, titled “Self,” Hall writes, “Living in the late-modern age, in a social milieu already thoroughly pervaded by forms of self-reflexivity, and trained as critical readers, we academics in particular have the capacity and the professional skills to live with a critical (self-) consciousness, to reflect critically upon self-reflexivity, and to use always our professional talents to integrate our theories and our practices” (Hall 5). If we consider ourselves, the profession, and our institutions as texts to be read, we can apply our training to better understanding these texts and devise ways of making positive change to these texts.

    He identifies what he sees as two extremes that “continue to plague academic existence: that of Casaubonic paralysis and Carlylean workaholism” (Hall 8). In the former, academics can be caught in a ignorant paranoia like Casaubon of George Eliot’s Middlemarch (1871-1872), or in the latter, academics can follow Thomas Carlyle’s call to work and avoid the “symptom” of “self-contemplation” (qtd. in Hall 6).

    In the chapter titled “Profession,” Hall calls for us to apply our training to reflective analysis and problem solving of our professional selves and our relationship to the ever changing state of the profession itself. He questions to what extent the work of professionalism (seminars, workshops, etc.) are descriptive or prescriptive. “The ideal of intellectual work” varies from person to person, but it is an important choice that we each must make in defining who we are within the profession.

    He reminds us that, “much of the pleasure of planning, processing, and time management lies not in their end products–publication or project completion–it is derived from the nourishment –intellectual, communal, and professional–provided by the processes themselves” (Hall 46). He builds his approach to process on his personal experiences: “Unlike some, I know well when my work day is over. Part of the textuality of process is its beginning, middle, and most importantly, its end” (Hall 46).

    His talking points on process are perhaps the most practical advice that he provides in the book. In planning, he advises:

    1. begin from the unmovable to the tentative in your scheduling, know yourself–plan according to your habits and work on those aspects of your planning that need adjustment, and stick to your well planned schedule to yield the personal time that you might be lacking now without such a plan
    2. break goals and deliverables into their constituent parts [or building blocks (my Lego analogy) or code (my programming analogy)]
    3. monitor your progress and see daily/smaller goals as ends in themselves rather than simply means to a greater end
    4. take ownership of your goals, schedule, and commitments to others [this is something that I carry forward from my Mindspring days: Core Values and Beliefs: Do not drop the ball.]
    5. deal with and learn from setbacks–life, bad reviews, rejections, etc. [this is easier said than done, and the external effects of bad reviews goes beyond its effect on the writer]
    6. let change happen to our goals and research as our workplace, interests, and circumstances change
    7. taking ownership of our work in these ways can help protect us from and strengthen us against burnout

    Hall goes on to suggest ten steps for professional invigoration to help folks suffering from a stalled career or burnout. However, these ten pieces of advice are equally applicable to graduate students, postdocs, and beginning faculty: join your field’s national organization, read widely in your field, set precise goals, maintain a daily writing schedule [my most difficult challenge], present conference papers, write shorter artifacts to support your research [reviews or my case, this blog], know the process and timeline of manuscript publishing, foster relationships with publishers and editors, politely disengage from poor or dysfunctional professional relationship/praise and value positive relationships, and find support in your local networks.

    The final chapter, “Collegiality, Community, and Change,” reminds us, “always t put and keep our own house in order” (Hall 70). He suggests strategies counter to what he calls “the destructive ethos of ‘free agency’ that seems to pervade the academy today–the mindset that institutional affiliations are always only temporary and that individuals owe little to their departments or institutions beyond the very short term” (Hall 70). On professional attitudes, he encourages a focus on the local (institution) before national (beyond the institution), the current job as potentially your last job–treat it with that respect, meet institutional expectations, collegial respect of others, and learning the history of our institution/school/department from everyone with whom we work.

    Perhaps most notably, he writes, “If we measure our success through the articulation and meeting of our own goals, as I suggest throughout this book, we can achieve them without begrudging others their own successes. However, if we need to succeed primarily in comparison to others, then we are deciding to enter a dynamic of competition that has numerous pernicious consequences, personal and inter-personal” (Hall 74-75). As I have written about on Dynamic Subspace before, it was the overwhelming in-your-faceness of others’ successes on social media like Facebook that distracted me from my own work. Seeing so many diverse projects, publications, and other accomplishments made me question my own works-in-progress before they had time to properly incubate and grow. For all of social media’s useful and positive aspects for maintaining and growing networks of interpersonal relationships, I had the most trouble resisting the self-doubt that the Facebook News Feed generated for me.

    Finally, he encourages dynamic and invested change in departments and institutions. However, as junior faculty, it is important to research and weigh the possible repercussions for working to make change. Hall is not arguing against change by those without tenure, but he is warning us to proceed cautiously and knowledgeably due to a number factors: potential sources of resistance, jeopardizing our jobs, etc.

    Hall’s “Postscript” reinforces the overarching idea of ownership by calling on the reader to live with “intensity,” an idea that inspired Hall from Walter Pater’s 1868 The Renaissance: “burn always with [a] hard, gem-like flame” (qtd. in Hall 89). Hall’s intensity is one self-motivated, well-planned, dynamically agile, and passionately executed.

    Hall’s The Academic Self is a very short read that is well worth the brief time that it will take to read. It offers some solid advice woven with the same theoretically infused self-reflexivity that he encourages. It practices what it preaches. The main thing to remember is that the book is eleven years old. When it was published, the field of English studies was experiencing an employment downturn (albeit one not as pronounced as in recent years). Michael Berube’s “Presidential Address 2013–How We Got Here” (PMLA 128.3 May 2013: 530-541), among many other places–this issue just arrived in the mail today, so I was reading it between chapters of Hall’s book, picks up some of the other challenges that graduate students, postdoctoral fellows, and junior faculty have to contend with in the larger spheres of the profession and society. The other advice that Hall provides on personal ownership and collegiality, I believe, remains useful and inspirational. In addition to reading Hall’s book, you should check out his bibliography for further important reading in this vein.

  • The Cute Insistence of Cats as an Impediment to Preparing Future Pedagogy

    Moses collapses on Donald A. Norman's Living with Complexity.
    Moses collapses on Donald A. Norman’s Living with Complexity.

    While preparing for my three fall semester classes and reading Donald A. Norman’s Living With Complexity, Moses decides to collapse on my book and immediately fall asleep. I believe that he is asserting his “Right to be Cute.”

  • Dean Griffin Day Luncheon for Thank a Teacher Recipients, and A Meditation on Teaching, Passion, and MOOCs

    George C. Griffin, 1918
    George C. Griffin, 1918

    Today, the Georgia Tech Alumni Student Ambassadors and the Georgia Tech Center for the Enhancement of Teaching and Learning hosted the Dean Griffin Day Luncheon to recognize recipients of “Thank a Teacher” notes. I was honored by a Thank a Teacher note from one of my students.

    Associate Vice Provost for Learning Excellence Donna Llewellyn told us about the origins of the Thank a Teacher program and recited some of the notes that recipients had received.

    Marilyn Somers, Director of Georgia Tech’s Living History Program, guided us through enjoyable multimedia-driven stories about Dean George C. Griffin. Her enthusiasm for Georgia Tech is only matched by her passion as a storyteller.

    Vice Provost for Undergraduate Education Colin Potts delivered a meditation on what exactly it is that makes a great teacher and how that relates to the modern development of online education in MOOCs (massive open online course). The two most provocative things that I took away from his talk include the question, “What makes a good teacher?,” and the observation, MOOCs are part of the evolution of education but not the end.

    On my walk back to the Hall Building, I thought about Dr. Potts’ question: What makes a good teacher. Of course, I have given this idea a lot of thought before and after entering the profession, but it is a question that we as educators should continually return to in our work as reflective practitioners. The best quality that I have found in my teachers (and I mean those people who are educators in the broadest sense of the word) is passion. This includes a passion for the material being taught, a passion for student learning and success, a passion for engaging others, a passion for life-long learning, a passion for energetic discourse, a passion for understanding, a passion for a passion for giving back to a community, a passion for being a part of larger conversations beyond the classroom, and a passion for kindness. What’s intriguing about my experiences with some fantastic teachers during my life is that I do not believe that any of them perform, demonstrate, or conduct these same passions in the same way. There many different paths to these things, and its amazing to me how many different people tread very different paths yet have achieved for me the same positive and enriching outcomes.

    This reminds me of something else that Dr. Potts warned about MOOCs–the impulse of some to promote a singular, superstar educator as the one way for a course to be delivered and taught. In a smaller way, I think back to my Calculus education at Georgia Tech. There were simply some professors who I could learn from–that is, their teaching style and methodology synced, jived, and meshed with my thinking and learning ability. The professors who I did learn Calculus best from might not have been the exemplars of the profession at Tech at that time, but they were, to me anyways, the best educators of Calculus (I should know, because I had some false starts early on in my educational career). We have to be very careful about the choices that we make as an institution and as a profession as we move further into offering MOOCs. These choices should extend beyond the calculus of student completion rates. We have to consider the effects MOOCs will have on pedagogy and educators. How will MOOCs, over time, influence education? How will MOOCs influence student success in areas not explicitly concerned with a course that teachers often provide and encourage (finding out how students are doing, having informal chats, making sure students are doing okay, etc.)? Will MOOCs push out some educators and educational styles in favor of others? Can the passions of educators be provided/conveyed and can the passions of students for learning, solving puzzles, and engaging discourses be fostered in a MOOC?

    A final note: I am listening to Dr. Eric Rabkin’s lectures on tape for his Science Fiction: The Technological Imagination course from the University of Michigan. Certainly, he is passionate about science fiction, and it is, I believe, unavoidable for his passion to infect his audience. He knows the material, and he is obviously excited to convey this knowledge to his students (in the classroom and in the world–those of us listening to the lectures on tape). However, Dr. Rabkin cannot provide the same kinds of things as a teacher (educator, mentor, counselor, etc.) in a MOOC or lectures on tape that he can provide in a class of reasonable size (another issue). Don’t get me wrong–Dr. Rabkin is a fantastic person and I count him among my professional friends. However, there are limitations to what an educator can and cannot do in a MOOC or lectures on tape. For example, in his own highly popular MOOC, I imagine that he cannot read all of the comments or questions of every student (when I see Dr. Rabkin next, I will certainly ask him about how he compares his classroom and MOOC teaching). This is something possible when you have reasonable class enrollments and course loads (this leads into another area of concern about having too large of a class for a qualitative and composition oriented course–there is a point at which the teacher cannot provide the necessary and needed passion for all students. In which case, a too big of a class, too many classes, or a MOOC can become indistinguishable from the perspective of the educator). Of course, I can see that the objectives of the classroom learning environment compared to the MOOC/lectures on tape should be different. I am left wondering though if everyone who promotes MOOCs truly recognizes the different affordances of each without trying to make one into the other at the cost of each.

  • Assessing Multimodality: Navigating the Digital Turn Tweet Round Up on Storify and a Picture of Me and My Pedagogy Poster

    My Pedagogy Poster on "Writing the Brain" at Assessing Multimodality Symposium.
    My Pedagogy Poster on “Writing the Brain” at Assessing Multimodality Symposium.

    Today, the Georgia Tech Writing and Communication Program and Bedford St. Martins hosted a symposium on Assessing Multimodality: Navigating the Digital Turn. I co-presented a workshop with Mirja Lobnik on Multimodality and Perception and I presented a poster during one of the day’s sessions. Many of us were tweeting our experiences at the symposium today, too. Click through the Storify embed below to virtually experience the symposium 140 characters at a time.

    [View the story “Assessing Multimodality: Navigating the Digital Turn Symposium” on Storify]

  • Mirja Lobnik’s and My Workshop at the Assessing Multimodality: Navigating the Digital Turn Symposium: Multimodality and Perception: A Multi-Sensory Approach to Teaching Rhetorical Skills

    photo
    Perception and cognition.

    This morning, Mirja Lobnik and I will be co-hosting a workshop on “Multimodality and Perception: A Multi-Sensory Approach to Teaching Rhetorical Skills” at the Assessing Multimodality: Navigating the Digital Turn Symposium co-hosted by Georgia Tech’s Writing and Communication Program and Bedford St. Martin’s. Our workshop is about multisensory perception, multimodal composition, and cognition:

    Associated with the use of various media to create cohesive rhetorical artifacts and the neurology of the ways humans process information through different sensory channels, multimodality has gained considerable ground in the composition classroom. Insofar as multimodal pedagogies emphasize the role of students as active, resourceful, and creative meaning-makers, it tends to enhance student engagement and, by extension, the teaching of composition and rhetorical skills. Focusing on sensory details of embodied, lived experience, this workshop centers on teaching that engages students both in mind and body. This approach not only promotes the students’ creation of multimodal artifacts but also encourages students to explore and critically reflect on personal experiences. Specifically, Lobnik focuses on aural composing modalities, including speech, music, and sound, and assignments that highlight sound as a rhetorical and creative resource: a transcription, audio essay, and a video. Ellis discusses cognition, metacognition, and curation and an assignment that integrates Twitter, Storify, ComicLife, and the written essay.

    If you get to attend our workshop or the symposium’s other great sessions, please tweet using the hashtag: #AMsymposium.