Category: Pedagogy

  • My Poster for SAMLA 2013: The Brittain Fellowship’s DevLab: Space, Resources, Expertise, and Collaboration

    My DevLab Poster.
    My DevLab Poster.

    This year, Georgia Tech’s Writing and Communication Program and its Brittain Fellows had a strong presence at the annual South Atlantic Modern Language Association meeting in Atlanta, Georgia.

    I presented a poster on the program’s R&D unit, DevLab. To compose the poster, I took a panoramic photo of DevLab’s main space (we also have an external recording booth). My students and fellow Brittain Fellows are pictured doing work and collaborating at various events over the past few months.

    Standing next to my poster in the Buckhead Marriott.
    Standing next to my poster in the Buckhead Marriott.

    We also had posters on the Communication Center, our pedagogical research, and our scholarly research. Here’s a list of all posters from the official program:

    10. Georgia Institute of Technology Brittain Fellowship,

    Poster Series I

    The Marion L. Brittain Postdoctoral Fellowship at the Georgia Institute of Technology

    a. Jason Ellis, DevLab: Research and Development Lab Facility

    b. CommLab: Tutoring Center for Multimodal Communication

    11. Georgia Institute of Technology Brittain Fellowship, Poster Series II

    WOVEN: Multimodal Communication in the Classroom

    a. Joy Bracewell

    b. Jennifer Lux

    c. Julia Munro

    12. Georgia Institute of Technology Brittain Fellowship, Poster Series III

    Intersections between Scholarship and Pedagogy

    a. Aaron Kashtan

    b. Jennifer Orth-Veillon

    c. Aron Pease

    13. Georgia Institute of Technology Brittain Fellowship, Poster Series IV

    Changing Higher Education

    a. Mirja Lobnik, World Englishes Committee

    b. Multiple Presenters, Curriculum Innovation Committee

    c. Arts Initiatives Committee

    Besides participating in the poster session, I also took notes from N. Katherine Hayles’ plenary lecture on Friday afternoon. I will post my notes from that talk here soon.

    Next year, I will propose a paper for SAMLA and hopefully present an updated version of the DevLab poster. See you there!

  • LMC3403, Technical Communication: Lego, Haptics, and Instructions

    LMC3403 Technical Communication students working with LEGO

    My LMC3403, Technical Communication students are well into their second unit project on reader-centered and process-driven fundamentals. In a fun assignment, I wanted the students to try out many different types of technical communication deliverables for different readers/audiences. Also, I wanted them to think differently about nonverbal communication with the heavy emphasis on haptics, physicality, and making.

    LMC3403 Technical Communication students working with LEGO

    In this project, their primary task is to build a set of instructions for a Lego model of their own design.

    Their Lego model should represent something about their studies, their professional field, or their entrepreneurial spirit.

    LMC3403 Technical Communication students working with LEGO

    Their project began with the creation of a proposal memo that laid out their entire project: designing instructions, testing instructions, reporting on tests in a memo, revising instructions, and reflecting on the project in a memo.

    Throughout the process, they have to be mindful of different audiences (executives, managers, and customers).

    LMC3403 Technical Communication students working with LEGO

    In these photos, the students are busy at work creating the first version of their Lego models.

    I was happy to overhear someone say, “It’s nice to actually do something fun in a class for once!”

    LMC3403 Technical Communication students working with LEGO
  • Review of Donald E. Hall’s The Academic Self: An Owner’s Manual, Recommended for Graduate Students, Postdocs, and Junior Faculty

    Hall, Donald E. The Academic Self: An Owner’s Manual. Columbus: Ohio State UP, 2002. Print.

    I picked up Donald E. Hall’s The Academic Self from the Georgia Tech Library after completing my teaching assignment for Spring 2013–eleven years after the book had been published. Specifically, I was looking for books and articles to help me grapple with the challenges of this stage of my professional life as a postdoctoral fellow: teaching a 3-3 load, performing service duties, researching, writing,  receiving rejections (and the far less often acceptance), and applying for permanent positions. In the following, I summarize Hall’s arguments, provide some commentary, and close with a contextualized recommendation.

    Hall states in the introduction that the goal of The Academic Self is, “encourage its readership to engage critically their professional self-identities, processes, values, and definitions of success” (Hall xv). I found this book to be particularly useful for thinking through my professional self-identity. As I was taught by Brian Huot at Kent State University to be a reflective practitioner in my teaching and pedagogy, Hall argues for something akin to this in terms of Anthony Giddens’ “the reflexive construction of self-identity” (qtd. in Hall 3). Hall truncates this to be “self-reflexivity,” or the recognition that who we are is an unfolding and emergent project. I use this blog as part of my processes of self-reflection–thinking through my research and teaching while striving to improve both through conscious planning and effort.

    However, unlike the past where the self was static and enforced by external forces, modernity (and postmodernity–a term Hall, like Giddens, disagrees with) has ushered in an era where the self is constructed by the individual reflectively. From his viewpoint, the self is a text that changes and can be changed by the individual with a greater deal of agency than perhaps possible in the past (he acknowledges his privileged position earlier in the book, but it bears repeating that this level of agency certainly is not equally distributed).

    In the first chapter, titled “Self,” Hall writes, “Living in the late-modern age, in a social milieu already thoroughly pervaded by forms of self-reflexivity, and trained as critical readers, we academics in particular have the capacity and the professional skills to live with a critical (self-) consciousness, to reflect critically upon self-reflexivity, and to use always our professional talents to integrate our theories and our practices” (Hall 5). If we consider ourselves, the profession, and our institutions as texts to be read, we can apply our training to better understanding these texts and devise ways of making positive change to these texts.

    He identifies what he sees as two extremes that “continue to plague academic existence: that of Casaubonic paralysis and Carlylean workaholism” (Hall 8). In the former, academics can be caught in a ignorant paranoia like Casaubon of George Eliot’s Middlemarch (1871-1872), or in the latter, academics can follow Thomas Carlyle’s call to work and avoid the “symptom” of “self-contemplation” (qtd. in Hall 6).

    In the chapter titled “Profession,” Hall calls for us to apply our training to reflective analysis and problem solving of our professional selves and our relationship to the ever changing state of the profession itself. He questions to what extent the work of professionalism (seminars, workshops, etc.) are descriptive or prescriptive. “The ideal of intellectual work” varies from person to person, but it is an important choice that we each must make in defining who we are within the profession.

    He reminds us that, “much of the pleasure of planning, processing, and time management lies not in their end products–publication or project completion–it is derived from the nourishment –intellectual, communal, and professional–provided by the processes themselves” (Hall 46). He builds his approach to process on his personal experiences: “Unlike some, I know well when my work day is over. Part of the textuality of process is its beginning, middle, and most importantly, its end” (Hall 46).

    His talking points on process are perhaps the most practical advice that he provides in the book. In planning, he advises:

    1. begin from the unmovable to the tentative in your scheduling, know yourself–plan according to your habits and work on those aspects of your planning that need adjustment, and stick to your well planned schedule to yield the personal time that you might be lacking now without such a plan
    2. break goals and deliverables into their constituent parts [or building blocks (my Lego analogy) or code (my programming analogy)]
    3. monitor your progress and see daily/smaller goals as ends in themselves rather than simply means to a greater end
    4. take ownership of your goals, schedule, and commitments to others [this is something that I carry forward from my Mindspring days: Core Values and Beliefs: Do not drop the ball.]
    5. deal with and learn from setbacks–life, bad reviews, rejections, etc. [this is easier said than done, and the external effects of bad reviews goes beyond its effect on the writer]
    6. let change happen to our goals and research as our workplace, interests, and circumstances change
    7. taking ownership of our work in these ways can help protect us from and strengthen us against burnout

    Hall goes on to suggest ten steps for professional invigoration to help folks suffering from a stalled career or burnout. However, these ten pieces of advice are equally applicable to graduate students, postdocs, and beginning faculty: join your field’s national organization, read widely in your field, set precise goals, maintain a daily writing schedule [my most difficult challenge], present conference papers, write shorter artifacts to support your research [reviews or my case, this blog], know the process and timeline of manuscript publishing, foster relationships with publishers and editors, politely disengage from poor or dysfunctional professional relationship/praise and value positive relationships, and find support in your local networks.

    The final chapter, “Collegiality, Community, and Change,” reminds us, “always t put and keep our own house in order” (Hall 70). He suggests strategies counter to what he calls “the destructive ethos of ‘free agency’ that seems to pervade the academy today–the mindset that institutional affiliations are always only temporary and that individuals owe little to their departments or institutions beyond the very short term” (Hall 70). On professional attitudes, he encourages a focus on the local (institution) before national (beyond the institution), the current job as potentially your last job–treat it with that respect, meet institutional expectations, collegial respect of others, and learning the history of our institution/school/department from everyone with whom we work.

    Perhaps most notably, he writes, “If we measure our success through the articulation and meeting of our own goals, as I suggest throughout this book, we can achieve them without begrudging others their own successes. However, if we need to succeed primarily in comparison to others, then we are deciding to enter a dynamic of competition that has numerous pernicious consequences, personal and inter-personal” (Hall 74-75). As I have written about on Dynamic Subspace before, it was the overwhelming in-your-faceness of others’ successes on social media like Facebook that distracted me from my own work. Seeing so many diverse projects, publications, and other accomplishments made me question my own works-in-progress before they had time to properly incubate and grow. For all of social media’s useful and positive aspects for maintaining and growing networks of interpersonal relationships, I had the most trouble resisting the self-doubt that the Facebook News Feed generated for me.

    Finally, he encourages dynamic and invested change in departments and institutions. However, as junior faculty, it is important to research and weigh the possible repercussions for working to make change. Hall is not arguing against change by those without tenure, but he is warning us to proceed cautiously and knowledgeably due to a number factors: potential sources of resistance, jeopardizing our jobs, etc.

    Hall’s “Postscript” reinforces the overarching idea of ownership by calling on the reader to live with “intensity,” an idea that inspired Hall from Walter Pater’s 1868 The Renaissance: “burn always with [a] hard, gem-like flame” (qtd. in Hall 89). Hall’s intensity is one self-motivated, well-planned, dynamically agile, and passionately executed.

    Hall’s The Academic Self is a very short read that is well worth the brief time that it will take to read. It offers some solid advice woven with the same theoretically infused self-reflexivity that he encourages. It practices what it preaches. The main thing to remember is that the book is eleven years old. When it was published, the field of English studies was experiencing an employment downturn (albeit one not as pronounced as in recent years). Michael Berube’s “Presidential Address 2013–How We Got Here” (PMLA 128.3 May 2013: 530-541), among many other places–this issue just arrived in the mail today, so I was reading it between chapters of Hall’s book, picks up some of the other challenges that graduate students, postdoctoral fellows, and junior faculty have to contend with in the larger spheres of the profession and society. The other advice that Hall provides on personal ownership and collegiality, I believe, remains useful and inspirational. In addition to reading Hall’s book, you should check out his bibliography for further important reading in this vein.

  • Science Fiction, LMC3214: Final Paper Topics Were On a Broad Spectrum of SF Media

    I just finished grading my students’ final paper projects. Their task was to use several definitions of SF from a list that I had prepared for them (or others that they found on their own and properly cited) to evaluate whether a work that we had not discussed in class was SF or not. Through this analysis, they would come up with their own definition/litmus test for SF.

    I was very happy to read papers on a variety of SFnal works, including:

    • Joseph Kosinski’s film, TRON: Legacy (which I had reviewed for the SFRA Review before)
    • AMC’s production of The Walking Dead
    • H.P. Lovecraft’s At the Mountains of Madness
    • Orson Scott Card’s Ender’s Game
    • Tommaso Landolfi’s Cancerqueen (Cancroregina)
    • Octavia Butler’s Parable of the Sower
    • Halo: Combat Evolved (and its supplementary material in print)
    • David Brin’s Startide Rising
    • Marc Forster’s film, World War Z
    • Ridley Scott’s film, Blade Runner
    • Aldous Huxley’s Brave New World
    • Richard Schenkman’s film, The Man from Earth
    • X-COM: UFO Defense

    This list reveals that my students were interested in SF across a spectrum of media. There were papers on six literary works, four films, one television series, and two video games (this is further blurred by the video game/print crossover material).

    For those students who talked with me about their papers, I am particularly happy with the way their papers turned out. Having had those conversations, I can see a snapshot along their paper’s developmental process, which gives me better insight into the work that they likely did to push their arguments further than what we had discussed in class. Reflecting on this, I will add conference time to my future SF classes that meet over a full semester, but I will do more to have these smaller conversations with students–perhaps before class or during our daily break time–to get a better sense of their research and developing argument.

  • Science Fiction, LMC3214: All Good Things: Last Day of Class, Haptic Perception, and Lego

    The excellent group of students (and me in the back right) in my Science Fiction class. Photo by Carol Senf.
    The excellent group of students (and me in the back right) in my Science Fiction class holding up their SF-inspired Lego creations. Photo by Carol Senf.

    Today, unfortunately, was the last day of my Science Fiction class at Georgia Tech.

    At the beginning of class, my students completed their third exam. Unlike the previous exams, it only covered the material discussed in class this week: cyberpunk and Taiwanese SF. And unlike the previous 1 hour long exams, it was 30 minutes long.

    After the exam, we began what I called an SF debriefing with Lego. I framed this end of semester activity by having them think about WOVEN (written, oral, visual, electronic, and nonverbal) modes of communication. Then, I discussed the importance of one aspect of nonverbal communication: haptics. In the haptic mode, we touch, we build, and we visualize objects. It is an insanely important and often overlooked way in which our brains think, learn, and communicate with others. I told them that this activity was meant to allow them to think about and express some image or object from SF–either discussed in the class or not–that they liked or thought significant. To facilitate their work with haptics, I brought two bins full of Legos–some acquired from the local Lego Store and some from my secret stash. I told them to use up to 40 bricks/elements to build their model. After completing it, they would have a chance to hold it up and tell the class about it, and if they choose to do so, they could take it home as a gift and a memento of the class.

    I gave the students about 30 minutes to build, and I encouraged them to get out of their chairs, stand around the bins to dig for bricks, and talk with one another as they worked–talk about what they were building, trade bricks, help one another, etc. It didn’t take much encouragement on my part to get them going–they took off like a fleet of rockets!

    When each student had a chance to tell us about their creation, I would offer other connections and background information on their creation to further integrate it into the broader history of SF.

    After class, Professor Carol Senf, who was observing my class, was kind enough to take a group photo of the class (see above).

    I left my students with the encourage to continue their exploration of SF. I told them that I believe SF to be the most important contemporary literature. It examines the human condition, critiques our social relationships, imagines the effects of science and technology, and energizes our sense of awe and wonder. It can inspire us and it can teach us. Of course, it also can be smashing entertainment.

    When class was over, the conversation continued with those students who had other questions about SF (Was PKD really a drug fiend? Who are important/good contemporary SF writers? etc.) and kind words to say about the class.

    All that is left for my students is to complete their final papers testing a work of SF against definitions of the genre by others and themselves. I have to grade their third exams and their papers before I can submit grades next week. I am looking forward to reading their papers, but I am sad that this amazing class with these talented students is virtually at an end.