Tag: Composition

  • Recovered Writing: Undergraduate Astronomy Class, PHYS 2021, Sunset Observation Project, Fall 2004

    This is the ninth post in a series that I call, “Recovered Writing.” I am going through my personal archive of undergraduate and graduate school writing, recovering those essays I consider interesting but that I am unlikely to revise for traditional publication, and posting those essays as-is on my blog in the hope of engaging others with these ideas that played a formative role in my development as a scholar and teacher. Because this and the other essays in the Recovered Writing series are posted as-is and edited only for web-readability, I hope that readers will accept them for what they are–undergraduate and graduate school essays conveying varying degrees of argumentation, rigor, idea development, and research. Furthermore, I dislike the idea of these essays languishing in a digital tomb, so I offer them here to excite your curiosity and encourage your conversation.

    My “Sunset Observation Project” was a semester-long project in Professor James Sowell’s PHYS 2021 class in Fall 2004. Originally, I tried taking this class from Professor Sowell when I was having a lot of trouble  in school in the late 1990s. So, when I returned to Georgia Tech after a stint in the business world, I made a point to complete Professor Sowell’s class. I wanted to prove to myself that I could succeed in this class, and I wanted to prove to Professor Sowell, who I considered an engaging and interested instructor, that I could succeed in his class. Ultimately, I did well in this class and the second Astronomy class on large-scale astronomy that Professor Sowell also taught.

    This project helped me begin getting back into shape, because I choose to do it the hard way: instead of observing the sunset from campus, I went to the best observation place outside the city on top of Stone Mountain. This meant that I had to hike up to the top with my tripod and camera on a regular basis.

    I used Adobe Photoshop to create a line-drawn skyline and to measure my observations consistently by using layers.

    While I am posting my Sunset Observation Project as-is (meaning all of the mistakes contained below are mine), I continue to tell my students today that Professor Sowell was one of the professors who helped me with my writing, because I read his comments and listened to his advice. The takeaway for my students is that we can improve on our writing, communication, and composition anywhere and anytime–even in a class about our great solar system.

    Jason W. Ellis

    Professor James Sowell

    PHYS 2021

    Fall 2004

    Sunset Observation Project

    image001

    Purpose

    The Sunset Observation Project is designed to use long established techniques to chart the progression of the Sun across the horizon over the course of one school semester. It allows the student to become more aware of the motion of the Earth, both on its axis as well as its orbit around the Sun.

    Procedure

    Over the course of the semester each student will make a number of observations of the Sun setting.  Each observation must be made from the same location and a point of reference should be chosen along the horizon so that the Sun’s change in location can be measured using the hand and fingers as angular measuring devices.  Each observation should be about a week or more apart so that a discernible change can be observed.

    I made my observations from the same spot west of downtown Atlanta on top of Stone Mountain.  I expect smog and weather to cause some problems with observing sunsets, but Stone Mountain provides an excellent view of the horizon due to its height and distance away from tall buildings.

    Observational Data

    Date of Observation

    Time of Sunset

    Degrees from Reference Point

    Place of Observation

    Weather Conditions

    Aug 30, 2004

    8:05 pm EST

    0 deg

    Stone Mountain

    Cloudy and Hazy

    Sep 9, 2004

    7:51 pm EST

    5 deg S

    Stone Mountain

    Hazy

    Sep 18, 2004

    7:39 pm EST

    10 deg S

    Stone Mountain

    Hazy

    Oct 15, 2004

    6:51 pm EST

    26 deg S

    Stone Mountain

    Cloudy

    Oct 31, 2004

    5:45 pm EST

    30 deg S

    Stone Mountain

    Cloudy and Hazy

    image003

    August 30, 2004

    image005This was my first solar observation of the semester.  It was also the first time that I had climbed Stone Mountain.  I learned a lot on this first trip about giving myself enough time to hike the 1.4 miles to the top as well as bringing some Gatorade along because the outside water fountain wasn’t working.

    image007The cloud cover and haze was a problem that I encountered all semester.  It was difficult to arrange times to hike to the top of Stone Mountain that took into account my school schedule, work schedule, and the weather.  If I had considered these logistical problems beforehand, I would have chosen to make my observations from a window in one of Tech’s buildings.

    September 9, 2004

    image009This was a good day to hike to the top of Stone Mountain.  Unfortunately, there were distant clouds which obscured the setting of the sun so I had to take my picture while the sun was still above the building tops.

    image011The sun moved approximately 5 degrees South of the building that I used for a reference point during the semester of observations.

    September 18, 2004

    image013There was only a slight haze in the distance when I made this observation.  By this time, I had begun to enjoy hiking to the top of Stone Mountain.  I brought a friend along on the first observation, but no one would join me for any of other observations.

    image015The Sun is approximately 10 degrees South of my first observation.

    October 15, 2004

    image017The Sun had moved a great deal since my last observation.  Weather (i.e., hurricanes) and a busy schedule makes these observations difficult to make because of the time involved going to Stone Mountain and hiking to the top.

    image019The Sun is about 26 degrees South of my first observation.

    October 31, 2004

    image021This is the last observation that I made for this project.  It was a hazy evening which made it difficult to get a good picture of the setting Sun.

    image023The Sun is now 30 degrees South of where I began observing it in August.  It has moved across the horizon of a good deal of metro Atlanta.

    Conclusions

    The Sun was observed to move in a southwardly direction.  From a top-down view, it would appear to be moving in a counterclockwise motion along the horizon.  The rate of change seemed to be larger at the beginning of the semester.  The first three observations covered equal times, but the amount of change increased from the 8/30-9/9 period to the 9/9-9/18 period.  This pattern changed for the last two observations, which covered a greater time between the two observations (16 days), but there was only a 4 degree change in the position of the Sun.  This is probably due to the Sun’s arc across the sky decreasing as the year progresses.  The Sun is lower in the sky so it does not have as far to travel across the sky later in the year.

    The Sun should rise about 180 degrees from where it sets if it strictly rose in the East and set in the West.  The Sun does not do this because the inclination of the Earth causes the Sun to appear to be low or high in the sky during the course of the year.  This generates our seasons because the angle of light hitting the Earth’s surface changes as the Earth makes its way around the Sun during the year.  The length of the day gets shorter as the year progresses because the Sun cuts a smaller arc in the sky.  Less distance without any drastic changes in speed means that the Sun doesn’t spend as much time in the sky each day as the year progresses.

    Noon is still the time at which the Sun is at its highest point in the sky, but this highest point changes during the course of the semester.  This point will get lower and lower until the Winter Solstice when the Sun will begin to move North again and its path across the sky will likewise get higher too.

    Before this project, I had never been to the top of Stone Mountain.  Now I have been up to the top many times!  Observing the Moon and the Sun during the semester has made me more aware of the motions and orientations of the Moon, Earth, and Sun.  Before I had a vague awareness of how these things moved and were orientated, but now I have a much better grasp of the subject.

    Some problems that I encountered had to do with the weather.  The barrage of hurricanes in late September and October caused a lot of bad weather here in Atlanta.  In addition, it is difficult to arrange times to hike to the top of Stone Mountain when you have school and work schedules to deal with.  I am pleased with the outcome of my Sunset Observation Project, but I wish that I had been able to make more observations.  Because of this project, I will continue hiking to the top of Stone Mountain to watch the sunset.

  • Assessing Multimodality: Navigating the Digital Turn Tweet Round Up on Storify and a Picture of Me and My Pedagogy Poster

    My Pedagogy Poster on "Writing the Brain" at Assessing Multimodality Symposium.
    My Pedagogy Poster on “Writing the Brain” at Assessing Multimodality Symposium.

    Today, the Georgia Tech Writing and Communication Program and Bedford St. Martins hosted a symposium on Assessing Multimodality: Navigating the Digital Turn. I co-presented a workshop with Mirja Lobnik on Multimodality and Perception and I presented a poster during one of the day’s sessions. Many of us were tweeting our experiences at the symposium today, too. Click through the Storify embed below to virtually experience the symposium 140 characters at a time.

    [View the story “Assessing Multimodality: Navigating the Digital Turn Symposium” on Storify]

  • My Georgia Tech ENGL1101 Syllabus Version 1.1, “Writing the Brain: Composition and Neuroscience”

    engl1101-syllabusI am currently teaching three sections of ENGL1101 at Georgia Tech. The class’ theme, “Writing the Brain: Composition and Neuroscience,” remains the same as my earlier syllabus that I taught in Fall 2012 [available here]. However, I have made some fundamental changes to the reading list (two books instead of only one: John Medina’s Brain Rules and Jonathan Gottschall’s The Storytelling Animal), reading schedule (began with WOVENtext, then three fundamental essays/excerpts from O’Shea’s The Brain, Gary Marcus’ Kludge, and Geoffrey Miller’s The Mating Mind), and major projects (still three major projects, but now the first project incorporates Storify and ComicLife and the third project is an individual Pecha Kucha presentation instead of a group presentation–students will continue group work on the second project’s video). In the readings, I am encouraging more discussion about WOVEN and rhetoric in addition to discussion about the content and its application to composition. I have also integrated Twitter into the class’ daily rhythm and added daily reading presentations as a core component of the class. I have given the new syllabus a version 1.1 designation. Find out more by reading the new syllabus here.

    I should also note that I had planned on teaching ENGL1102 in Spring 2013, but the school asked for a volunteer to teaching ENGL1101 again. This seemed like a terrific opportunity to put some of my ideas from reflection into practice right away. I do plan to teach ENGL1102 in the future, and I will be ready with this syllabus (unless, of course, I find the time to develop another syllabus, which is something that I would like to do by continuing the “Writing the Brain” theme into the second tier class with neuronovels and neuronarratives).

  • My ENGL 1101 Syllabus for “Writing the Brain: Composition and Neuroscience”

    My English composition students at Georgia Tech are now well into their second major project, so I figured that I should get in gear and post my syllabus for my newly designed, WOVEN (written, oral, visual, electronic, and nonverbal) focused ENGL 1101 syllabus. The title of my class is “Writing the Brain: Composition and Neuroscience.” Unlike the previous iteration of this class at Kent State called “The Brain and Writing,” I overhauled the whole class to only use nonfictional readings and more strongly emphasize multimodality in assignments and discussion. So far, I am very pleased with the results as demonstrated by the great work and commitment of my students. If you would like to read my syllabus, you can download it as a PDF here: ellis-jason-fall2012-1101-syllabus.

  • Patrick E. McLean’s “A Defense of Writing Longhand”

    Folks who teach writing should read Patrick E. McLean’s essay, “A Defense of Writing Longhand” (on his official site here, and originally spotted on LifeHacker here). In his essay, he argues that he writes better longhand than computer typing, because longhand enforces a singular focus that we tend to lose when using a computer (I would say even with screen isolating typing software, because you may still think what is going on in cyberspace just beyond your imposed veil).

    I tend to agree with McLean. I believe that I write better in longhand than I do by typing. After I have written something in longhand, I type it into my computer and in that process I begin editing. Putting ideas down in writing on the page is a different operation than styling and improving your words through editing. Computers are very well suited to editing, but I have to admit that my computer can be a multitasking nightmare for me. Even with all other applications closed, I still have reminders of backups, wireless networks, the time, and even with the screen blanked only for writing, I can still occasionally hear the click and whirr of my hard drive (even when I used to have a SSD, I could still hear the fans of the computer and a barely audible buzz from the hard drive compartment).

    Of course, everyone’s approach to composition is different, but this is exactly the reason I ask my students to use computers and longhand for different assignments in my freshman and sophomore writing classes. This challenges students to use different styles of composition, and it allows students who may have one preference over another to show me what they are capable of in that particular medium.