Tag: MOC

  • LEGO Playset MOC of Temple Island on Ahch-To in Star Wars: The Last Jedi

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    Inspired by LEGO’s Death Star playset, which is both enormous and scene-focused, I built a 64 x 32 stud MOC of Temple Island on Ahch-To from Star Wars: The Last Jedi. First glimpsed at the end of The Force Awakens and explored in the latest installment, Temple Island is the home of the first Jedi Temple, and it is where Luke Skywalker has been hiding away during the rise of the First Order under the leadership of Snoke and supported by Luke’s former pupil, Ben Solo or Kylo Ren.

    As a LEGO playset, it has to balance accuracy, playability, and scale. For accuracy, I based the island’s shoreline on Ireland’s Skellig Michael, which is the location where these scenes were shot for the film. Also, the island’s topography were adhered to as closely as possible by having the north peak slightly lower than the higher south peak, and designing a middle valley between the two peaks, known as Christ’s Saddle on Skellig Michael. Each major scene involving Temple Island has been placed approximately where it would be on the island according to The Art of The Last Jedi and my observations of the film. And, each scene is scaled for play with LEGO minifigures, except where the Millennium Falcon lands along the shoreline, which would otherwise dwarf the island or require building a much larger model! For this element of the MOC, I used the Falcon included in last year’s LEGO Star Wars Advent Calendar (75184).

    Including all prep time, this build took me about 40 hours. In addition to studying books and magazines that showed glimpses of Temple Island and its topography, I watched YouTube videos such as these: one, two, and three. I leveraged Gimp’s grid rendering to plan the overall design based on a Google Maps’ satellite image of Michael Skellig. Also, I purchased additional LEGO to supplement what I already had on-hand: two 32 x 32 stud blue base plates to construct the MOC on, one green Creative set (10708), and two LEGO Ahch-To Island Training sets (75200).

    Below, I am including highlights from the construction process and the completed model. At the end, there are links to these albums with more photos of the MOC: Google Photos and Imgur.

    Designing the Shoreline Using Google Maps, Gimp, and Generated Grid

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    Top and Side Views of Temple Island

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    Rey’s First Encounter with Master Skywalker

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    Luke Skywalker’s Hut and Village

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    Rey’s Lightsaber Practice (at the Wailing Woman Rock)

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    The Sacred Jedi Texts Within the Uneti Tree

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    The Jedi Temple and Meditation Rock

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    Rey’s Visit to the Mirror Cave

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    Portability of the Model 

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  • New LEGO Millennium Falcon 75105 Customization with The Last Jedi Update

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    Over the years, I’ve built several customized LEGO Millennium Falcons (including here and here). I like taking the stock models and making them more screen accurate combined with imaginative embellishment. With this customization of a stock 75105 Millennium Falcon, I initially tried working this model that I had built about a year ago. However, I got really frustrated trying to work out how to implement some of the customizations that I had in mind. So, I disassembled the model and rebuilt it. Doing this helped me remember the logic of its design and construction, and it enabled me to rebuild some of its foundational features more easily than the piecemeal way I first attempted to do. The way that I did this rebuild also jumped around the instruction booklet, because the LEGO process of building is generally height-by-height across the whole model. I needed to focus on the modular aspects of the model, which is helped by building each module (circumferential ring, cockpit, docking ports, etc.). Due to rebuilding it from the ground up, this project took several days. Scroll through this blog post to view detailed photos and descriptions of this customization.

    Cockpit and Mandible Details

    Taking inspiration from Flail’s Millennium Falcon mods on Brickshelf, I rebuilt the cockpit with chairs and control sticks. This looks really nice, especially with the windows affixed. However, the chairs don’t work with Chewbacca’s minifigure. 75105 includes a Brick 1X4 W. 4 Knobs on either side of the fore mandibles. The side studs invite customization, so I added extra detail to these.

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    Gun Turrets, Dorsal Vents, and Ventral Covering

    Inspired by Flail’s mods on Brickshelf again, I built these lower profile top and bottom guns. I beefed up the dorsal venting system by putting Plate Round 4X4 With Ø16Mm Hole with a Plate 2X2 Round in its center. The Disk Ø24 with vent sticker connects to the round plate in the center. The bottom of the falcon is buttoned up with plates covering the Technic support system–some of which I modified to remove the arm underneath the cockpit support system and added a staggered rounding to the four corners.

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    Main Hold Entrance, Nav Computer, and Dejarik Table

    Using 1×1 roof tiles and an upside-down technique that I developed for a diorama of the Falcon’s main hold, I built this entrance into the main hold leading from the passage way from the entry ramp. The Dejarik Table and seating is borrowed from 75192. The Nav Computer area is very tight in the size of this model, so I couldn’t fit as large tubes adjacent to it as in the diorama linked above. Instead, I used two short tubes and moved the Nav Computer one stud to the left to accommodate the Falcon’s machinery. The main hold’s med bay is raised to accommodate a drawer, which I detail further at the end of this post to avoid The Last Jedi spoilers for anyone who hasn’t seen it yet.

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    Port and Starboard Docking Ports

    One disappointing aspect of the 75105 model is the docking ports. It sandwiches 1×2 plates between two Plate 6X6 Round With Tube Snap and covers that with two Plate 2X4X18°. The trouble with this design is that it doesn’t really show the cone-like taper of the docking ports. Earlier Millennium Falcon sets 4504 and 7965 did a better job with the docking ports. I decided to keep 75105’s sandwich to give the ports height, and then built up a capped tube circled by 1×2 plates each topped with a Roof Tile 1 X 2 X 2/3, Abs.

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    Wall Tile Extensions Around Circumference

    The Millennium Falcon dorsal and ventral domed covering extends over the circumferential edge. The 75105 model comes with 1×6 flat plates to demarcate this edge overhang, but it doesn’t really look right. I picked up a lot of Wall Element 1X2X1 on Bricklink to replace these 1×6 flat plates. In addition to showing this circumferential trench around the edge of the Falcon, it gives the model an overall flatter look, which emphasizes the Falcon’s on-screen appearance.

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    Engine Compartment

    Instead of the Falcon having a monolithic motor, it seems more likely that it would have a segmented, modular aerospike engine. With this in mind, I designed the engine compartment to have a ring of engine modules with supporting hardware, cabling, and pipes. I created a larger, ringed passage way with an entrance way leading into the engine compartment.

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    Entrance Ramp and Other Compartments

    I stole the hydraulics from 75103: First Order Transporter and added to the Falcon’s entrance ramp (which makes the ramp look like the Kenner Millennium Falcon vehicle from the original Star Wars action figure line). Also, I shifted the entrance ramp one stud out from the central gunner turret assembly. There are two side compartments–one for storage with weapons in a crate, and one for another bunk (with a copy of the Death Star plans).

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    New Engine Exhaust and a Little Joke

    Instead of using the ribbed, transparent blue tube that comes with 75105, I opted for white tile backgrounds covered by transparent blue flat tiles (1×2 and 1×4). As a hidden joke, I included a trailer hitch under the engines (isn’t the Millennium Falcon is a big rig in the stars?).

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    The Last Jedi Update

    At the end of The Last Jedi, Finn puts Rose in the Millennium Falcon’s med bay in the main hold. The camera focuses on the drawer under the bed when Finn looks for a blanket. The audience realizes that the drawer also contains the Jedi books on Ahch-To. To represent this, I raised the med bay, added a drawer beneath, and included a book (from The Hobbit set #79003: An Unexpected Gathering).

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  • Updated and Expanded LEGO Iron Man’s Hall of Armor

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    While continuing to sort my LEGO brick collection, I discovered four more Plate (A) 4M 45° pieces. With these special elements in-hand, I updated and expanded my LEGO Iron Man’s Hall of Armor, which I wrote about previously here.

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    I used a similar repetition for each armor suit pod, but I added one stud roof tiles (Roof Tile 1X1X2/3, Abs) at the base of each vertical transparent blue wall on either side of an armor suit.

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    Armors from left to right: Mark III (Iron Man film), Mark VI (Avengers), and Mark XVII “Heartbreaker” (Iron Man 3)

    To complete the model, I needed Iron Man’s armor with the triangular arc reactor window from the first Avengers movie (Mark VI armor). I ordered the 30167 polybag on ebay from a seller in Brooklyn (interestingly, it takes longer for mail to arrive from within my city borough than it does from California or even Germany at standard postal rates!).

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    Armors from left to right: Mark XVII “Heartbreaker” (Iron Man 3), Mark XLII (Iron Man 3), and Mark XLIII (Avengers: Age of Ultron).
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    Armors from left to right: Mark XLIII (Avengers: Age of Ultron), Mark XLV (Avengers: Age of Ultron), and Mark XLVI (Captain America: Civil War).

    I needed to redesign the base, so I opted to give it a symmetrical support underneath and and a stairway entrance in the southward position. It connects to the circular armor pod assembly with Technics connector pegs and bricks under the northward armor pod. While the center platform makes a tight and neat fit to the upper three pods, its plate studs do not line up with the side or bottom pods (there is a slight gap of about 1/16 to 1/8 of an inch).

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    It is a sturdy model that can be lifted from any point. Due to its limited interior space and the size of my adult hands, it is difficult to remove and replace the Iron Man armor in each pod.

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    My next idea for the set is to elevate it by about its current height and create a crank-driven lift in the central platform for Tony Stark’s grand entrance. This will take some more planning and time. I’m sure that Ant Man will be watching my progress.

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  • Creating an Improved LEGO Iron Man’s Hall of Armor

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    UPDATE: I expanded this design and reported on it here.

    As I wrote in my previous blog post, I have been sorting my LEGO bricks. This has helped me organize the LEGO pieces that I have, and it has helped me count the quantity that I have in a given type or color brick. This greater knowledge about the bricks in my collection inspired me last night to build a better Iron Man’s Hall of Armor (above) using the “A-frame” plates or “Plate (A) 4M 45°” from 75137 Carbon-Freezing Chamber.

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    My original Hall of Armor (above) was a play-oriented set, but it admittedly required care in its handling. It borrowed heavily from the Malibu Mansion and Avengers Tower sets. The curve of the armor display was accomplished with the central pad locked to the base with a 2×4 plate, each adjacent pad was connected to it with a plate hinge and supported beneath by non-locking flat plates, and the ends were connected to the base plate with 1×1 round plates. It worked, but it was fragile and admittedly very busy in its appearance. I thought that I could do better with a different approach focused on using system and Technics pieces, repetition, and strength.

    First, I designed the display bad for each Iron Man armor suit. I based it around a 4×6 plate and leftover translucent blue elements from the Avengers Tower set.

    I connected the five armor display pads at the top and bottom of each using the Plate (A) 4M 45°. The center pad and the end pads are built up to 1 brick height to accommodate the 3-hole Technic connector brick beneath the center pad. This is where the platform between the armor pads will connect.

    The central platform has a 3-hole Technic brick at the narrow end. It connects to the hall of armor arc with three Technic connector bushings. I used 1×1 bricks with outward facing stud all along the front of the display (both ends of the Hall of Armor arc and the central platform). I affixed flat dark grey plates to these to create a contrast with the light grey of the platform surface.

    This new design is more for display than playability. It is a much stronger model than my previous one, and it uses LEGO elements in new ways that I had not experimented with on a MOC before. In particular, I was very happy when the central platform perfectly interconnected with the sweep of the Hall of Armor arc. Also, I was able to build a MOC that utilized repetition in the design of the armor display pads, because I had an inventory and organizing system for my LEGO bricks. Had I not sorted my bricks, I don’t think that I would have been able to come up with this design and implement it as quickly as I did.

    While you’re looking at the images, can you spot a spy in the model?

  • Building City Tech’s New Academic Building at 285 Jay Street With LEGO

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    Over the past few days, I build a small scale model of the new City Tech academic building at 285 Jay Street. Still under construction, this model highlights its eventual glass-covered transparency (see this PDF for additional renderings of the building’s completed construction) with the model’s approximately 160 clear 1×2 bricks:

    My Serious Change Through Play collaborator Patrick Corbett original gave me the idea to build a model of the new building after we made our first grant-funded LEGO brick purchase. Here is what that first, simple model looked like:

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    With only a few LEGO and Duplo bricks, I was able to capture the glass structure, upper floors overhang, and intersecting curve of the auditorium. Eventually, we incorporated this model into the Serious Change Through Play branding logo. While I like this smaller model, I wanted to build one that was larger and captured more detail without breaking the bank.

    To begin my larger design and assess what extra LEGO pieces that I would need beyond those that I already own, I copied LEGO brick/plate design grids (see Duckingham Design’s grids, which are terrific) into Microsoft Windows’ Paint and drew in a rough sketch of each side’s elevation:

    After these initial designs, I knew that I had most of what I would need to build the base and solid-color aspects. However, I didn’t have any of the clear bricks. Luckily, I saw a bin full of clear 1×2 bricks at the Flatiron LEGO store a week ago, so I returned there to purchase those and spare bricks that I thought might be useful during the build:

    After disassembling all of the bricks in the pick-a-brick container (NB: if you purchase a pick-a-brick container from the LEGO store, you should assemble all of the bricks in order to maximize how many bricks can fit and minimize wasted empty space), I used plates and bricks to construct a 20×20 stud base with a height of 1 brick and two plates (one plate level on top and one plate level on bottom):

    Next, I began the fun part of the build, which I like to think about as similar to the writing process–brainstorm, draft, and revise. While I had my elevations to work from, I thought of specific ways to put the bricks together that represented the building better and served to make a stronger model. For example, using overlapping joints and interlocking corners in the upper stories look good and make the model sturdier.

    The intersecting auditorium provided some of the best challenges during this build, because it has an interesting curve that is like the forward leading edge of an airplane wing. This required a lot of digging through my boxes of bricks to find pieces that conveyed this as best as possible at this scale and appear close to the colors in the building design documents:

    You might have noticed a white, silver, and blue structure in the rear of the building. I felt that I would be remiss if I neglected to include the spirit of the building that used to be at 285 Jay Street–City Tech’s previous auditorium with its Klitgord mosaic (see page 8 of City Tech Connections vol. 6 no. 2 here for more information, or speak to Dr. Mary Nilles, who taught me about the history of the mosaics). The original Klitgord mosaics, crafted by Nathiel Choate and Joseph von Tury in 1962 for the auditorium building, look like this (photo by William Avery Hudson):

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    Photo by William Avery Hudson.

    Using the microscale of my model, I wanted to capture the color scheme and figures despite the extremely low resolution of the medium at this scale. Nevertheless, I figured that I could convey that there are six human figures and a color scheme of white, silver, and blue. Therefore, I built this model of the mosaic–perhaps the preserved mosaic will have a home in the new building?

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