This street art mural referencing Norman Mailer and his essay “The Faith of Graffiti” from Esquire (May 1974) can be seen from a low angle on Third Avenue, but it is probably even nicer at eye-level (albeit for only a moment at speed) from a car cruising down the raised I-278. Randy Kennedy writes in The New York Times (Oct. 26, 2010) with more info about the artists responsible for it who are known collectively as Slavery.