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Call for Papers: An Astounding 90 Years of Analog Science Fiction and Fact, The Fourth Annual City Tech Science Fiction Symposium

An Astounding 90 Years of Analog Science Fiction and Fact: The Fourth Annual City Tech Science Fiction Symposium

Date and Time:            December 12, 2019, 9:00AM-6:00PM

Location:                     New York City College of Technology, 285 Jay St., A105, Brooklyn, NY

Almost 90 years ago, Analog Science Fiction and Fact began its storied history as one of the most important and influential SF magazines with the publication of its first issue under the title Astounding Stories of Super-Science. During that time, its fabled editors, award-winning writers, recognized artists, and invested readers played roles in the development of one of the longest running and renowned SF magazines, which in turn, influenced the field and adapted to change itself.

The Fourth Annual City Tech Science Fiction Symposium will celebrate “An Astounding 90 Years of Analog Science Fiction and Fact.” It will feature talks, readings, and discussion panels with Analog Science Fiction and Fact’s current and past editors and writers, and paper presentations and discussion panels about its extensive history, its relationship to the SF genre, its connection to fandom, and its role within the larger SF publishing industry.

We invite proposals for 15-20 minute paper presentations that explore or strongly relate to Analog Science Fiction and Fact. Please send a 250-word abstract with title, brief professional bio, and contact information to Jason Ellis (jellis@citytech.cuny.edu) by September 30, 2019. Topics with a connection to Analog Science Fiction and Fact might include but are certainly not limited to:

  • Histories of the magazine’s editors, writers, and relationship to other SF magazines.
  • Relationship of the magazine to the ongoing development of the SF genre.
  • Tropes, themes, and concepts in the magazine.
  • Issues of identity (culture, ethnicity, race, sex, and gender) in the magazine.
  • Writers of color in the magazine.
  • Women writers in the magazine.
  • Fandom and the magazine.
  • Visual studies of cover and interior artwork.
  • Hard SF and the magazine.
  • Interdisciplinary approaches to studying the magazine.
  • STEM and the Humanities bridged in the magazine.
  • Pedagogical approaches to teaching SF and/or STEM with the magazine.

This event is free and open to the public as space permits: an RSVP will be included with the program when announced on the Science Fiction at City Tech website (https://openlab.citytech.cuny.edu/sciencefictionatcitytech/).

This symposium is held in partnership with Analog Science Fiction and Fact and its publisher Penny Publications. It is hosted by the School of Arts and Sciences at the New York City College of Technology, CUNY.

The Annual City Tech Symposium on Science Fiction is held in celebration of the City Tech Science Fiction Collection, an archival holding of over 600-linear feet of magazines, anthologies, novels, and scholarship. It is in the Archives and Special Collections of the Ursula C. Schwerin Library (Library Building, L543C, New York City College of Technology, 300 Jay Street, Brooklyn, NY 11201). More information about the collection and how to access it is available here: https://openlab.citytech.cuny.edu/sciencefictionatcitytech/librarycollection/.

Presentation Videos from the Third Annual City Tech Science Fiction Symposium, Nov. 27, 2018

 

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The Third Annual City Tech Science Fiction Symposium was an amazing success! Here are videos from the symposium’s presentations and discussions from Nov. 27, 2018. Watch them all on YouTube via this playlist, or watch them as embedded videos below.


9:00am-9:20am
Continental Breakfast and Opening Remarks
Location: Academic Complex A105
Justin Vazquez-Poritz, Dean of the School of Arts and Sciences, New York City College of Technology
Jason W. Ellis, New York City College of Technology


9:20am-10:35am
Session 1: Affect and Experimentation
Location: Academic Complex A105
Moderator: Jason W. Ellis
Leigh Gold, “The Legacy of Frankenstein: Science, Mourning, and the Ethics of Experimentation”
Lucas Kwong, “The Island Of Dr. Moreau, Fantastic Ambivalence, and the Victorian “Science Of Religion”
Robert Lestón, “Between Intervals: A Soundscape for all Us Monsters”


10:45am-12:00am
Session 2: Identity and Genre
Location: Academic Complex A105
Moderator: Jill Belli
Anastasia Klimchynskaya, “Frankenstein, Or, the Modern Fantastic: Rationalizing Wonder and the Birth of Science Fiction”
Paul Levinson, “Golem, Frankenstein, and Westworld”
Joy Sanchez-Taylor, “Genetic Engineering and non-Western Modernity in Paolo Bacigalupi’s The Windup Girl and Larissa Lai’s Salt Fish Girl”


1:15pm-2:30pm
Session 3: American Culture and Media
Location: Academic Complex A105
Moderator: A. Lavelle Porter
Aaron Barlow, “‘Fraunkensteen’: What’s No Longer Scary Becomes Funny or, How American Popular Culture Appropriates Art and Expands the Commons”
Marleen S. Barr, “Trumppunk Or Science Fiction Resists the Monster Inhabiting the White House”
Sharon Packer, “Jessica Jones (Superhero), Women & Alcohol Use Disorders”


2:40pm-3:40pm
Student Round Table: “Shaping the Future: A Student Roundtable on Octavia Butler’s Parable of the Sower”
Location: Academic Complex A105
Moderator: A. Lavelle Porter
Panelists: Zawad Ahmed
Marvin Blain
Kartikye Ghai
Devinnesha Ryan


4:00pm-4:50pm
Frankenstein Panel: Mary Shelley’s Novel’s Influence on Scientists and Technologists
Location: Academic Complex A105
Moderator: Justin Vazquez-Poritz
Panelists:
Heidi Boisvert, Entertainment Technology Department
Robert MacDougall, Social Sciences Department
Ashwin Satyanarayana, Computer Systems Technology Department
Jeremy Seto, Biological Sciences Department


5:00pm-6:00pm
Closing and Tour of the City Tech Science Fiction Collection
Location: City Tech Library L543
Remarks by Jason W. Ellis

Third Annual City Tech Science Fiction Symposium, Nov. 27: Program and Details

SF-symposium-3-poster

The Third Annual City Tech Symposium on Science Fiction

 

200 Years of Interdisciplinarity Beginning with Mary Shelley’s Frankenstein

 

Tuesday, Nov. 27, 2018, 9:00am-6:00pm

 

New York City College of Technology, CUNY

Academic Complex, Room A105

285 Jay St., Brooklyn, NY 11201

 

Organizing Committee: Jill Belli, Jason W. Ellis, Leigh Gold, Lucas Kwong, Robert Lestón, and A. Lavelle Porter

 

Hosted by the School of Arts and Sciences.

 

Event hashtag: #CityTechSF


 

The kind of literature that came to be known as Science Fiction (SF) owes a tremendous debt to Mary Shelley’s Frankenstein, or The Modern Prometheus (1818). In addition to being an (if not the) inaugural work of SF, Mary Shelley builds her cautionary tale around interdisciplinary approaches to science, and she takes this innovation further by applying the humanities to question the nature of being in the world, the effects of science on society, and the ethical responsibilities of scientists. These are only some of Frankenstein’s groundbreaking insights, which as Brian Aldiss and David Wingrove observe in Trillion Year Spree (1986), “is marvellously good and inexhaustible in its interest” (20). The many dimensions of interdisciplinarity in Frankenstein and the SF that followed are the focus of the Third Annual City Tech Science Fiction Symposium.


Schedule

 

9:00am-9:20am

Continental Breakfast and Opening Remarks

Location: Academic Complex A105

Justin Vazquez-Poritz, Dean of the School of Arts and Sciences, New York City College of Technology

Jason W. Ellis, New York City College of Technology

 

 

9:20am-10:35am       

Session 1: Affect and Experimentation

Location: Academic Complex A105

Moderator: Jason W. Ellis

Leigh Gold, “The Legacy of Frankenstein: Science, Mourning, and the Ethics of Experimentation”

Lucas Kwong, “The Island Of Dr. Moreau, Fantastic Ambivalence, and the Victorian “Science Of Religion”

Robert Lestón, “Between Intervals: A Soundscape for all Us Monsters”

 

 

10:35am-10:45am     

Break

 

 

10:45am-12:00am     

Session 2: Identity and Genre

Location: Academic Complex A105

Moderator: Jill Belli

Anastasia Klimchynskaya, “Frankenstein, Or, the Modern Fantastic: Rationalizing Wonder and the Birth of Science Fiction”

Paul Levinson, “Golem, Frankenstein, and Westworld”

Joy Sanchez-Taylor, “Genetic Engineering and non-Western Modernity in Paolo Bacigalupi’s The Windup Girl and Larissa Lai’s Salt Fish Girl

 

 

12:00am-1:15pm       

Lunch

 

 

1:15pm-2:30pm        

Session 3: American Culture and Media

Location: Academic Complex A105

Moderator: A. Lavelle Porter

Aaron Barlow, “‘Fraunkensteen’: What’s No Longer Scary Becomes Funny or, How American Popular Culture Appropriates Art and Expands the Commons”

Marleen S. Barr, “Trumppunk Or Science Fiction Resists the Monster Inhabiting the White House”

Sharon Packer, “Jessica Jones (Superhero), Women & Alcohol Use Disorders”

 

 

2:30pm-2:40pm        

Break

 

 

2:40pm-3:40pm        

Student Round Table: “Shaping the Future: A Student Roundtable on Octavia Butler’s Parable of the Sower

Location: Academic Complex A105

Moderator:      A. Lavelle Porter

Panelists:         Zawad Ahmed

Marvin Blain
Kartikye Ghai

Devinnesha Ryan

 

 

3:40pm-3:50pm        

Break

 

 

4:00pm-4:50pm        

Frankenstein Panel: Mary Shelley’s Novel’s Influence on Scientists and Technologists

Location: Academic Complex A105

Moderator:      Justin Vazquez-Poritz

Panelists:         Jeremy Seto

Robert MacDougall

 

 

4:50pm-5:00pm        

Break/Relocate to Library

 

 

5:00pm-6:00pm        

Closing and Tour of the City Tech Science Fiction Collection

Location: City Tech Library L543

Remarks by Jason W. Ellis

 


 

Symposium Participants & Contributors

 

 

Aaron Barlow teaches English at New York City College of Technology (CUNY).

 

Marleen S. Barr is known for her pioneering work in feminist science fiction and teaches English at the City University of New York. She has won the Science Fiction Research Association Pilgrim Award for lifetime achievement in science fiction criticism. Barr is the author of Alien to Femininity: Speculative Fiction and Feminist Theory, Lost in Space: Probing Feminist Science Fiction and Beyond, Feminist Fabulation: Space/Postmodern Fiction, and Genre Fission: A New Discourse Practice for Cultural Studies. Barr has edited many anthologies and co-edited the science fiction issue of PMLA. She is the author of the novels Oy Pioneer! and Oy Feminist Planets: A Fake Memoir. Her latest publication is When Trump Changed, the first single authored short story collection about Trump.

 

Jill Belli, Ph.D., is Associate Professor of English and Co-Director of the OpenLab, the college’s open-source digital platform for teaching, learning, and collaborating. Jill teaches and researches utopian studies and science fiction, and she serves on the Steering Committee and as the web developer for the Society for Utopian Studies. She is currently working on a book about happiness and well-being in education.

 

Julie Bradford designed the symposium’s Frankenstein-themed poster. She is a BFA in Communication Design Management student at City Tech who has a strong background in illustration. When she is not distracted by cute and shiny things or busy drawing up comic adventures with her Pokemon Go buddies, she is focused on her schoolwork and catching up on her shows. While completing her BFA, she is working as a graphic design intern for City Tech’s Faculty Commons. Her online portfolio is available here: www.behance.net/
juliebradf2a85.

 

Jason W. Ellis is an Assistant Professor of English at the New York City College of Technology, CUNY. He holds a Ph.D. in English from Kent State University, M.A. in Science Fiction Studies from the University of Liverpool, and B.S. in Science, Technology, and Culture from Georgia Tech. Recently, he co-edited a special issue of New American Notes Online (NANO) on Star Wars: The Force Awakens.

 

Leigh Dara Gold received her doctorate in German Literature in 2011 from New York University. She teaches Introduction to Poetry and English 1121 at New York City College of Technology, and Ancient Literature and Composition at Borough of Manhattan Community College. Her current research interests include science fiction’s role in the classroom, research on Ursula K. Le Guin, and connections between dance, literature, and philosophy.

 

Anastasia Klimchynskaya is a doctoral candidate at the University of Pennsylvania. She is currently working on a dissertation on the emergence of science fiction in the 19th century, which she situates in the context of earlier genres as well as the period’s discourses around scientific and technological novelty.  Her other intellectual interests include the mechanisms through which science fiction becomes science fact, literature as political engagement, and the cultural history of AI. She is also on the organizing committee of the Philadelphia Science Fiction Conference (Philcon), and a peer reviewer for the Journal of Science Fiction. 

 

Lucas Kwong is an assistant professor of English at New York City College of Technology, where he has recently served as the coordinator for the Literary Arts Festival Writing Competitions. His scholarship includes the article “Dracula’s Apologetics of Progress,” published in a 2016 issue of Victorian Literature and Culture, as well as a forthcoming article on H.P. Lovecraft’s “The Call of Cthulhu” for Journal of Narrative Theory. His current research project examines how late Victorian fantastic fiction reimagined the era’s fascination with religious difference. He also serves as the assistant editor for New American Notes Online (www.nanocrit.com) and City Tech Writer (openlab.citytech.cuny.edu/citytechwriter), a journal of student writing.

 

Paul Levinson, PhD, is Professor of Communication & Media Studies at Fordham University in NYC. His science fiction novels include The Silk Code (winner of Locus Award for Best First Science Fiction Novel of 1999), Borrowed Tides (2001), The Consciousness Plague (2002), The Pixel Eye (2003), The Plot To Save Socrates (2006), Unburning Alexandria (2013), and Chronica (2014). His stories and novels have been nominated for Hugo, Nebula, Sturgeon, Edgar, Prometheus, and Audie Awards. His novelette “The Chronology Protection Case” was made into short movie, now on Amazon Prime. His nonfiction books, including The Soft Edge (1997), Digital McLuhan (1999), Realspace (2003), Cellphone (2004), New New Media (2009; 2nd edition, 2012), McLuhan in an Age of Social Media (2015), and Fake News in Real Context (2016), have been translated into twelve languages. He co-edited Touching the Face of the Cosmos: On the Intersection of Space Travel and Religion in 2016. He appears on CNN, MSNBC, Fox News, the Discovery Channel, National Geographic, the History Channel, NPR, and numerous TV and radio programs. His 1972 LP, Twice Upon a Rhyme, was re-issued in 2010. He was President of the Science Fiction and Fantasy Writers of America, 1998-2001. He reviews television in his InfiniteRegress.tv blog, and was listed in The Chronicle of Higher Education’s “Top 10 Academic Twitterers” in 2009.

 

Robert MacDougall is an Assistant Professor in Philosophy at City Tech.

 

Sharon Packer, MD is a physician and psychiatrist who is in private practice and is Assistant Clinical Professor at Icahn School of Medicine at Mt. Sinai. She is the author of several books that link science, psychiatry and the humanities, including Neuroscience in Science Fiction Film, Cinema’s Sinister Psychiatrists, Movies and the Modern Psyche, Superheroes & Superegos: the Minds behind the Masks; Dreams in Myth, Medicine & Movies. She edited two multi-volume books on Evil in American Popular Culture and Mental Illness in Popular Culture. She writes regular articles on “Why Psychiatrists are Physicians First” for Psychiatric Times.  

 

A. Lavelle Porter is an Assistant Professor of English at New York City College of Technology. He holds a B.A. in history from Morehouse College and a Ph.D. in English from the CUNY Graduate Center. His writing has appeared in venues such as The GC Advocate, Callaloo, The New Inquiry, Poetry Foundation, and the African American Intellectual History Society. He is currently working on a book about representations of black higher education in popular culture.

 

 

Joy Sanchez-Taylor is an Associate Professor of English at LaGuardia Community College whose research specialty is science fiction and fantasy literature by authors of color. She has published articles in Science Fiction Studies, Extrapolation and The Journal of the Fantastic in the Arts. Currently, she is working on a book project titled Diverse Futures: Science Fiction, Fantasy, and Writers of Color.

 

Jeremy Seto is an Assistant Professor in Biological Sciences at City Tech.

 

Justin Vazquez-Poritz is the Dean of the School of Arts and Sciences at City Tech.

 


Special Thanks

 

Complementary magazines donated by Analog Science Fiction and Fact. For more information about the magazine and subscriptions, visit http://www.analogsf.com.

 

Complementary passes donated by The Morgan Library & Museum. Enjoy the exhibition It’s Alive! Frankenstein at 200 through January 27, 2019. For more information, visit www.themorgan.org.

 

Invaluable support from Dean Justin Vazquez-Poritz and Office Assistant Iva Williams.

 

Tremendous assistance from the Faculty Commons: Director Julia Jordan, Design Intern Julie Bradford, and the rest of the team.

 

 

Call for Papers: 200 Years of Interdisciplinarity Beginning with Mary Shelley’s Frankenstein: The Third Annual City Tech Symposium on Science Fiction

frankenstein-frontispiece-1831

200 Years of Interdisciplinarity Beginning with Mary Shelley’s Frankenstein: The Third Annual City Tech Symposium on Science Fiction

Date and Time: Tuesday, November 27, 2018. 9:00am-5:00pm

Location: New York City College of Technology, 300 Jay St., Namm N119, Brooklyn, NY

“So much has been done, exclaimed the soul of Frankenstein—more, far more, will I achieve; treading in the steps already marked, I will pioneer a new way, explore unknown powers, and unfold to the world the deepest mysteries of creation.”

–Mary Shelley, Frankenstein (1831 edition)

“Yeah, but your scientists were so preoccupied with whether or not they could that they didn’t stop to think if they should.”

–Ian Malcolm (Jeff Goldblum), Jurassic Park (1993)

Ian Malcolm’s admonition above is as much a rebuke to the lasting echo of Victor Frankenstein’s ambition to accomplish “more, far more” as it is to park owner John Hammond’s explaining, “Our scientists have done things no one could ever do before.” Films like Jurassic Park and the kind of literature that came to be known as Science Fiction (SF) owe a tremendous debt to Mary Shelley’s Frankenstein, or The Modern Prometheus (1818). In addition to being an (if not the) inaugural work of SF, Mary Shelley builds her cautionary tale around interdisciplinary approaches to science, and she takes this innovation further by applying the humanities to question the nature of being in the world, the effects of science on society, and the ethical responsibilities of scientists. These are only some of Frankenstein’s groundbreaking insights, which as Brian Aldiss and David Wingrove observe in Trillion Year Spree (1986), “is marvellously good and inexhaustible in its interest” (20). The many dimensions of interdisciplinarity in Frankenstein and the SF that followed are the focus of the Third Annual City Tech Science Fiction Symposium.

In this special anniversary year of Mary Shelley’s Frankenstein, join us for a one-day symposium discussing interdisciplinarity and SF. Continuing conversations began in the earlier symposia, we seek to investigate SF’s power as an extrapolating art form with interdisciplinarity at its core, including interdisciplinarity within STEM fields and the interdisciplinary synergy of STEM and the humanities.

We invite presentations of 15-20 minutes on SF and interdisciplinarity. Papers on or connected to Frankenstein are particularly encouraged. Possible presentation topics include, but are not limited to:

  • Mary Shelley’s Frankenstein and interdisciplinarity (focusing on research questions or teaching approaches)
  • Explorations of interdisciplinary ideas, approaches, and themes in SF (or what disciplinary boundaries does SF bridge)
  • SF as an interdisciplinary teaching tool (or what SF have you used or want to use in your classes to achieve interdisciplinary outcomes)
  • SF’s interdisciplinary imaginative functions (or Gedankenexperiment, considering ethical issues, unintended consequences, or unexpected breakthroughs)
  • Studying SF through an interdisciplinary lens (or combining otherwise discipline-bound approaches to uncover new meanings)
  • Bridging STEM and the humanities via SF (or SF as an interdisciplinary cultural work that embraces STEAM—Science, Technology, Engineering, the Arts, and Mathematics)
  • SF and identity (or how interdisciplinarity in SF reveals, supports, or explores issues of identity, culture, sex, gender, and race)
  • SF and place (or how SF’s settings are interdisciplinary, or where it is written fosters its interdisciplinarity)
  • Interdisciplinarity and archival work in SF collections (or making the City Tech Science Fiction Collection work for faculty, students, and researchers across disciplines)

Please send your abstract (no more than 250 words), brief bio, and contact information to Jason Ellis (jellis at citytech.cuny.edu) by Oct. 31, 2018.

The program will be announced by Nov. 12, 2018 on the Science Fiction at City Tech website here: https://openlab.citytech.cuny.edu/sciencefictionatcitytech/.

Hosted by the School of Arts and Sciences at the New York City College of Technology, CUNY.

The Annual City Tech Symposium on Science Fiction is held in celebration of the City Tech Science Fiction Collection, an archival holding of over 600-linear feet of magazines, anthologies, novels, and scholarship. It is located in the Archives and Special Collections of the Ursula C. Schwerin Library (Library Building, L543C, New York City College of Technology, 300 Jay Street, Brooklyn, NY 11201). More information about the collection and how to access it is available here: https://openlab.citytech.cuny.edu/sciencefictionatcitytech/librarycollection/.

City Tech Science Fiction Collection Inventory

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L to R: Jason Ellis, Lavelle Porter, and Jessica Roman

Over the past three days, I worked with my City Tech colleagues–Laura Westengard, Lavelle Porter, and Lucas Kwong–and student–Jessica Roman–to inventory the City Tech Science Fiction Collection. Two years ago, I began the collection’s finding aid by cataloging the 4,000+ magazines. Last year, I inventoried the collection’s nearly 1,700 monographs and anthologies. This year, we are creating an inventory of the remaining parts of the collection: scholarly journals and novels. Read details of our progress on the Science Fiction at City Tech OpenLab site here.

Interzone 14, Winter 1985/1986

Maker:L,Date:2017-10-2,Ver:5,Lens:Kan03,Act:Kan02,E-Y

I received another eBay find today: Interzone issue 14 (Winter 1985/1986). This is a special magazine issue for me, because it contains “The New Science Fiction” manifesto by Vincent Omniaveritas (pseudonym for the science fiction writer and activist Bruce Sterling; his alter ego also appears as publisher of the zine Cheap Truth–read scanned issues here or text of each issue here).

Originally published in the Puerto Rican fanzine Warhoon, this hard-hitting call-to-arms advocates that, “We must create the native literature of a post-industrial society” (40).

This isn’t necessarily a manifesto for the movement known as cyberpunk, but many cyberpunk works fit. Instead, it is a larger artistic movement, which he describes thus at the end of the essay:

What, in short, is the New Science Fiction? How do you write it, how do you recognize it?

First, it is not the property of any editor, clique, publisher, or regional or national association. It is not a question of personal influence, creative writing classes, or apprenticeship to genre gurus. It is a question of approach, of technique. And these are its trademarks:

(1) Technological literacy, and a concern with genuine modern science as opposed to the hand-me-down pseudoscience guff of past decades.

(2) Imaginative concentration, in which extrapolations are thoroughly and originally worked out rather than patched together from previous notions.

(3) Visionary intensity, with a bold, no-holds-barred approach to sf’s mind-expanding potential.

(4) A global, 21st-century point of view, which is not bound by the assumptions of middle-aged, middle-class white American males.

(5) A fictional technique which takes the advances of the new Wave as already given, using the full range of literary craftsmanship, yet asserting the primacy of content over style and meaning over mannerism.

The New Science Fiction is a process, directed toward a goal. It is an artistic movement in the fullest sense of the word. It is the hard work of dedicated artists, who know their work is worthwhile, who treat it as such, and who push themselves to the limit in pursuit of excellent.

And it is for real. (Omniaveritas 40)

The entire manifesto is worth reading–for its historical significance, its ideas for the New Science Fiction, and its prize-fighter-like style of sending its message home blow-after-blow. You can find a copy on Archive.org’s Internet Wayback Machine here.

Works Cited

Omniaveritas, Vincent (Bruce Sterling). “The New Science Fiction.” Interzone. No. 14 (1985), pp. 39-40.