Ahsoka

Despite being woefully behind on the Star Wars transmedia juggernaut, I decided to watch the live-action Ahsoka series this week. While I haven’t seen the animated series Star Wars: The Clone Wars or Star Wars Rebels, which provide the major narrative threads for Ahsoka, I’ve kept up enough with the plot points tangentially (sometimes via LEGO) to respect the characterological mining and intertextual connections that make Ahsoka an interesting story that also does a lot of fan service.

And, I don’t mean fan service in a negative way. The animated stories that provide the foundation for this new live-action series are what kept the Star Wars universe alive for a lot of fans and introduced that universe to a new set of fans. Star Wars might not have have needed an animated lifeline in the same way that Star Trek did in the 1970s, but the animated stories and the fact that it was created forthrightly as canon shows how live-action and animation can both do the heavy lifting of transmedia storytelling of such an important cultural franchise as is Star Wars.

It’s been awhile since Sean Scanlan and I edited a issue of New American Notes Online (NANO) on transmedia storytelling in Star Wars. Maybe it’s time for a new installment!