On Watching Jurassic Park in 3D


Last night, Yufang and I went to see the new 3D version of Steven Spielberg’s classic Jurassic Park at the Regal Hollywood 24 in Atlanta.

When Jurassic Park was originally released in 1993, I saw it three times on the Saturday of its opening weekend. I was in high school, and I followed science and cinema with a singular devotion. The images of the dinosaurs as living creatures amazed me. The possibilities of science to make something like Jurassic Park a reality captivated my imagination as much as the reality of the computer and special effects technologies that breathed life into these lifeless images on the screen.

I do not believe that I have seen Jurassic Park since that important opening weekend back in 1993. Of course, I have thought about the images and techniques that made those images possible, but I didn’t return to Jurassic Park as a film experience until last night.

Yufang had never seen Jurassic Park in the movie theater, but she had seen the film several times on VHS or DVD. Certainly a smaller screen experience than what I had had, but nevertheless, it was a science fiction film that she enjoyed and wanted to experience again on the big screen. Thus, we decided to find out how the film had been transformed by 3D post-production.

As soon as the sounds and the opening titles began, I knew that we were in for an exceedingly fun experience. However, I quickly found the 3D effects more distracting than immersive. Perhaps my respect for and expectation of Spielberg’s framing choices and other filmmaking techniques created a gap between my expectation and the unequivocal thereness of 3D. While I thought that the 3D effects were interesting and occasionally exciting, I do not believe that they add anything of substance to an already important and engaging film like Jurassic Park.

Yufang and I enjoyed seeing the film together, but I was haunted by the artificiality of the 3D effects. I think that the 3D re-processing of the film created with artificial dinosaurs makes the unreality of the dinosaurs that much more present. However, I do not mean that the 3D effects make the dinosaurs seem fake. In fact, there are several scenes–particularly involving T-Rex after Dennis Nedry (Wayne Knight) shuts down the security fences–that make the dinosaurs seem more real. What I mean is that the 3D’s cardboard-cutout-ness of layered scenes (foreground, midground (action usually), and background) makes the film feel more artificial than the original 2D film. The trick that our brains play on us as we see a 2D film is far more immersive to me than most 3D films–especially the ones that have 3D added as an afterthought and money making venture. Of course, Avatar is a different story altogether that I spoke about at the 2010 Science Fiction Research Association Conference [some details available here].

Films like Jurassic Park should, I believe, remain in the precious state of 2D where our brains can give us the trick of immersion that 3D post-processing cannot provide. Nevertheless, Jurassic Park in 3D is a fun movie and I am glad for having gone on its updated tour with Yufang.

Dean Griffin Day Luncheon for Thank a Teacher Recipients, and A Meditation on Teaching, Passion, and MOOCs


George C. Griffin, 1918

George C. Griffin, 1918

Today, the Georgia Tech Alumni Student Ambassadors and the Georgia Tech Center for the Enhancement of Teaching and Learning hosted the Dean Griffin Day Luncheon to recognize recipients of “Thank a Teacher” notes. I was honored by a Thank a Teacher note from one of my students.

Associate Vice Provost for Learning Excellence Donna Llewellyn told us about the origins of the Thank a Teacher program and recited some of the notes that recipients had received.

Marilyn Somers, Director of Georgia Tech’s Living History Program, guided us through enjoyable multimedia-driven stories about Dean George C. Griffin. Her enthusiasm for Georgia Tech is only matched by her passion as a storyteller.

Vice Provost for Undergraduate Education Colin Potts delivered a meditation on what exactly it is that makes a great teacher and how that relates to the modern development of online education in MOOCs (massive open online course). The two most provocative things that I took away from his talk include the question, “What makes a good teacher?,” and the observation, MOOCs are part of the evolution of education but not the end.

On my walk back to the Hall Building, I thought about Dr. Potts’ question: What makes a good teacher. Of course, I have given this idea a lot of thought before and after entering the profession, but it is a question that we as educators should continually return to in our work as reflective practitioners. The best quality that I have found in my teachers (and I mean those people who are educators in the broadest sense of the word) is passion. This includes a passion for the material being taught, a passion for student learning and success, a passion for engaging others, a passion for life-long learning, a passion for energetic discourse, a passion for understanding, a passion for a passion for giving back to a community, a passion for being a part of larger conversations beyond the classroom, and a passion for kindness. What’s intriguing about my experiences with some fantastic teachers during my life is that I do not believe that any of them perform, demonstrate, or conduct these same passions in the same way. There many different paths to these things, and its amazing to me how many different people tread very different paths yet have achieved for me the same positive and enriching outcomes.

This reminds me of something else that Dr. Potts warned about MOOCs–the impulse of some to promote a singular, superstar educator as the one way for a course to be delivered and taught. In a smaller way, I think back to my Calculus education at Georgia Tech. There were simply some professors who I could learn from–that is, their teaching style and methodology synced, jived, and meshed with my thinking and learning ability. The professors who I did learn Calculus best from might not have been the exemplars of the profession at Tech at that time, but they were, to me anyways, the best educators of Calculus (I should know, because I had some false starts early on in my educational career). We have to be very careful about the choices that we make as an institution and as a profession as we move further into offering MOOCs. These choices should extend beyond the calculus of student completion rates. We have to consider the effects MOOCs will have on pedagogy and educators. How will MOOCs, over time, influence education? How will MOOCs influence student success in areas not explicitly concerned with a course that teachers often provide and encourage (finding out how students are doing, having informal chats, making sure students are doing okay, etc.)? Will MOOCs push out some educators and educational styles in favor of others? Can the passions of educators be provided/conveyed and can the passions of students for learning, solving puzzles, and engaging discourses be fostered in a MOOC?

A final note: I am listening to Dr. Eric Rabkin’s lectures on tape for his Science Fiction: The Technological Imagination course from the University of Michigan. Certainly, he is passionate about science fiction, and it is, I believe, unavoidable for his passion to infect his audience. He knows the material, and he is obviously excited to convey this knowledge to his students (in the classroom and in the world–those of us listening to the lectures on tape). However, Dr. Rabkin cannot provide the same kinds of things as a teacher (educator, mentor, counselor, etc.) in a MOOC or lectures on tape that he can provide in a class of reasonable size (another issue). Don’t get me wrong–Dr. Rabkin is a fantastic person and I count him among my professional friends. However, there are limitations to what an educator can and cannot do in a MOOC or lectures on tape. For example, in his own highly popular MOOC, I imagine that he cannot read all of the comments or questions of every student (when I see Dr. Rabkin next, I will certainly ask him about how he compares his classroom and MOOC teaching). This is something possible when you have reasonable class enrollments and course loads (this leads into another area of concern about having too large of a class for a qualitative and composition oriented course–there is a point at which the teacher cannot provide the necessary and needed passion for all students. In which case, a too big of a class, too many classes, or a MOOC can become indistinguishable from the perspective of the educator). Of course, I can see that the objectives of the classroom learning environment compared to the MOOC/lectures on tape should be different. I am left wondering though if everyone who promotes MOOCs truly recognizes the different affordances of each without trying to make one into the other at the cost of each.

Curating a Conference Backchannel with Storify: 2013 SFRA/Eaton Conference in Riverside, CA


SFRA-logoWhile I was unable to attend this year’s Science Fiction Research Association Conference, held in conjunction with the biannual Eaton Conference this year, in Riverside, California, I was able to follow along with the goings-on thanks to Facebook and Twitter. As you might know, I am a big fan of Storify as a digital curation tool, so I thought it would make it easier for me to catch up and create an archive of the tweets made during the conference with the hashtags #sfra or #SFRAton (thanks to Glyn Morgan for that one). Unfortunately, I found it too time consuming to try to incorporate #eaton posts, because it is a widely used hashtag by different communities. A word of advice to all future conference organizers: plan ahead by researching available hashtags by seeing what’s unique and unused in the Twitterverse (at least as long as Twitter is a viable backchannel tool–otherwise, go with what works best!).

If you have never used Storify before, you should check it out. Simply go to storify.com and either create a new account or login using your Facebook or Twitter account. Choose to “Create a new story,” and then search among the different social media and web options in the right column. In this case, I searched for #sfra and #sfraton under Twitter. I then loaded all of the publicly available tweets and choose to add them all to my Storify Story (in the left column). Finally, I reordered the tweets chronologically and added a title and description before choosing to publish the Storify Story. What I did is very basic. Storify’s power comes from the ability to intermix/remix tweets with links, photos, and your comments added within Storify. It would be great if other SFRA members who attended the conference to create their Storify Story that includes more comments or photos from the various events.

Follow the link below for my Storify curation of the conference and many thanks to all of the SFRA members who diligently reported on the awesomeness of this year’s conference!

[View the story "2013 Joint SFRA/Eaton Conference in Riverside, CA" on Storify]

Assessing Multimodality: Navigating the Digital Turn Tweet Round Up on Storify and a Picture of Me and My Pedagogy Poster


My Pedagogy Poster on "Writing the Brain" at Assessing Multimodality Symposium.

My Pedagogy Poster on “Writing the Brain” at Assessing Multimodality Symposium.

Today, the Georgia Tech Writing and Communication Program and Bedford St. Martins hosted a symposium on Assessing Multimodality: Navigating the Digital Turn. I co-presented a workshop with Mirja Lobnik on Multimodality and Perception and I presented a poster during one of the day’s sessions. Many of us were tweeting our experiences at the symposium today, too. Click through the Storify embed below to virtually experience the symposium 140 characters at a time.

[View the story "Assessing Multimodality: Navigating the Digital Turn Symposium" on Storify]

Mirja Lobnik’s and My Workshop at the Assessing Multimodality: Navigating the Digital Turn Symposium: Multimodality and Perception: A Multi-Sensory Approach to Teaching Rhetorical Skills


photo

Perception and cognition.

This morning, Mirja Lobnik and I will be co-hosting a workshop on “Multimodality and Perception: A Multi-Sensory Approach to Teaching Rhetorical Skills” at the Assessing Multimodality: Navigating the Digital Turn Symposium co-hosted by Georgia Tech’s Writing and Communication Program and Bedford St. Martin’s. Our workshop is about multisensory perception, multimodal composition, and cognition:

Associated with the use of various media to create cohesive rhetorical artifacts and the neurology of the ways humans process information through different sensory channels, multimodality has gained considerable ground in the composition classroom. Insofar as multimodal pedagogies emphasize the role of students as active, resourceful, and creative meaning-makers, it tends to enhance student engagement and, by extension, the teaching of composition and rhetorical skills. Focusing on sensory details of embodied, lived experience, this workshop centers on teaching that engages students both in mind and body. This approach not only promotes the students’ creation of multimodal artifacts but also encourages students to explore and critically reflect on personal experiences. Specifically, Lobnik focuses on aural composing modalities, including speech, music, and sound, and assignments that highlight sound as a rhetorical and creative resource: a transcription, audio essay, and a video. Ellis discusses cognition, metacognition, and curation and an assignment that integrates Twitter, Storify, ComicLife, and the written essay.

If you get to attend our workshop or the symposium’s other great sessions, please tweet using the hashtag: #AMsymposium.

Register Now for My Science Fiction Class at Georgia Tech, LMC 3214, SS Summer Session 2013


Hallway poster for my first Science Fiction class.

Hallway poster for my first Science Fiction class. Photo of the Alien xenomorph captured at Seattle’s fantastic EMP Museum.

This summer, I will teach Georgia Tech’s Science Fiction class (LMC 3214). If you are a Tech student, you can take this class for Humanities credit. Read below for further details about the history of this class and specific information about registering for it.

Professor Bud Foote introduced Science Fiction to Tech some decades ago. When I first entered Tech, I wanted to take Professor Foote’s class, but it was always full before I had an opportunity to register for it. He and his class were insanely popular. After Bud’s retirement and passing away, Professor Lisa Yaszek and other faculty members continued to teach the history and cultural importance of SF to eager Tech students.

In 2004, I took Professor Yaszek’s Science Fiction class, which played a signifiant role in shaping my career path to this point as an educator at Tech. I am extremely happy to be a part of that tradition now with my own SF class.

My Science Fiction class, LMC 3214 SS2 (CRN: 56435) will be offered during the second short summer session on MTWR 9:20am-11:20am. Read below for my class description. Please note that this will be a reading-intensive class (primarily short stories with at least one novel), but there will be other media involved, including: TV shows, movies, and video games.

LMC3214 Science Fiction Ellis, J. (BF) SS2 MTWR 9:20-11:20am Skiles 368

This class will introduce you to science fiction (SF) and guide you toward a deeper appreciation of the genre’s historical development, cultural context, and technoscientific relevance. You will be given the opportunity to read, see, and experience a range of SF across different media, including novels, short stories, films, television shows, and video games, that share a common theme of “brains, minds, and computers.” While significant, this theme will lead our discussions toward other important themes in SF. In addition to these examples of the genre, you will learn about its origins and definitions, explore its mega-text of shared terminology, and develop a critical awareness of SF’s commentaries on the here-and-now veiled in future extrapolations and alternative realities. Students are expected to keep up with the extensive list of readings and to take part in discussion, active learning exercises, and presentations.

Second hallway poster for my Science Fiction class at Georgia Tech.

Second hallway poster for my Science Fiction class at Georgia Tech. Image taken from Ridley Scott’s Prometheus.

Notes and Photos from Minister Faust’s LMC Distinguished Speaker Presentation at Georgia Tech


Minister Faust in the Ferst Room.

Minister Faust in the Ferst Room.

On Monday, April 1, Minister Faust, the Canadian science fiction writer, delivered a presentation and performed readings from his published fiction to a full audience in Georgia Tech Library’s Ferst Room. His visit to Georgia Tech was part of the School of Literature, Media, and Communication’s Distinguished Speaker Series. There were also three nearby high school classes in attendance through telepresence technology.

Minister Faust began with a presentation titled, “Afrofuturism, E-Town, Imhotep-Hop and Me.” In this presentation, he sketched Canada’s historical, cultural, and political landscape, followed with background on his hometown, Edmonton and the neighborhood that he calls “Kush,” and concluded with an overview of Afrofuturism and his unique approach to storytelling that he calls, “Imhotep-Hop.”

Minister Faust reads to his audience.

Minister Faust reads to his audience.

Imhotep-Hop builds on the science fiction genealogy of cyberpunk > steampunk > Afrofuturism > steamfunk. Like those inventive subgenres, it is a kind of culture jamming. Like its namesake, it is grounded in intellectualism and the desire for gaining and sharing knowledge. However, Minister Faust recognizes that fiction must be entertaining. He uses allegory and humor to convey interesting and engaging stories about serious matters. Perhaps most importantly, Imhotep-hop indicates the past (ancient African stories and mythologies, presented as allegory) and present (the here-and-now) while pointing toward the future.

Following his presentation, Minister Faust read from two of his novels: The Coyote Kings Book One: Space Age Bachelor Pad and The Alchemists of Kush.

Minister Faust performing his reading.

Minister Faust performing his reading.

This is the second time that I have had the pleasure and honor of attending a reading by Minister Faust. The first time that I met him was at the 2012 Science Fiction Research Association Conference in Detroit. His reading there, like this one at Georgia Tech, was electric! Instead of simply reading from his novels as a speaker and author, Minister Faust performs his characters. His face, hands, and arms form an orchestra with his talented and powerful voice to convey urgency and surprise, excitement and peace, hostility and love. As he reads a scene to the audience, you are drawn into the story as much if not more so than a Console Cowboy sucked into the other worldly expanse of William Gibson’s cyberspace. Good storytelling, like that performed by Minister Faust, is a far more satisfying virtual reality than any generated in the Crytek or Unreal engines.

Minister Faust presenting.

Minister Faust presenting.

Dr. Lisa Yaszek scheduled Monday’s reading to accommodate one of my ENGL1101 classes. As a former Tech undergraduate, I understand how vitally important it is to students’ personal development and enrichment by attending special events and presentations. Some of my fondest memories of my Tech years include meeting Stephen Wolfram and watching Honda’s Asimo robot in person (twice). Furthermore, one of these meetings–spending the day with science fiction writer Kathleen Ann Goonan changed the direction of my life forever. At the end of that day, I told Dr. Yaszek that I had made up my mind to study science fiction professionally–and I did!

Minister Faust presenting.

Minister Faust presenting.

My students from that class and my other two sections were in attendance. Several of my students asked Minister Faust probing and insightful questions about the creative process, the relationship between writing and improving one’s mood, and the influence of his cultural experience on his personal writing style.

Minister Faust presenting.

Minister Faust presenting.

Building on Dr. Laura Otis’s previous Distinguished Speaker Series talk [which I wrote about here], I asked Minister Faust, what kind of conscious thinking does he do as he writes (e.g., verbally, visually, haptically, aurally, etc)? I was very happy to learn that he thinks multimodally depending on the content of a scene or the direction from which he comes when building his stories (verbally first sometimes, visually first at others, or aurally/musically for others). Ultimately, his thinking in different modes is expressed verbally in writing.

Minister Faust presenting.

Minister Faust presenting.

You can download my handwritten notes from his presentation and his responses to audience questions as a PDF here: Minister Faust Notes.

He also gave a second reading on the morning of Tuesday, April 2. Unfortunately, I was unable to attend. However, I am eager to find out which of my students went to that reading!

Me and Minister Faust.

Me and Minister Faust.

In addition to visiting Minister Faust’s official website to purchase his books directly from the author at a discount, you can purchase his books in print from Amazon here or in Kindle ebook format here.

I also highly recommend that you watch his TEDxEdmonton talk here and this interview featuring him talking about the fiction of Philip K. Dick in three parts here, here, and here .

Minister Faust is doing very important work through his writing. It is entertaining and educational; It is lighthearted and serious. I believe that it will be read and remembered in the SF pantheon. I am happy and thankful that he shared some of that work with the Georgia Tech community.